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9780137929467

Bridging English

by ;
  • ISBN13:

    9780137929467

  • ISBN10:

    0137929463

  • Edition: 2nd
  • Format: Paperback
  • Copyright: 1998-08-01
  • Publisher: Prentice Hall
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List Price: $69.00

Summary

The third edition of this popular book again takes a balanced, comprehensive approach to teaching English one that creates a bridge between theory/background and practices that reflect today's diverse, challenging high school classrooms. This book has been praised for its unique components: discussion of " four stages" of reading texts and " three phases" of teaching texts. The authors' many years of experience teaching English are obvious throughout the material, but nowhere more so than in their straightforward presentation of organization and planning for instruction and their firm stand on teaching grammar. This book covers the challenging and the controversial in English instruction and explores censorship, national standards, high-stakes testing, multi-lingual students, and multicultural literature. For professionals in the field of teaching.

Table of Contents

1 ENVISIONING ENGLISH
1(15)
Initial Definitions
1(2)
A Brief History
3(1)
Core Beliefs
4(10)
The Crazy Quilt of English
6(1)
Importance of Core Beliefs
6(1)
Confession
6(1)
Traditional Principles of Learning
7(1)
Alternative Beliefs About Learning
7(5)
Four Perspectives on Language Learning
12(1)
Beliefs About Literature Learning
12(2)
Individual Decisions
14(1)
Conclusion
15(1)
2 CENTERING ON LANGUAGE
16(32)
The Story of the English Language
17(5)
The Uniqueness of English
18(1)
A Brief History
19(1)
Language Change and Stability
20(1)
What Creates Variation
21(1)
The Study of Language: Linguistics
22(2)
Historical Linguistics
23(1)
Descriptive Linguistics
23(1)
Psychological/Sociological Linguistics
23(1)
Structural Linguistics
23(1)
The Instructional Debate
24(10)
Descriptive or Prescriptive Grammar
24(2)
The Linguistic Debate: Change Versus Stability
26(1)
The Political Debate: Cultural Diversity
27(4)
The Psychological or Biological Debate: Language Acquisition
31(1)
The Practical Debate: Research and Experience in Grammar Instruction
32(2)
Language Instruction
34(6)
Levels of Usage
34(1)
Strategies of Language Instruction
35(3)
Basic Qualities in Language Instruction
38(2)
Broadening Language Consciousness
40(7)
Doublespeak
40(1)
Four Language Consciousness Raising Activities
41(2)
Whitworth's Tested Suggestions
43(4)
Conclusion
47(1)
3 DEVELOPING AN ORAL FOUNDATION
48(32)
Classroom Talking and Listening
49(3)
Classrooms in the U.S. and Abroad
50(1)
Fundamental Assumptions
50(1)
Classroom Environments for Talking and Listening
51(1)
Oral Language Exercises
52(7)
Ten Exercises
53(6)
Creative Drama
59(9)
The Teacher's Role
60(1)
The Teacher's Content Goals
60(1)
The Teacher's Process Goals
60(2)
Rules of the Game
62(1)
Resources
62(1)
Activities
62(4)
A Process of Response and Critique
66(1)
Summary
67(1)
Understanding Drama: Transformation and Appreciation
68(8)
Ready-made Plays
68(1)
Student-created Drama
69(1)
Plot
70(1)
Character
71(3)
Theme
74(1)
Form
75(1)
Story Drama
75(1)
Dramatic Approaches to Shakespeare
76(3)
Performing Versus Reading Shakespeare
76(1)
Seven Shakespearean Activities
77(2)
Conclusion
79(1)
4 RESPONDING TO LITERATURE
80(51)
Why Read Literature?
80(3)
The Death of Literature
80(1)
The Life of Literature
81(1)
Goals and Methods for Teaching Literature
82(1)
Four Stages of Reading Literature
83(2)
Reader Response
83(1)
Interpretive Community
84(1)
Formal Analysis
85(1)
Critical Synthesis
85(1)
Instructional Strategies/Teaching Activities
85(1)
Reader Response
85(14)
Personal Triggers
86(1)
Suppositional Readers
87(1)
Conceptual Readiness
88(1)
Synergistic Texts
88(1)
Personal Retrieval
89(1)
Associative Recollections
90(1)
Evoked Response
90(1)
Dependent Authors
91(1)
Imagine This
92(1)
Polar Appraisals
92(1)
Character Continuum
93(1)
Character Map
93(1)
Focal Judgments
94(1)
Polar Response
95(1)
Verbal Scales
96(1)
Interrogative Reading
96(1)
Jump Starts
97(1)
Title Testing
97(2)
Interpretive Community
99(7)
At the Point of Utterance
100(1)
Proximate Reading
100(1)
Communal Judgments
101(1)
Defining Vignetters
101(1)
Readers' Theater
102(1)
Assaying Characters
102(2)
Psychological Profiles
104(1)
Venn Diagramming
105(1)
Formal Analysis
106(11)
Teachable Moments
108(1)
Unpacking Conventions
108(1)
Formal Discussion Questions
109(1)
Rules of Notice
109(2)
The Questioning Circle
111(1)
Imaging Conventions
112(1)
Intertextuality
113(2)
Contemporary Contrasts
113(2)
Character Questions
115(1)
Students Write
115(1)
Authors Speak
116(1)
Critical Synthesis
117(11)
Early Critics and 11 Critical Approaches to Literature
118(8)
Classroom Strategies
126(2)
A Plea for Pluralism
128(1)
The Reading Cycle: Enter, Explore, Extend
128(2)
Enter
129(1)
Explore
129(1)
Extend
129(1)
Choosing Strategies
129(1)
Conclusion
130(1)
5 REVIVING POETRY
131(41)
Finding Poetry
133(9)
Nonliterary Prose
133(3)
Music
136(2)
Advertising
138(2)
Bumper Stickers
140(1)
Unexpected Places
140(2)
Forging Poetry
142(13)
Templates
143(3)
Fixed Forms
146(6)
Open Forms
152(2)
Wild Cards
154(1)
Reading Poetry
155(9)
Definition
155(1)
Choice
156(1)
Personal Response
156(2)
Enactment
158(2)
Visualization
160(3)
Synthesis
163(1)
Talking Poetry
164(7)
Adolescent Readers
164(2)
Choosing Poems
166(1)
Listening to Poems
166(1)
Discussing Poems
167(1)
Poetry and Prose
168(2)
Poets Talk
170(1)
Conclusion
171(1)
6 EXPANDING LITERACY
172(45)
The Classics
172(4)
Historical Roots of the High School Canon
172(1)
Texts in the High School Canon
173(3)
The Canon Wars
176(2)
Cultural Literacy
176(1)
Teaching the Tradition
177(1)
Renewing the Canon
178(1)
Three Challenges to the Canon
178(4)
Deconstructionist Challenge
178(1)
Reader Response Challenge
179(1)
Critical Literacy Challenge
180(2)
Fourth Challenge: Multicultural Literature
182(8)
Women
182(1)
African Americans
183(2)
Native Americans
185(2)
Hispanic Americans
187(1)
Asian Americans
187(1)
Canadians
188(1)
South and Central Americans
189(1)
Non-Europeans
189(1)
Multicultural Literature in the Classroom
190(7)
Classroom Environment
191(1)
Literature Selections
191(1)
Alternative Organization
191(1)
Pairing
192(1)
Resistant Reading
193(1)
Student Assays
193(1)
Perspective Taking
194(1)
Enactment
195(1)
Tackling Stereotypes
196(1)
Fifth Challenge: Young Adult Fiction
197(4)
The Expansion of Young Adult Fiction
197(1)
Content
198(1)
Form
199(1)
Appeal
199(1)
Young Adult Fiction and the Classics
200(1)
Sixth Challenge: Genre Variety
201(2)
Science Fiction
201(2)
Censorship
203(2)
Community Standards
203(1)
School Policies
204(1)
Allies
204(1)
Expanding the Teaching of Literature
205(8)
Response Chart
205(1)
Character Circle
205(1)
Story Quilt
206(1)
Mobile
206(1)
Guided Imagery
206(1)
Song Search
206(1)
Impromptu Drama
207(2)
Classroom Drama
209(1)
Imitations of Life
210(1)
Response Journals
210(3)
Literature Circles
213(2)
A Reader's Bill of Rights
215(1)
Conclusion
215(2)
7 ASSAYING NONFICTION
217(19)
Why Teach Nonfiction?
218(2)
Nonfiction Genres in the Classroom
220(15)
Essays
220(2)
Biographies
222(2)
Autobiographies and Memoirs
224(3)
Testimonials
227(1)
Diaries and Journals
228(1)
Letters
229(3)
Miscellaneous Nonfiction Books
232(2)
Newspapers
234(1)
Nonfiction in the Fiction Classroom
235(1)
Conclusion
235(1)
8 MAKING MEDIA MATTER
236(27)
Mimic: Students as Producers
238(5)
Juxtaworlds
240(1)
Madison Avenue
240(1)
Rock Review
240(1)
Piggyback Pop
241(1)
Jacketeering
241(1)
Rock Market
241(1)
Anchor People
241(1)
Crisis Interview
241(1)
Pilot Making
242(1)
Class Magazine
242(1)
Classy Comics
242(1)
Bumper Stickers
243(1)
Entertain: Students as Listeners and Viewers
243(8)
Studying Literature: Film
245(1)
Studying Literature: Music
246(2)
Studying Literature: Paintings, Prints, and Photographs
248(1)
Studying Literature: Comics
248(1)
Developing Film Literacy
249(2)
Locating Materials
251(1)
Examine: Students as Anthropologists and Literary Critics
251(8)
Examining the News
254(1)
Examining Advertising
255(2)
Scrubbing the Soaps
257(1)
Examining Media as Artifact and Art: Magazine Analysis
258(1)
Examining Media as Artifact and Art: Student Public Service Announcements
258(1)
Examining Media as Artifact and Art: Viewing Styles
258(1)
Expose: Students as Social Critics
259(3)
Corrupts Cultural Morality
260(1)
Falsifies Expectations of Life
260(1)
Reinforces Passivity
260(1)
Undermines Critical Reasoning Capacity
261(1)
Promotes Consumerism
261(1)
Conclusion
262(1)
9 COMPELLING WRITING
263(32)
Developmental Tasks
265(7)
How Language Functions: Purpose and Audience
265(1)
Writing Stages
266(1)
Developmental Sequence
267(5)
Process Model
272(6)
Basic Assumptions
272(2)
Further Definition
274(1)
The Teacher's Role
275(3)
Writing Workshops
278(4)
Antecedents
278(1)
Writing Workshop Principles
278(1)
Four Components
279(2)
Physical Arrangement and Workshop Procedures
281(1)
Portfolio Work
282(5)
Variety of Contents
283(1)
Works in Progress
284(1)
Student Responsibility
285(1)
Accomplishments
286(1)
Authentic Assessment
287(7)
State-initiated Performance-based Assessment
288(3)
Tied to Daily Instruction
291(1)
Constructing Rubrics
291(1)
NAEP Framework
292(2)
Conclusion
294(1)
10 ENABLING WRITING
295(48)
Four Basic Needs
295(2)
Substance
295(1)
Skills
295(1)
Structure
296(1)
Style
296(1)
Collaborative Writing
297(2)
Cognitive Conflict
298(1)
Verbalization
298(1)
Benefits of Collaboration
298(1)
Experimental Journalism
299(3)
Foxfire's Lessons
299(1)
Interviewing
300(2)
Right Writing
302(3)
Rico Clusters
302(1)
Other Paths
302(2)
Left-Right Continuum
304(1)
Journal Writing
305(2)
Freedom
306(1)
Confidentiality
306(1)
Respect
306(1)
Writing to Learn
307(3)
Math and Science
307(3)
Difficult Problems
310(1)
Code Switching
310(3)
Program Requirements
311(1)
Switching Principles
312(1)
Program Outline
312(1)
Pedagogical Grammar
313(4)
Contextualized Grammar
313(1)
Comprehensive Grammar
314(3)
Vocabuspell
317(4)
Vocabulary Growth
317(2)
Spelling Power
319(2)
Mediated Instruction
321(2)
Middle Ground
321(1)
Hillocks' Lesson
322(1)
Another Rigorous Way
323(1)
New Research
323(2)
Controlled Sources Research
323(1)
Contextual Analysis
324(1)
Historical Synthesis
324(1)
Contemporary Issues Research
324(1)
Scholarly Research
324(1)
Fabulous Analysis
324(1)
Elemental Variation
325(3)
Topology Procedures
326(1)
Evaluation
326(2)
Lit. Write
328(2)
Opening a Text
328(2)
Sentence Combining
330(3)
Strong Kernels
331(1)
Other Sources
332(1)
Dependent Authors
333(2)
Roles Around
333(1)
Other Dependencies
333(2)
Apprentice Writing
335(4)
Copying (Duplicating Exact Texts)
335(1)
Paraphrasing (Translating Passages)
336(1)
Molding (Employing a Template)
337(1)
Imitating (Mimicking the Masters)
338(1)
Practical Stylist
339(1)
Three Style Books
339(1)
Others
340(1)
Conclusion
340(3)
11 ORGANIZING INSTRUCTION
343(45)
Four Approaches to Instruction
343(3)
Lecture
346(4)
Four Types of Lecture
346(1)
Four Rhetorical Styles
347(1)
Lecture's Critics
348(1)
Lecture's Best Exemplars
348(2)
Whole-class Discussion
350(7)
Classroom Discussion Defined
350(1)
Whole-class Discussion Practiced
351(2)
Alternatives Attempted
352(2)
Questions Raised
354(2)
Midrash
356(1)
Group Work
357(6)
Collaborative Learning
357(1)
A Teacher Adopts Collaborative Learning
357(1)
Practical Steps Toward Collaborative Learning
358(1)
Common Groups Designs
359(1)
Five Group Features
360(1)
Forming, Storming, Norming, and Performing
361(2)
Individual Work
363(2)
Independent Study
364(1)
Workshop/Conference
364(1)
Individualized Instruction
364(1)
Layering the Four Approaches
365(1)
Inquiry Learning and Learning Centers
366(4)
Inquiry Learning
366(3)
Learning Centers or Stations
369(1)
Computers and English
370(8)
Cutting Edge
371(1)
Computers as Tutors: Computer-assisted Instruction
371(2)
Computers as Tools: Computer-managed Instruction
373(3)
Wise Applications
376(1)
Seismic Qualms
376(1)
Overriding Hopes
377(1)
Guidelines for Good Use
377(1)
Planning Instruction
378(1)
Unit Planning
379(6)
Focused or Integrated Units
379(1)
Content-based Model
379(2)
Objectives-based Model
381(1)
Process-based Model
382(1)
Conversation-based Model
383(1)
Grounding Unit Planning in Students
384(1)
Weekly Planning
385(1)
Daily Planning
385(1)
Curriculum Planning
386(1)
Conclusion
387(1)
12 PLANNING THE LESSON
388(19)
Lesson Planning
388(14)
Behavioral Goals and Objectives
389(2)
Hierarchical Schemata
391(1)
Creative-Process Design
391(5)
Constant Classroom Structures and Concerns
396(4)
Creative Planning with the Text
400(2)
Unit Planning
402(3)
Topic Selection and Quality Control
402(1)
Steps of Unit Development
403(2)
Conclusion
405(2)
13 EVALUATING LEARNING
407(49)
Grading and Evaluation
408(6)
Definition of Terms
409(1)
Purposes of Evaluation
410(1)
Learning Possibilities to Be Measured
411(3)
Alternative Methods of Evaluation
414(8)
Self-evaluation
415(2)
Portfolios
417(3)
Contracts
420(1)
Observation
420(2)
Alternative Grading Choices
422(5)
Polarities Within Evaluation
423(4)
Evaluating Knowledge and Response to Literature
427(12)
Selected-response (Objective)
429(3)
Constructed-response (Subjective)
432(7)
Evaluating Writing
439(12)
Outside the Classroom
439(1)
Inside the Classroom
439(12)
Evaluating Oracy
451(2)
Standardized Achievement Tests
452(1)
Critique of Traditional Grading
453(2)
Pedagogical Dangers
453(1)
Psychometric Dangers
453(1)
Personal Dangers
453(2)
Cultural Dangers
455
Unique Difficulties for English Teachers
454
Conclusion
455(1)
14 BECOMING A COMPLETE TEACHER
456(20)
Defining Yourself as a Teacher
456(4)
Apprasing Yourself
456(4)
Defining Yourself in a Professional Context
460(3)
School Critics
461(1)
Defining Yourself for Schools
462(1)
Building Public Trust
463(3)
Include
463(1)
Inform
463(1)
Involve
464(2)
Promoting Professional Growth
466(7)
Goal Setting
466(1)
Self-evaluation
467(1)
Peer Review
468(1)
External Assessment
469(1)
General-knowledge Tests
470(1)
Classroom Performance
470(2)
Action Research
472(1)
Guild Building
473(1)
Association Linkage
473(1)
Professional Leadership
473(1)
Conclusion
474(2)
APPENDIX A
476(2)
Erikson's Stages of Psychosocial Development
476(1)
Kohlberg's Stages of Moral Development
477(1)
Loevinger's Stages of Ego Development
477(1)
APPENDIX B
478(5)
Becky Brown's Favorite Poems for Student Responses
478(2)
Brown's Poetry Response Assignment, 1991-1992
480(1)
Brown's Explanation of Her Poetry Assignment's Evolution
481(1)
Brown's Poetry Response Assignment, 1997-1998
481(1)
Books on Poetry and Poetry Teaching
482(1)
APPENDIX C
483(15)
Works Listed on AP English Literature Exams: 1981-1997
483(3)
Reader Response Resources
486(1)
Fiction by Women
487(1)
African American Writers
488(2)
Native American Writers
490(1)
Hispanic Writers
490(1)
Asian American Writers
491(1)
Benedict's Recommendations: Young Adult Fiction
491(3)
Hipples's Recommendations: Young Adult Novels Worth Your Attention
494(1)
Chester's Recommendations: Science Fiction
495(1)
Benedict's Recommendations: Modern Interpretations and Retellings
496(1)
Alexander's Recommendations: Journals, Articles, and Lists of Young Adult Fiction
496(1)
Works on Censorship
497(1)
APPENDIX D
498(4)
Media Sources
498(1)
Distributors of Videotapes, Films, and Recorded Books
498(1)
Video Series
499(1)
Teasley and Wilder's 100 Great Films for Adolescents: Annotated Filmography
499(3)
APPENDIX E Recommended Writing Textbooks
502(1)
APPENDIX F
503(6)
Meiers' Independent Project for English: Collecting and Writing a Personal Anthology
503(1)
Ten Textual Learning Stations: Mark Twain's The Adventures of Huckleberry Finn
504(3)
Five Topical Learning Stations: Utopia
507(1)
Davis' Learning Centers: Family
508(1)
APPENDIX G Developing a Unit: William Shakespeare
509(3)
APPENDIX H
512(6)
SAT Essay Exam Assessment: Diederich Scale
512(1)
Oral Communications Activities Log
513(1)
Two Communication Inventories
514(1)
Evaluation Form for Group Discussion
515(1)
Explanation of Ratings Used for the Evaluation Form for Group Discussion
515(2)
Teacher's Evaluation of Announcements
517(1)
APPENDIX I
518(3)
NCTE Organizations and Periodicals for the English Teacher
518(1)
Educational Periodicals Recommended for English Teachers
519(2)
REFERENCES 521(18)
INDEX 539

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