The Enlightenment And The Classical Era | |
Music in the Age of Enlightenment: Opera | |
Music in the Age of Enlightenment: Orchestral Music | |
Music in the Age of Enlightenment: Keyboard Music | |
Classical Music in Vienna | |
Joseph Haydn: Instrumental Music | |
Joseph Haydn: Late Symphonies and Vocal Music | |
Wolfgang Amadeus Mozart: Instrumental Music | |
Wolfgang Amadeus Mozart: Vocal Music | |
The Early Music of Beethoven | |
Beethoven+s Middle Period: 1802-1814 | |
After the Congress of Vienna: Beethoven+s Late Music | |
Romanticism | |
Musical Interlude 7: Romanticism | |
Franz Schubert | |
Music in Paris Under Louis Philippe: Berlioz and Chopin | |
Leipzig and the Gewandhaus: Mendelssohn and the Schumanns | |
German Opera in the Nineteenth Century: Weber and Wagner | |
Opera in Italy: Rossini and VerdiS | |
Nationalism and Virtuosity: Franz Liszt | |
Vienna in the Late Nineteenth Century: Brahms and Bruckner | |
Music and Ballet in Nineteenth-Century Russia: Mussorgsky and Tchaikovsky | |
Vienna at the Turn of the Twentieth Century: Gustav and Alma Mahler | |
England at the End of the Romantic Period: Elgar and Vaughan Williams | |
Opera in Milan After Verdi: Puccini, Toscanini, and Verismo | |
Paris of the Belle Epoque: Debussy, FaurT, and Lili Boulanger | |
The Early Twentieth Century | |
Musical Interlude 8: Music Since 1900 | |
Richard Strauss in Berlin | |
Music in Russian During the Silver Age: Igor Stravinsky | |
Atonality: Schoenberg and Scriabin | |
French Music at the Time of World War I: Ravel and Satie | |
Music in Paris After World War I: Stravinsky and the Six | |
Vienna in the Aftermath of War: Twelve-Tone Methods | |
Musical Theater in Germany in the 1920+s: Berg and Weill | |
BTla Bart=k and Hungarian Folk Music | |
Early Jazz | |
Paul Hindemith and Music in Nazi Germany | |
Music in Soviet Russia: Prokofiev and Shostakovich | |
Self-Reliance in American Music: Ives, Seeger, and Nancarrow | |
American Composers Return from Europe: Copland and Barber | |
Tin Pan Alley and the Broadway Musical | |
Contemporary Music | |
Musical Interlude 9: After World War II | |
Reflections on War: Britten, Penderecki, and Others | |
Twelve-Tone Music and Serialism After World War II | |
Alternatives to Serialism: Chance, Electronics, Textures | |
Harlem in the 1930s, 1940s, and 1950s: Big Bands, Bebop, and Cool Jazz | |
Musical Interlude 10: The Birth of Rock | |
Musical Interlude 11: Music in the Movies | |
Music of the 1960s and 1970s: Live Processes, Minimalism, Metric Modulations | |
Returning to the Known: Music of the Recent Past | |
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