What is included with this book?
Acknowledgments | p. xv |
Foreword to the Da Capo Edition | p. xvii |
You're Probably Wondering Why I'm Here | p. 2 |
Introduction to the prime subject | |
Small portrait | |
Snapshot cultural history of period early fifties to early sixties | |
The mask and the man | |
I'm Losing Status at the High School | p. 12 |
Childhood of Frank Zappa | |
Introduce father | |
High school period with Ernie Tossi, vice-principal in charge of discipline at Antelope Valley High School | |
Early influences, r and b and Varese | |
Cocktail bar experience | |
Cucamonga Studio Z and subsequent bust for conspiracy to commit pornography | |
Exile to LA and formation of original Mothers | |
Hungry Freaks Daddy | p. 44 |
Portrait of LA early sixties | |
Cultural history of early sixties and emergence of folkrock | |
The scene in LA: Vito, Carl Franzoni, Cantor's Delicatessen bust | |
Zappa's first break into Hollywood with Mondo Hollywood-a sexploitation film | |
Introduction and short history of Herbie the Manager | |
Introduction of Pamela Zarubica known as The Cheese | |
Frank Zappa's early days in Hollywood | |
Freak Out and the scene | |
Zappa on drugs | |
Zappa and real freaks | |
Big break: Guambo, Great Underground Arts Masqued Ball and Orgy held by the LA Free Press | |
Sunset Strip and burgeoning youth consciousness | |
Frank Zappa's political reactions and philosophy | |
Only In It for the Money | p. 72 |
Greenwich Village in mid-sixties | |
Emergent "head" culture | |
Making of Absolutely Free and some exigesis | |
Garrick Theater, Pigs and Repugnant, attendant happenings | |
More Mothers | |
Haegstrum guitars | |
We're Only In It For the Money and Lumpy Gravy | |
Interviews with Gary Kellgren, engineer | |
Money as reflection of cultural scene: unpleasant premonitions August through October '67 | |
Cover hassle with Beatles | |
Money exigesis | |
More Mothers | |
Frank Zappa as cultural rock guru | |
Zappa's tour of Scandinavia: now that I'm here what am I going to do? | |
Project X | p. 96 |
Additional musicians Underwood, Tripp | |
Film projects Uncle Meat, Burnt Weenie Sandwich | |
Explanation of Uncle Meat and Cruising with Ruben and the Jets | |
Zappa's artistic visions | |
Zappa signals, techniques | |
Band members comment: Zappa as thief | |
Formation of Bizarre/Straight and attendant difficulties | |
Some Bizarre albums | |
Captain Beefheart remembers Bizarre relationship | |
Bizarre as creature of Herb Cohen | |
Selling of Bizarre to Warners and breakup of old Mothers | |
The Little House I Used to Live in | p. 120 |
Condition of old Mothers on breakup of band | |
Analysis of Zappa aesthetic | |
Short cultural history 1967-1970: The Selling of the Counter Culture | |
Zappa's other films, Uncle Meat, Burnt Weenie Sandwich | |
Hot Rats | |
Zappa in the editing room | |
Pauley Pavillion premier of 200 Motels | |
Zappa views "serious" music scene | |
The Turtles | |
Zappa is viewed | |
I Run the World from City Hall | p. 140 |
Frank Zappa in the present | |
As human being | |
Views of his art | |
Other people's views of his art | |
Rebuttals | |
Objectivity | |
Zappa in the center of personal drama | |
The parable of success and the single musician | |
What he wants to do | |
What he's doing | |
Logical conclusion | |
Cosmic Debris? | p. 154 |
From Grand Wazoo to Joe's Garage in a decade | |
Aftermaths of The Accident | |
More clues to the Project/ Object | |
The filth hounds of Hollywood | |
Punky's perversion | |
Innocence revealed | |
I'm Not Satisfied | p. 182 |
Continuing the saga | |
Results of total creative/conceptual control via the Archive and the Utility Muffin Research Kitchen | |
Xenochrony, where everything is happening all the time, or How You Can Do That Onstage anywhere anytime | |
Classical LSO and Boulez interludes | |
Teaching metal men to sing and other Synclavier tales | |
The infamous '88 tour meltdown and consequences | |
First Amendment showdown in Ronnie and George's America, holiday in Prague, and the Empire Bites Back | |
The making of Civilization Phaze III | |
Zappa's Big C cosmic schmeck | |
"untimely" passing, ironic waves, consequent apotheosis, and virtual transmigration to more ethereal venues | |
Afterword | p. 209 |
Bibliography | p. 213 |
Fanzines | p. 215 |
Discography | p. 217 |
Videography | p. 220 |
Zappa on the Internet | p. 222 |
Table of Contents provided by Syndetics. All Rights Reserved. |
The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.
The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.