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9780816632398

Classic Hollywood, Classic Whiteness

by
  • ISBN13:

    9780816632398

  • ISBN10:

    0816632391

  • Format: Paperback
  • Copyright: 2001-11-01
  • Publisher: Univ of Minnesota Pr
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Table of Contents

Acknowledgments xi
Introduction: Race and the Hollywood Style xiii
Daniel Bernardi
PART I. CLASS
``What You Are ... I Wouldn't Eat'': Ethnicity, Whiteness, and Performing ``the Jew'' in Hollywood's Golden Age
3(28)
Nicholas Sammond
Chandra Mukerji
From Second String to Solo Star: Classic Hollywood and the Black Athlete
31(21)
Aaron Baker
Dark City: White Flight and the Urban Science Fiction Film in Postwar America
52(20)
Eric Avila
``They Worship Money and Prejudice'': The Certainties of Class and the Uncertainties of Race in Son of the Gods
72(23)
Gina Marchetti
PART II. GENDER
``The Loveliest and Purest of God's Creatures'': The Three Faces of Eve and the Crisis of Southern Womanhood
95(16)
Allison Graham
The Redskin and The Paleface: Comedy on the Frontier
111(28)
Karen Wallace
Dolores del Rio, Uncomfortably Real: The Economics of Race in Hollywood's Latin American Musicals
139(18)
Joanne Hershfield
Humanizing the Beast: King Kong and the Representation of Black Male Sexuality
157(21)
Thomas E. Wartenberg
Commodity, Tragedy, Desire: Female Sexuality and Blackness in the Iconography of Dorothy Dandridge
178(32)
Marguerite H. Rippy
Orientalism Abroad: Hong Kong Readings of The World of Suzie Wong
210(35)
Gary W. McDonogh
Cindy Hing-Yuk Wong
PART III. WAR
Indianism? Classical Hollywood's Representation of Native Americans
245(18)
Roberta E. Pearson
Sincere Fictions of the White Self in the American Cinema: The Divided White Self in Civil War Films
263(18)
Hernan Vera
Andrew Gordon
Creatures of Good and Evil: Caucasian Portrayals of the Chinese and Japanese during World War II
281(20)
Karla Rae Fuller
December 7th: Race and Nation in Wartime Documentary
301(38)
Geoffrey M. White
Jane Yi
``Coward, Take My Coward's Hand'': Racism, Ableism, and the Veteran Problem in Home of the Brave and Bright Victory
339(20)
Martin F. Norden
PART IV. INDUSTRY
The Demands of Authenticity: Addison Durland and Hollywood's Latin Images during World War II
359(27)
Brian O'Neil
Star Dances: African-American Constructions of Stardom, 1925--1960
386(29)
Arthur Knight
Listening to Race: Voice, Mixing, and Technological ``Miscegenation'' in Early Sound Film
415(27)
Sarah Madsen Hardy
Kelly Thomas
``Extremely Dangerous Material'': Hollywood and the ``Ballad of Frankie and Johnnie''
442(25)
Peter Stanfield
Select Bibliography 467(16)
Beretta E. Smith-Shomade
Contributors 483(6)
Index 489

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