What is included with this book?
Rob Roznowski is Head of Acting and Directing in the Department of Theatre at Michigan State University.
Kirk Domer is Head of Design and Associate Chair in the Department of Theatre at Michigan State University.
List of Figures | p. xi |
Abstract | p. xiii |
Acknowledgments | p. xv |
Introduction | p. xvii |
Collaboration in Theory | |
The Vocabulary of Collaboration | p. 3 |
Shared Vocabulary | p. 3 |
Getting the Job | p. 5 |
Adapting Your Style | p. 6 |
Clarifying Definitions | p. 7 |
Avoiding Buzzwords | p. 8 |
Respecting the Chain of Command | p. 8 |
Respecting Your Fellow Artists | p. 10 |
Communicating Positively | p. 11 |
Collaboration Begins... | p. 12 |
Summary | p. 12 |
Script Analysis for Collaboration | p. 15 |
The Director's Process | p. 16 |
Primary Goals | p. 17 |
Script Analysis | p. 17 |
Creating a Premise | p. 18 |
Creating the Production's Style | p. 20 |
The Designer's Process | p. 21 |
Preparing for Production Meetings | p. 22 |
Identifying Collaboration Obstacles | p. 23 |
Adjusting to a New Process | p. 24 |
Using the Premise Creatively | p. 24 |
Research Methods for Collaboration | p. 27 |
Refining Internet Research | p. 27 |
Distilling Further Research | p. 28 |
Sharing Research | p. 29 |
Researching as a Director | p. 29 |
Researching as a Designer | p. 31 |
Recycling Research | p. 31 |
Further Research | p. 32 |
Balancing Research | p. 33 |
Implementing Research | p. 35 |
Presenting the Collaboration | p. 37 |
Initial Presentations of Designs | p. 37 |
Solving Issues | p. 40 |
Director's Response | p. 41 |
Production Meetings | p. 42 |
Maintaining Cohesion | p. 42 |
Presenting II and III | p. 43 |
Presenting to the Actors | p. 44 |
Transforming Ideas | p. 44 |
Revising the Collaboration | p. 45 |
Negative Reactions | p. 45 |
Overcoming Negativity | p. 46 |
Collaboration Outside of Full Meetings | p. 49 |
Prioritizing Issues | p. 50 |
Maintaining the Chain of Command | p. 52 |
Altering the Design | p. 52 |
Director Revisions | p. 53 |
Editing and Shaping the Style | p. 53 |
Final Approval | p. 54 |
Collaboration through Rehearsal | p. 55 |
Changes through Rehearsal | p. 55 |
Collaboration through Rehearsal | p. 55 |
Clarity in Communication | p. 57 |
Actors in the Design Process | p. 58 |
Actors' Influence | p. 59 |
Issues in Design Construction | p. 61 |
The Lighting Designer in Rehearsals | p. 61 |
Production Meetings through Rehearsals | p. 62 |
Effective Technical Rehearsals | p. 63 |
Setting Agendas | p. 64 |
Director's Notes during Technical Rehearsals | p. 65 |
Maintaining Respect | p. 66 |
Opening Night | p. 67 |
The Collaboration, Post Mortem | p. 69 |
Defining Success | p. 69 |
Reviewing the Review | p. 70 |
Peer Review | p. 72 |
Personal Review | p. 72 |
Individual Review | p. 72 |
Team Review | p. 73 |
Personal Goals | p. 74 |
Healthy Collaboration | p. 75 |
Collaboration in Practice | |
Preparing for The Life | p. 79 |
Selecting the Show | p. 79 |
Selecting for a Specific Audience | p. 81 |
Director's Preparation | p. 82 |
Finding the Premise | p. 82 |
Personal History and Collaboration | p. 84 |
Making Decisions Pre-collaboration | p. 85 |
The Life in Design | p. 91 |
The First Production Meeting | p. 91 |
Further Research | p. 95 |
Finding Balance in the Team | p. 97 |
Specific Issues | p. 100 |
Reactions and Revisions | p. 102 |
Inspiring Collaboration | p. 103 |
Expanding Designs | p. 104 |
The Life in Rehearsal | p. 107 |
Vocabulary Issues | p. 109 |
Auditions | p. 109 |
Casting and Costume | p. 109 |
Designers at Rehearsals | p. 110 |
Challenges | p. 113 |
Choreography Complications | p. 113 |
Realizing the Design | p. 114 |
Changes through Rehearsal | p. 114 |
Technical Rehearsals | p. 116 |
Problem Areas | p. 116 |
Successes | p. 117 |
The Life in Review | p. 119 |
Reflections | p. 119 |
Response from Collaborators | p. 121 |
Reviews | p. 123 |
Post Mortem | p. 124 |
The Life in Pictures | p. 131 |
Collaboration in the Classroom | |
Preparing the Collaborative Class | p. 137 |
Theory in the Classroom | p. 137 |
Preparing the Course | p. 138 |
Needs of the Students | p. 139 |
Self-examination | p. 140 |
Expanding the Class | p. 141 |
Selecting Scripts | p. 141 |
Organizing the Projects | p. 143 |
Sample Syllabus | p. 146 |
Exercise: Cooperation versus Collaboration | p. 148 |
Collaborative Studio | p. 153 |
Project #1: Machinal | p. 153 |
Project #2: Amadeus | p. 158 |
Project #3: Sweet Charity | p. 158 |
Student Responses | p. 164 |
Collaboration in Life | p. 171 |
Reflections | p. 171 |
Approaching New Students | p. 172 |
Evolution of the Class | p. 173 |
Collaboration beyond Theatre | p. 173 |
Final Thoughts | p. 174 |
Bibliography | p. 175 |
Index | p. 179 |
Table of Contents provided by Ingram. All Rights Reserved. |
The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.
The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.