| Preface |
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8 | (9) |
| Acknowledgments |
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9 | (1) |
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Prehistory to Early Civilizations |
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10 | (10) |
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10 | (6) |
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10 | (1) |
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10 | (2) |
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12 | (1) |
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Evidence from Tribal Cultures |
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13 | (2) |
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15 | (1) |
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The First Permanent Settlements |
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16 | (4) |
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16 | (1) |
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17 | (1) |
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17 | (1) |
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Egyptian Temples and Houses |
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18 | (1) |
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Egyptian Furniture and Other Interior Furnishings |
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19 | (1) |
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Classical Civilizations: Greece and Rome |
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20 | (16) |
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Minoan and Mycenaean Cultures |
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20 | (2) |
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20 | (1) |
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20 | (2) |
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22 | (5) |
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22 | (2) |
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24 | (1) |
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Insights: The Growth of Athens |
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25 | (2) |
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27 | (9) |
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Arches, Vaults, and Domes |
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27 | (1) |
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28 | (2) |
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30 | (1) |
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31 | (1) |
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Insights: The Cost of Living in Ancient Rome |
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32 | (2) |
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Furniture and Other Interior Furnishings |
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34 | (1) |
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The Legacy of Rome: Technology |
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34 | (2) |
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Early Christian, Byzantine, and Romanesque |
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36 | (18) |
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36 | (5) |
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38 | (1) |
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Insights: The Ravenna Mosaics |
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39 | (1) |
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39 | (1) |
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40 | (1) |
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41 | (1) |
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Early Medieval: The ``Dark Ages'' |
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41 | (1) |
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41 | (11) |
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42 | (1) |
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42 | (1) |
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43 | (1) |
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44 | (1) |
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45 | (1) |
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46 | (1) |
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46 | (2) |
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48 | (1) |
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Insight: The Abbey at Cluny |
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48 | (1) |
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49 | (1) |
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Furniture and Other Interior Furnishings |
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50 | (2) |
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52 | (2) |
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52 | (1) |
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Moorish Elements in Spanish Romanesque |
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53 | (1) |
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54 | (18) |
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54 | (2) |
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New Construction Techniques |
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56 | (3) |
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Gothic Cathedrals and Churches |
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59 | (5) |
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59 | (3) |
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62 | (1) |
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63 | (1) |
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64 | (8) |
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Insights: Construction Work in a Medieval Building |
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65 | (1) |
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66 | (2) |
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68 | (2) |
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Innovations in Domestic Comfort |
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70 | (2) |
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72 | (20) |
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72 | (2) |
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Renaissance Interest in History |
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72 | (2) |
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Elements of Renaissance Style |
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74 | (1) |
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75 | (4) |
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75 | (3) |
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78 | (1) |
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79 | (1) |
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79 | (5) |
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79 | (3) |
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82 | (1) |
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Insights: Vasari's Account of the Farnese Palace |
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82 | (2) |
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The Late Renaissance and Mannerism |
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84 | (5) |
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85 | (1) |
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86 | (1) |
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87 | (2) |
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89 | (1) |
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89 | (3) |
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90 | (1) |
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91 | (1) |
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Baroque and Rococo in Italy and Northern Europe |
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92 | (16) |
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Elements of Baroque Style |
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92 | (1) |
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92 | (8) |
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94 | (1) |
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94 | (1) |
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95 | (2) |
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97 | (1) |
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97 | (1) |
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97 | (1) |
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97 | (2) |
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99 | (1) |
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Baroque in Northern Europe |
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100 | (6) |
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100 | (3) |
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103 | (1) |
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103 | (3) |
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Furniture and Other Interior Features |
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106 | (2) |
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Renaissance, Baroque, and Rococo in France and Spain |
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108 | (28) |
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108 | (23) |
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108 | (4) |
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112 | (4) |
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116 | (1) |
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116 | (1) |
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Insights: Louis XIV and Versailles |
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116 | (1) |
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117 | (3) |
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120 | (1) |
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Furniture and Furnishings |
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121 | (2) |
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123 | (1) |
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123 | (1) |
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124 | (1) |
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Regency and Rococo Furniture |
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125 | (1) |
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125 | (2) |
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127 | (1) |
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Insights: The Empire Style |
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128 | (2) |
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130 | (1) |
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131 | (5) |
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131 | (1) |
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132 | (1) |
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132 | (1) |
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Furniture and Other Interior Features |
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132 | (4) |
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Renaissance to Georgian in The Low Countries and England |
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136 | (18) |
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136 | (3) |
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136 | (2) |
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138 | (1) |
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139 | (15) |
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140 | (1) |
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140 | (1) |
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141 | (1) |
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142 | (1) |
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142 | (1) |
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Jacobean Interior Furnishings |
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143 | (1) |
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From Carolean to William and Mary |
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143 | (1) |
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143 | (2) |
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Carolean and William and Mary Interior Furnishings |
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145 | (1) |
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146 | (1) |
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147 | (1) |
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147 | (1) |
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148 | (1) |
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Insights: Robert Adam and Syon House |
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148 | (1) |
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149 | (1) |
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150 | (1) |
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Georgian Furniture and Interior Furnishings |
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150 | (4) |
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Colonial and Federal America |
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154 | (18) |
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Colonial Styles in Latin America |
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154 | (2) |
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Colonial Styles in North America |
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156 | (3) |
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156 | (1) |
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Early Colonial Furniture and Interior Furnishings |
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157 | (1) |
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Churches and Meeting Houses |
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158 | (1) |
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159 | (6) |
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159 | (4) |
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American Georgian and Queen Anne Furniture |
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163 | (1) |
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Late Colonial Public Buildings |
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163 | (2) |
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165 | (7) |
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165 | (1) |
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166 | (1) |
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166 | (3) |
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Furniture of the Federal Period |
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169 | (1) |
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Other Furnishings of the Federal Period |
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170 | (2) |
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The Regency, Revivals, and Industrial Revolution |
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172 | (18) |
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172 | (3) |
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172 | (2) |
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174 | (1) |
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174 | (1) |
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175 | (8) |
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175 | (1) |
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175 | (1) |
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176 | (1) |
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176 | (2) |
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178 | (1) |
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178 | (2) |
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180 | (3) |
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The Industrial Revolution |
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183 | (7) |
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Early Industrialization and Inventions |
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184 | (1) |
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184 | (1) |
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185 | (1) |
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186 | (1) |
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Insights: The Public's Perception of Crystal Palace |
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186 | (2) |
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France: Labrouste, Baltard, and Eiffel |
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188 | (2) |
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190 | (20) |
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The Roots of Victorian Style |
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190 | (3) |
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193 | (2) |
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193 | (1) |
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Middle-class Houses and Public Buildings |
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193 | (1) |
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Shaw and the Queen Anne Revival |
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194 | (1) |
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United States: Victorian Variations |
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195 | (11) |
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197 | (1) |
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198 | (1) |
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199 | (1) |
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200 | (1) |
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200 | (1) |
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Insights: The Shaker Philosophy |
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201 | (1) |
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202 | (3) |
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205 | (1) |
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205 | (1) |
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Furniture and Other Interior Furnishings |
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206 | (4) |
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210 | (16) |
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210 | (9) |
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Ruskin and the Roots of Arts and Crafts |
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210 | (1) |
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210 | (3) |
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213 | (1) |
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214 | (1) |
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Insights: Rossetti and the Aesthetic House |
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215 | (3) |
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218 | (1) |
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218 | (1) |
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218 | (1) |
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219 | (1) |
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United States: The Craftsman Movement |
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219 | (4) |
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Stickley and the Roycrofters |
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219 | (1) |
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220 | (1) |
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221 | (2) |
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Greene & Green and Maybeck |
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223 | (1) |
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Developments in Continental Europe |
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223 | (3) |
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225 | (1) |
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225 | (1) |
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Art Nouveau and the Vienna Secession |
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226 | (18) |
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Roots and Characteristics of Art Nouveau |
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226 | (3) |
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229 | (1) |
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229 | (1) |
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Insights: Victor Horta and Art Nouveau |
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229 | (1) |
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230 | (1) |
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230 | (2) |
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230 | (1) |
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230 | (2) |
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232 | (1) |
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232 | (1) |
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232 | (1) |
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232 | (2) |
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233 | (1) |
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Riemerschmidt and Behrens |
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234 | (1) |
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234 | (1) |
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Austria: The Vienna Secession |
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234 | (4) |
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234 | (1) |
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235 | (1) |
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Insights: Otto Wagner and ``Modern Architecture'' |
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236 | (1) |
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236 | (2) |
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238 | (1) |
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238 | (6) |
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238 | (2) |
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240 | (4) |
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244 | (22) |
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The Ecole des Beaux-Arts, Paris |
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244 | (3) |
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247 | (14) |
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Key Architects and Designers |
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247 | (1) |
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247 | (2) |
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249 | (3) |
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252 | (1) |
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252 | (3) |
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The Rise of the Interior Decorator |
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255 | (1) |
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255 | (1) |
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255 | (1) |
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256 | (1) |
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Other American Decorators |
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256 | (1) |
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Eclecticism in Professional Practice |
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256 | (1) |
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Saarinen and Cranbrook Academy |
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257 | (2) |
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259 | (1) |
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Eclecticism for the Masses |
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259 | (1) |
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259 | (1) |
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Furniture and Accessories |
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260 | (1) |
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261 | (1) |
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261 | (5) |
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263 | (1) |
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263 | (1) |
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264 | (1) |
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Insights: Sir Edwin Lutyens and the Viceroy's House in New Delhi |
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264 | (1) |
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265 | (1) |
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The Spread of Eclecticism |
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265 | (1) |
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The Emergence of Modernism |
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266 | (24) |
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266 | (4) |
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268 | (1) |
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Insights: The Philosophy of Frank Lloyd Wright |
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269 | (1) |
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270 | (2) |
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Mondrian and van Doesburg |
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270 | (1) |
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271 | (1) |
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Pioneers of the International Style |
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272 | (18) |
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272 | (2) |
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274 | (1) |
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Work of the 1920s and 1930s |
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274 | (1) |
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Insights: Mies Van Der Rohe: The Tugendhat House |
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274 | (2) |
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Emigration to the United States |
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276 | (1) |
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277 | (1) |
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278 | (1) |
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Paris: Developing the Machine Aesthetic |
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278 | (1) |
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Early Houses, Villas, and Apartments |
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279 | (3) |
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Insights: The Philosophy of Le Corbusier |
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282 | (1) |
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283 | (1) |
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284 | (1) |
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285 | (1) |
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285 | (1) |
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Insights: The Vision of Alvar Aalto |
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286 | (4) |
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Art Deco and Industrial Design |
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290 | (14) |
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290 | (6) |
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290 | (1) |
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290 | (3) |
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293 | (1) |
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293 | (2) |
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295 | (1) |
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295 | (1) |
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295 | (1) |
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296 | (1) |
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296 | (1) |
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297 | (4) |
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Loewy and Other Designers |
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298 | (2) |
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300 | (1) |
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301 | (3) |
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301 | (1) |
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302 | (1) |
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Textiles, Carpets, and Furniture |
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303 | (1) |
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The Spread of Early Modernism in Europe |
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304 | (10) |
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306 | (1) |
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306 | (1) |
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307 | (1) |
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308 | (1) |
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308 | (2) |
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310 | (1) |
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311 | (3) |
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314 | (14) |
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314 | (10) |
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314 | (1) |
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314 | (5) |
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319 | (1) |
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320 | (1) |
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321 | (1) |
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321 | (1) |
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322 | (1) |
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323 | (1) |
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Skidmore, Owings, and Merrill |
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323 | (1) |
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324 | (1) |
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Interior Decoration: The Reaction to Modernism |
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324 | (1) |
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Furniture and other Interior Furnishings |
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325 | (3) |
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325 | (1) |
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Herman Miller Furniture Company |
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326 | (2) |
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The Ascendency of Modernism |
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328 | (20) |
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328 | (3) |
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Insights: GIO Ponte: Pirelli Tower |
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330 | (1) |
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331 | (3) |
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334 | (1) |
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334 | (1) |
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335 | (1) |
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336 | (1) |
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337 | (9) |
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341 | (2) |
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343 | (1) |
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344 | (2) |
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346 | (1) |
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Furniture and Other Interior Furnishings |
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346 | (2) |
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346 | (2) |
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Late Twentieth-Century Design |
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348 | (30) |
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Prophets of Future Design |
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348 | (3) |
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348 | (3) |
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351 | (1) |
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351 | (6) |
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351 | (2) |
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Insights: Rogers and Piano and the Centre Pompidou |
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353 | (1) |
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353 | (1) |
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354 | (2) |
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356 | (1) |
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356 | (1) |
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357 | (5) |
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357 | (2) |
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359 | (2) |
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361 | (1) |
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361 | (1) |
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362 | (2) |
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362 | (1) |
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362 | (2) |
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364 | (3) |
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364 | (2) |
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366 | (1) |
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367 | (2) |
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367 | (1) |
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368 | (1) |
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369 | (4) |
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370 | (1) |
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371 | (2) |
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373 | (5) |
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373 | (2) |
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375 | (1) |
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376 | (2) |
| Glossary |
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378 | (6) |
| Bibliography |
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384 | (4) |
| Picture Credits |
|
388 | (2) |
| Index |
|
390 | |
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