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9780393095395

Twentieth-Century Harmony: Creative Aspects and Practice

by
  • ISBN13:

    9780393095395

  • ISBN10:

    0393095398

  • Format: Hardcover
  • Copyright: 1961-02-17
  • Publisher: W. W. Norton & Company

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Supplemental Materials

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Summary

One of the most important books on contemporary music to appear in this century. Here for the first time is an orderly presentation of the harmonic procedures to be found in music of the first half of the twentieth-century. The author examines the nature of intervals in various contexts, discusses the modes and other scales employed in modern music, describes the formation and uses of chords by thirds, by fourths, and by seconds, of added-note chords and polychords; he deals with different types of harmonic motion, with harmonic rhythm and dynamic sand ornamentation, with harmonic behavior in tonality, polytonality, atonality and serial composition.

Table of Contents

Forewordp. 9
Intervalsp. 13
Constructionp. 13
Inversion and Spacingp. 17
Intervals in Chordsp. 19
Overtone Influencep. 23
Mediump. 25
Scale Materialsp. 31
Modesp. 31
Synthetic Scale Formationsp. 43
Pentatonic and Hexatonic Scalesp. 50
Chromatic Scalep. 60
Chords by Thirdsp. 66
Triadsp. 66
Seventh and Ninth Chordsp. 74
Elevenths and Thirteenthsp. 82
Fifteenths and Seventeenthsp. 85
Twelve-Note Chordsp. 87
Chords by Fourthsp. 93
Three-Note Chords by Fourthsp. 95
Four-Note Chords by Fourthsp. 101
Multi-Note Chords by Fourthsp. 104
Added-Note Chordsp. 109
Augmented Sixth Chordsp. 109
Other Added-Note Chordsp. 111
Chords by Secondsp. 121
Three-Note Chords by Secondsp. 121
Multi-Note Chords by Secondsp. 125
Clustersp. 126
Polychordsp. 135
Two Triadic Unitsp. 137
Three or More Triadic Unitsp. 150
Non-Triadic Unitsp. 153
Compound and Mirror Harmonyp. 163
Compound Constructionp. 163
Mirror Writingp. 172
Harmonic Directionp. 182
Progressionp. 182
Chord Connectionp. 189
Dissonancep. 194
Parallel Harmonyp. 198
Successive Perfect Fifthsp. 201
Cadential Devicesp. 206
Timing and Dynamicsp. 212
Rhythmp. 212
Percussive use of Harmonyp. 220
Pandiationic Writingp. 223
Dynamics and Restsp. 226
Embellishment and Transformationp. 230
Ornamental Figurationp. 230
Extension and Imitationp. 235
Chromatic Alterationp. 237
Pedal Point and Ostinatop. 241
Unison Writingp. 243
Key Centersp. 248
Tonalityp. 248
Modulationp. 251
Polytonalityp. 255
Atonalityp. 261
Serial Harmonyp. 262
Harmonic Synthesisp. 271
Combining Texturesp. 271
Theme and Form Ideasp. 275
Index of Composersp. 281
Subject Indexp. 285
Table of Contents provided by Syndetics. All Rights Reserved.

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