More New and Used
from Private Sellers
Only three copies
in stock at this price.
In Stock Usually Ships in 24-48 Hours
In Stock Usually Ships in 24 Hours
Starting at $10.00
Questions About This Book?
Why should I rent this book?
Renting is easy, fast, and cheap! Renting from eCampus.com can save you hundreds of dollars compared to the cost of new or used books each semester. At the end of the semester, simply ship the book back to us with a free UPS shipping label! No need to worry about selling it back.
How do rental returns work?
Returning books is as easy as possible. As your rental due date approaches, we will email you several courtesy reminders. When you are ready to return, you can print a free UPS shipping label from our website at any time. Then, just return the book to your UPS driver or any staffed UPS location. You can even use the same box we shipped it in!
What version or edition is this?
This is the 2nd edition with a publication date of 8/1/2001.
What is included with this book?
- The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any CDs, lab manuals, study guides, etc.
- The Used copy of this book is not guaranteed to inclue any supplemental materials. Typically, only the book itself is included.
- The Rental copy of this book is not guaranteed to include any supplemental materials. You may receive a brand new copy, but typically, only the book itself.
In the Blink of an Eye is celebrated film editor Walter Murch's vivid, multifaceted, thought -- provoking essay on film editing. Starting with what might be the most basic editing question -- Why do cuts work? -- Murch treats the reader to a wonderful ride through the aesthetics and practical concerns of cutting film. Along the way, he offers his unique insights on such subjects as continuity and discontinuity in editing, dreaming, and reality; criteria for a good cut; the blink of the eye as an emotional cue; digital editing; and much more. In this second edition, Murch reconsiders and completely revises his popular first edition's lengthy meditation on digital editing (which accounts for a third of the book's pages) in light of the technological changes that have taken place in the six years since its publication.
Walter Murch is an editor, sound designer, director, and screenwriter who has been honored repeatedly by both the American and British Motion Picture Academies for his picture editing and sound mixing. Among the many notable films he has edited and/or mixed are The Conversation, American Graffiti, Julia, Apocalypse Now, The Godfather Part II and Part III, The Unbearable Lightness of Being, House of Cards, Ghost, Crumb, The English Patient, and The Talented Mr. Ripley
Table of Contents
|Preface to the Second Edition||p. xi|
|Cuts and Shadow Cuts||p. 1|
|Why Do Cuts Work?||p. 5|
|"Cut Out the Bad Bits"||p. 10|
|Most with the Least||p. 15|
|The Rule of Six||p. 17|
|Seeing Around the Edge of the Frame||p. 23|
|Dreaming in Pairs||p. 26|
|Team Work: Multiple Editors||p. 29|
|The Decisive Moment||p. 32|
|Methods and Machines: Marble and Clay||p. 43|
|Test Screenings: Referred Pain||p. 52|
|Don't Worry, It's Only a Movie||p. 57|
|A Galaxy of Winking Dots||p. 70|
|Afterword: Digital Film Editing: Past, Present, and Imagined Future||p. 73|
|Table of Contents provided by Syndetics. All Rights Reserved.|