Acknowledgments | p. ix |
Preface | p. x |
Introduction | p. 1 |
Violence, Afrikaner Liberalism, and the Fiction of Andre Brink | p. 16 |
Introduction | p. 16 |
The Brinkian Witness to Violence: A Dry White Season | p. 21 |
Race, Sex, and Historical Narrative: Violence(s) in A Chain of Voices | p. 28 |
Breyten Breytenbach's Prison Writings | p. 60 |
Introduction | p. 60 |
Breyten Breytenbach's Mouroir: Producing His-Story Without Reproducing Violation | p. 75 |
The Relationship Between Confession and Autobiography in The True Confessions of an Albino Terrorist | p. 91 |
Forms of Violence in J. M. Coetzee's Dusklands and Waiting for the Barbarians | p. 110 |
The Gun as Copula: Colonization, Rape, and the Question of Pornographic Violence in Dusklands | p. 110 |
"Into the Dark Chamber": Colonization, Inquisition, and Torture in Waiting for the Barbarians | p. 122 |
Conclusion: The Narrative 'Loses its Voice' | p. 138 |
Epilogue | p. 148 |
Bibliography | p. 158 |
Index | p. 173 |
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