Chapter 1: Introduction
Tools & Materials
Oil & Acrylic Techniques
Color Theory
Chapter 2: Landscapes with Anita Hampton, Michael Obermeyer, Kevin Short, and Tom Swimm
Painting a Panorama
Determining a Format
Painting Still Water
Introducing Perspective
Depicting Depth
Creating Drama with Light & Shadow
Land and Sea
Chapter 3: Clouds & Skyscapes with Alan Sonneman
Clouds
Techniques & Palette
Field Observation
Clouds in Motion
Illuminated Clouds
Midst the Storm
Dutch Sky
Twilight in the Wilderness
Clouds at Sunset
Chapter 4: Sunsets with Tom Swimm
Basic Techniques
Sunset Techniques
California Coast
African River
Moody Pier
New Mexico Mountain Sunset
Cloudy Beach
African Grassland
Chapter 5: Oceans & Seascapes with Martin Clarke
Tips
Techniques
Ellenbrook Shore
Eruption
Island Shore
Foaming Waters
An Unridden Wave
The Reef
About the Artists
The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.
The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.
There are many different ways to approach a blank support. Some artists begin by toning (or covering) it with a thin wash of color. This “underpainting” provides a base for building colors, and sometimes it peeks through in the final painting. This process prevents your final artwork from ending up with unpainted areas. The underpainting is generally a neutral color; warm colors work well for earth-toned subjects, and cool hues suit most other subjects.