Introduction | p. xiv |
QT | |
Quick Tour | p. 1 |
Getting Up and Running Quickly | p. 2 |
Taking Your First Photos with the Speedlite | p. 3 |
Exploring the Canon Speedlite System | p. 9 |
Features of the Canon Speedlite System | p. 10 |
600EX/600EX-RT | p. 11 |
600EX/600EX-RT specifications and features | p. 11 |
Main components | p. 14 |
Function buttons, dedicated buttons, and Select dial | p. 17 |
600EX/600EX-RT accessories | p. 19 |
580EX II | p. 20 |
580EX II specifications and features | p. 20 |
Main components | p. 22 |
Control buttons and Select dial | p. 26 |
580EX II accessories | p. 27 |
430EX II | p. 28 |
430EX II specifications and features | p. 28 |
Main components | p. 29 |
Control buttons | p. 32 |
430EX II accessories | p. 33 |
Other Components of the Speedlite System | p. 34 |
270EX | p. 34 |
270EX II | p. 35 |
320EX | p. 35 |
OC-E3 Off-Camera Shoe Cord | p. 36 |
Speedlite transmitter ST-E3-RT | p. 38 |
ST-E2 wireless transmitter | p. 41 |
Macro Twin Lite MT-24EX | p. 43 |
Macro Ring Lite MR-14EX | p. 44 |
Setting Up Your Speedlites | p. 47 |
Power Requirements | p. 48 |
Non-rechargeable | p. 48 |
Rechargeable | p. 48 |
Flash Modes | p. 50 |
E-TTL II | p. 50 |
E-TTL | p. 51 |
Manual | p. 51 |
Multi-stroboscopic flash | p. 52 |
Zoom position | p. 54 |
Auto Zoom Adjustment for APS-C Sensors | p. 56 |
Adjusting Flash Exposure Compensation | p. 56 |
600EX/600EX-RT | p. 57 |
580EX II | p. 57 |
430EX II | p. 57 |
AF-Assist Beam | p. 58 |
600EX/600EX-RT | p. 59 |
580EX II | p. 59 |
430EX II | p. 60 |
LCD Panel Illumination | p. 60 |
Custom Functions | p. 60 |
Setting Custom Functions on the flash | p. 61 |
Setting Custom Functions via the camera | p. 68 |
Auto Off mode | p. 69 |
Flash Photography Basics | p. 71 |
Studio Strobes or Speedlites? | p. 72 |
Color Temperature and White Balance | p. 77 |
What is Kelvin temperature? | p. 77 |
Choosing the white balance | p. 77 |
White balance presets | p. 80 |
Balancing for the ambient light | p. 84 |
Using Bounce Flash | p. 85 |
Why and when to use bounce flash | p. 86 |
Camera and Speedlite settings | p. 88 |
Explaining Flash Exposure and Specifications | p. 89 |
Guide number | p. 89 |
Aperture | p. 92 |
Distance | p. 93 |
Guide number ÷ Distance = Aperture | p. 93 |
Sync speed | p. 93 |
Second-curtain sync | p. 94 |
Fill flash | p. 94 |
Using Your Flash Off Your Camera | p. 99 |
How the Speedlite System Works Wirelessly with Your Camera | p. 100 |
Overview of Wireless Flash Setup with the Canon Speedlite System | p. 101 |
Step 1: Choose a flash mode | p. 101 |
Step 2: Choose a wireless mode | p. 101 |
Step 3: Choose a channel | p. 102 |
Step 4: Set up groups or slave IDs | p. 103 |
Step 5: Adjust the flash ratio levels | p. 103 |
Setting Up Master and Slave Flashes | p. 104 |
Masters | p. 104 |
Slaves | p. 116 |
Setting Up a Wireless Manual Flash | p. 120 |
600EX/600EX-RT in Manual mode | p. 121 |
580EX II in Manual mode | p. 123 |
Setting slaves for manual flash | p. 124 |
Using Wireless Multi-Stroboscopic Flash | p. 127 |
Setting Up Channels and Groups or Slave IDs | p. 127 |
Channels | p. 127 |
Groups | p. 128 |
600EX/600EX-RT | p. 128 |
580EXII | p. 130 |
430EXII | p. 131 |
Setting Flash Exposure Compensation | p. 131 |
Setting FEC with the 600EX/600EX-RT set to Master | p. 132 |
Setting FEC with the 580EX II set to Master | p. 132 |
Setting FEC slave flashes | p. 133 |
Testing and Modeling Flash from a Slave Unit | p. 134 |
Remote Release from a Slave Unit | p. 134 |
Linked Shooting with Radio Transmission | p. 135 |
Using Your Speedlites with Radio Triggers | p. 137 |
Using your Speedlites with Pocket Wizards | p. 137 |
Using your Speedlites with RadioPoppers | p. 139 |
Setting Up a Wireless Studio | p. 141 |
Introduction to the Portable Studio | p. 142 |
Cables, Cords, and Triggers | p. 143 |
Extra-long E-TTL cords | p. 143 |
Custom cables | p. 145 |
Cable releases | p. 145 |
Tethered shooting | p. 145 |
Radio triggers | p. 146 |
White Balance and Filters | p. 146 |
White balance and the ExpoDisc | p. 146 |
Neutral density filters for wider apertures | p. 148 |
Light Modifiers | p. 148 |
Reflectors | p. 150 |
Gels | p. 152 |
Grids and snoots | p. 154 |
Diffusers, small flags, and bounce cards | p. 155 |
Umbrellas | p. 157 |
Softboxes | p. 161 |
Beauty dishes | p. 166 |
Ring flash | p. 167 |
Specialty brackets | p. 168 |
Backgrounds and Background Stands | p. 168 |
Seamless paper backdrops | p. 169 |
Collapsible backdrops | p. 170 |
Muslin backdrops | p. 171 |
Canvas backdrops | p. 172 |
Contemporary backdrops | p. 173 |
Backdrop stands | p. 173 |
Motorized backdrop support systems | p. 173 |
Space Considerations | p. 174 |
Setting up for indoor shoots | p. 174 |
Setting up for outdoor shoots | p. 177 |
Traveling with Your Wireless Studio | p. 179 |
Camera cases and bags | p. 179 |
Portable light stands | p. 180 |
Lighting Concepts and Patterns | p. 183 |
Concepts of Lighting | p. 184 |
Studio lighting | p. 184 |
Portrait lighting types | p. 186 |
Mood and drama | p. 195 |
Lighting patterns | p. 196 |
Using Speedlites for Outdoor Locations | p. 205 |
The prefiight | p. 208 |
Remembering light theory | p. 208 |
Setting power output | p. 208 |
Modifiers and Their Qualities of Light | p. 209 |
One Light, Two Lights, Three Lights! | p. 213 |
One light | p. 214 |
Two lights | p. 221 |
Three lights | p. 227 |
Posing Basics | p. 231 |
Developing Your Style | p. 234 |
Positioning the body | p. 234 |
Positioning the hands and arms | p. 236 |
Paying attention to the details | p. 238 |
Positions to Avoid | p. 240 |
Planning Poses | p. 241 |
Traditional posing | p. 242 |
Editorial posing | p. 243 |
Glamour style | p. 245 |
Rules of Composition | p. 247 |
Keep It Simple | p. 247 |
Silhouettes | p. 249 |
Limiting focus | p. 251 |
The Rule of Thirds | p. 252 |
Field of View | p. 254 |
Leading Lines and S-Curves | p. 256 |
Symmetry | p. 257 |
Resources | p. 259 |
Websites and Online Learning | p. 259 |
DVDs and Video Downloads | p. 260 |
iPad Apps | p. 262 |
Books | p. 263 |
Workshops | p. 263 |
Trade Shows | p. 264 |
Magazines | p. 264 |
Associations | p. 264 |
Light Modifiers | p. 265 |
Light Stands | p. 265 |
Reflectors | p. 265 |
Brackets | p. 266 |
Lenses | p. 266 |
Radio Triggers and Remotes | p. 266 |
Backdrops and Support Systems | p. 266 |
Cords and Cables | p. 267 |
Equipment for Tethered Shooting | p. 267 |
Filters | p. 267 |
Bags and Cases | p. 267 |
How to Use the Gray Card and Color Checker | p. 268 |
The Gray Card | p. 268 |
The Color Checker | p. 269 |
Glossary | p. 270 |
Index | p. 279 |
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