What is included with this book?
Introduction | p. xiii |
Acknowledgments | p. xxi |
Chronology | p. xxv |
Jaws | p. 1 |
Archetypal Landscapes and Jaws | p. 3 |
Integrating Ideology and Archetype in Rhetorical Criticism, Part II: A Case Study of Jaws | p. 15 |
Close Encounters of the Third Kind | p. 45 |
Language and the Music of the Spheres: Steven Spielberg's Close Encounters of the Third Kind | p. 47 |
Raiders of the Lost Ark | p. 57 |
Raiders of the Lost Archetype: The Quest and the Shadow | p. 59 |
E.T.: The Extra-Terrestrial | p. 69 |
The Look Back in E.T. | p. 71 |
The Color Purple | p. 91 |
The Color Purple as Everybody's Protest Art | p. 93 |
Empire of the Sun | p. 107 |
Steven Spielberg's Empire of the Sun: A Boy's Dream of War | p. 109 |
Ballard's Nightmares/Spielberg's Dreams: Empire of the Sun | p. 127 |
Always | p. 139 |
Raiders of the Lost Text | p. 141 |
Hook | p. 157 |
Robert Bly Does Peter Pan: The Inner Child as Father to the Man in Steven Spielberg's Hook | p. 159 |
Jurassic Park | p. 169 |
Dinomania | p. 171 |
Schindler's List | p. 189 |
The Economies of Schindler's List | p. 191 |
Narration and the Embodiment of Power in Schindler's List | p. 215 |
Amistad | p. 237 |
"Amistad" and the Abuse of History | p. 239 |
Saving Private Ryan | p. 249 |
Jerry Don't Surf | p. 251 |
The Director's Filmography | p. 257 |
Index | p. 269 |
About the Editor | p. 281 |
About the Contributors | p. 283 |
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