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13 | (1) |
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14 | (1) |
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15 | (1) |
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16 | (1) |
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17 | (1) |
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18 | (1) |
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The Elegant Simplification |
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19 | (1) |
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20 | (1) |
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21 | (1) |
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22 | (1) |
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23 | (1) |
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24 | (1) |
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25 | (1) |
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26 | (1) |
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The Running of the Mascara |
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27 | (1) |
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28 | (1) |
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29 | (1) |
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30 | (1) |
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The Great Abstraction, or the Unfinished Story of Everything |
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31 | (1) |
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32 | (1) |
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33 | (1) |
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34 | (1) |
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35 | (4) |
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39 | (1) |
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40 | (1) |
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41 | (1) |
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42 | (1) |
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43 | (1) |
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44 | (1) |
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45 | (1) |
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46 | (1) |
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Of Those Who Bring Forth Upon the Earth |
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47 | (1) |
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New Prose About an Old Poem |
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48 | (1) |
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49 | (1) |
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50 | (1) |
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51 | (1) |
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52 | (1) |
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53 | (1) |
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54 | (1) |
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55 | (1) |
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Bath Water and Spilled Milk |
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56 | (1) |
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57 | (1) |
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58 | (1) |
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59 | (4) |
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63 | (1) |
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64 | (1) |
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65 | (1) |
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66 | (1) |
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67 | (1) |
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68 | (1) |
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69 | (1) |
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70 | (1) |
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71 | (1) |
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72 | (1) |
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73 | (1) |
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74 | (1) |
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75 | (1) |
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76 | (1) |
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77 | (1) |
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An Old Woman Who Tastes Like an Old Woman |
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78 | (1) |
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Portrait of a Wrinkly Old Man with Nasty Genitals |
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79 | (1) |
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80 | (1) |
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81 | (1) |
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82 | (1) |
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83 | (1) |
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84 | (1) |
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85 | (1) |
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86 | (1) |
| Acknowledgments |
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87 | (1) |
| About the Author |
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88 | (4) |
| Colophon |
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92 | |
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