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In the past dozen years, Maya decipherment has made great strides, in part due to the Internet, which has made possible the truly international scope of hieroglyphic scholarship: glyphic experts can be found not only in North America, Mexico, Guatemala, and western Europe but also in Russia and the countries of eastern Europe. The third edition of this classic book takes up the thorny question of when and where the Maya script first appeared in the archaeological record, and describes efforts to decipher its meaning on the extremely early murals of San Bartolo. It includes iconographic and epigraphic investigations into how the Classic Maya perceived and recorded the human senses, a previously unknown realm of ancient Maya thought and perception. There is now compelling documentary and historical evidence bearing on the question of why and how the '¬Sbreaking of the Maya code'¬ was the achievement of Yuri V. Knorosov'¬ ;a Soviet citizen totally isolated behind the Iron Curtain'¬ ;and not of the leading Maya scholar of his day, Sir Eric Thompson. What does it take to make such a breakthrough, with a script of such complexity as the Maya? We now have some answers, as Michael Coe demonstrates here.
Michael D. Coe is Professor Emeritus of Anthropology and Curator Emeritus in the Peabody Museum of Natural History at Yale University. His many other books include The Maya, Mexico, and The True History of Chocolate (with Sophie D. Coe), all published by Thames Hudson.
Table of Contents
|The Word Made Visible||p. 13|
|Lords of the Forest||p. 46|
|A Jungle Civilization Rediscovered||p. 73|
|Forefathers: The Dawn of Decipherment||p. 99|
|The Age of Thompson||p. 123|
|A New Wind from the East||p. 145|
|The Age of Proskouriakoff: The Maya Enter History||p. 167|
|Pakal's People||p. 193|
|Down into Xibalbá||p. 217|
|A New Dawn||p. 230|
|A Look Backward, A View Forward||p. 257|
|Proskouriakoffs "Suggested Order of Discussion"||p. 275|
|The Maya Syllabic Chart||p. 277|
|Sources of Illustrations||p. 290|
|Further Reading and Bibliography||p. 292|
|Table of Contents provided by Ingram. All Rights Reserved.|