Acknowledgements | |
Introduction | p. 1 |
The Lure of the Big Picture: Film, Television and Hollywood | p. 9 |
'They Think It's All Over': The Dramatic Legacy of Live Television | p. 47 |
Boxed In?: The Aesthetics Of Film and Television | p. 76 |
Speed, Film and Television: Media Moving Apart | p. 107 |
Nine Notes on Cinema and Television | p. 118 |
Television Programmes about the Cinema: the Making of Moving Pictures | p. 133 |
British Television and Film: The Making of a Relationship | p. 151 |
Getting the Right Approach: Channel Four and the British Film Industry | p. 177 |
Channel Four's Policy Towards Film | p. 183 |
The BBC and Film | p. 184 |
Film and Television Policy in Scotland | p. 188 |
Film and Television in Wales | p. 196 |
The BBC, Television Drama and Film in Northern Ireland | p. 205 |
Film and Television in Ireland: Building a Partnership | p. 210 |
The Logic of Convergence | p. 215 |
'Enmeshed in British Society but with a yen for American Movies': Film, Television and Stephen Frears | p. 224 |
Working in Television and Film: Verity Lambert | p. 232 |
Dial 'M' for Movies: New Technologies, New Relations | p. 240 |
Notes on Contributors | p. 267 |
Stills Index | p. 269 |
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