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9780201719796

Final Cut Pro 2: Visual Quickpro Guide for Macintosh

by
  • ISBN13:

    9780201719796

  • ISBN10:

    0201719797

  • Edition: 2nd
  • Format: Paperback
  • Copyright: 2001-08-01
  • Publisher: Pearson P T R
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Summary

With its fast, interactive editing features, elegant interface, nimble animation compositing tools, and competitive price Final Cut Pro is an affordable alternative for those investing in a first-rate video editing system. Yet despite the huge surge in Final Cut Pro users in the past two years, there is still only one book available in the market. Aimed at intermediate-to-professional video producers, editors, and ardent hobbyists, Final Cut Pro 2 for Macintosh: Visual QuickPro Guide provides in-depth coverage of Apple's updated video editing and effects software. Step-by-step instructions lead readers through Final Cut Pro's complex architecture and into more advanced video editing tasks. All the new features of Final Cut Pro 2 are covered in detail, including its new sound capabilities, faster rendering, and complex integration with Apple's QuickTime software.

Table of Contents

Introduction ix
Before You Begin
1(28)
System Requirements
3(2)
System Configuration
5(5)
Connecting Video Devices and Monitors
10(5)
Installing Final Cut Pro
15(8)
Optimizing Performance
23(3)
Troubleshooting
26(3)
Welcome to Final Cut Pro
29(58)
Touring Your Desktop Post-Production Facility
30(4)
Editing and Effects Windows
34(6)
Input and Output Windows
40(1)
Media Management Tools
41(1)
Customize Your Environment
42(2)
Undoing Changes
44(1)
Using Presets and Preferences
45(3)
Using Easy Setups
48(3)
Using Audio/Video Presets
51(4)
Specifying Sequence Settings
55(4)
Specifying Video Processing Settings
59(1)
Specifying Capture Settings
60(7)
Specifying Device Control Settings
67(2)
Using External Video Settings
69(3)
Specifying Preference Window Settings
72(3)
Setting User Mode Preferences
75(1)
Customizing the Timeline Display
76(1)
Setting Label Preferences
77(1)
Setting Scratch Disk Preferences
78(3)
Changing the Settings of an Existing Sequence
81(2)
Viewing and Setting Item Properties
83(3)
Viewing and Setting Project Properties
86(1)
Input: Getting Digital with Your Video
87(56)
Anatomy of the Log and Capture Window
88(7)
Setting Up for Capture
95(8)
About Logging
103(9)
Capturing Video with Device Control
112(2)
Capturing Video without Device Control
114(6)
Batch Capturing Clips
120(5)
Importing a Batch List
125(2)
Importing an Edit Decision List (EDL)
127(2)
Changing Your Source Timecode
129(3)
Troubleshooting Capture Problems
132(4)
Importing Media
136(7)
Preparing Your Clips
143(24)
Anatomy of the Browser
144(4)
About Projects
148(4)
How the Browser Can Save Your Sanity
152(10)
Working with Bins
162(5)
Introducing the Viewer
167(46)
Onscreen Controls and Displays
168(4)
Working with Clips in the Viewer
172(9)
Navigating with Timecode
181(1)
Working with In and Out Points
182(2)
About Subclips
184(2)
Using Markers
186(6)
Adjusting the Viewer Display
192(7)
Anatomy of the Audio Tab
199(3)
Using the Viewer's Audio Tab
202(11)
Editing in Final Cut Pro
213(30)
What's a Sequence?
214(5)
Basic Editing Step by Step
219(6)
Performing Edits in the Canvas
225(10)
Performing Edits in the Timeline
235(2)
Performing Split Edits
237(2)
Setting Sequence In and Out Points
239(2)
Locating a Match Frame
241(2)
Using the Timeline and the Canvas
243(64)
Anatomy of the Canvas
244(6)
Using the Canvas Window
250(3)
Anatomy of the Tool Palette
253(4)
Anatomy of the Timeline
257(5)
Customizing Timeline Display Options
262(5)
Navigating in the Timeline
267(6)
Working with Timeline Tracks
273(8)
Working with Items in the Timeline
281(20)
Working with Keyframes in the Timeline
301(3)
Searching for Items in the Timeline
304(3)
Fine Cut: Trimming Edits
307(24)
Types of Trimming Operations
308(2)
Selecting an Edit for Trimming
310(3)
Anatomy of the Trim Edit Window
313(2)
Using the Trim Edit Window
315(4)
Trimming Edits in the Timeline
319(8)
Trimming Edits in the Viewer
327(2)
Correcting Out-of-Sync Clips
329(2)
Creating Transitions
331(20)
Adding Transition Effects
332(4)
Working with Default and Favorite Transitions
336(5)
Editing Video Transitions
341(10)
Rendering
351(32)
Rendering Protocols
352(3)
About Render-Quality Levels
355(5)
Rendering
360(5)
About Real-Time Effects
365(3)
Managing Render Files
368(3)
Rendering Strategies
371(3)
Reducing Rendering Time
374(1)
Preserving Render Files
375(8)
At Last: Creating Final Output
383(58)
Using Tape Output Modes
384(3)
Recording Timeline Playback
387(2)
Printing to Video
389(5)
Editing to Tape
394(2)
Anatomy of the Edit to Tape Window
396(3)
Setting Up for Edit to Tape
399(3)
Performing an Edit to Tape
402(4)
Data Export Modes
406(1)
Exporting an Edit Decision List (EDL)
406(7)
Exporting a Batch List
413(3)
Exporting Sequences and Clips
416(7)
Exporting other QuickTime formats
423(7)
Batch Exporting
430(7)
Exporting Audio in OMF Format
437(4)
Big Picture: Managing Complex Projects
441(50)
Working with Multiple Sequences
442(9)
Using DV Start/Stop Detection
451(2)
Using Media Management Tools
453(1)
Using the Media Manager
454(1)
Overview of Media Manager Procedure
455(19)
Reconnecting Offline Files
474(6)
Deleting Media
480(2)
Project Maintenance Tips
482(6)
Setting Up for Multiple Projects and Multiple Users
488(3)
Compositing and Special Effects
491(86)
Locating and Applying Effects
493(8)
Using Wireframes
501(2)
Using Keyframes
503(8)
Using Motion
511(3)
Scaling and Positioning Clips
514(14)
Creating Motion Paths
528(3)
Editing a Motion Path
531(4)
About FXBuilder
535(2)
Applying Filters
537(7)
Compositing
544(5)
Using Generators
549(3)
Generating Text
552(6)
Using Animated Text Generators
558(7)
Creating Artwork in Adobe Photoshop
565(8)
Using Commotion DV
573(1)
Using Third-Party After Effects Filters
574(3)
Appendix A: Online Resources 577(4)
Apple Computer Links
577(1)
Online Users Forums
578(1)
Hardware
578(1)
Reference
578(1)
Mavens
579(1)
FCP User Groups
579(2)
Appendix B: Keyboard Shortcuts 581(12)
Index 593

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