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Harry Francis Mallgrave, Hon FRIBA, is Distinguished Professor Emeritus, Illinois Institute of Technology. He is the author or editor of numerous books, including Architecture and Embodiment: The Implications of the New Sciences and Humanities for Design (2013). His books published with Wiley Blackwell include Architectural Theory: An Anthology from Vitruvius to 1870, Volume 1 (2005), Architectural Theory: An Anthology from 1871 to 2005, Volume 2 (edited with Christina Contandriopoulos, 2008), The Architect's Brain: Neuroscience, Creativity, and Architecture (2011), and An Introduction to Architectural Theory: 1968 to the Present (with David Goodman, 2011).
Volume I: Renaissance and Baroque Architecture, Edited by Alina Payne, Harvard UniversityVolume II: Eighteenth-Century Architecture, Edited by Caroline van Eck, Cambridge University, and Sigrid de Jong, Leiden UniversityVolume III: Nineteenth-Century Architecture, Edited by Martin Bressani, McGill University, and Christina Contandriopoulos, Université du Québec à MontréalVolume IV: Twentieth-Century Architecture, Edited by David Leatherbarrow, University of Pennsylvania, and Alexander Eisenschmidt, University of Illinois at Chicago
VOLUME I
List of Illustrations
About the Editors
Contributors to Volume I
Contents of The Companions to the History of Architecture
Introduction: Renaissance and Baroque Architecture Alina Payne xxv
Part I The Building Blocks
Architecture and its Culture
1. When did the Renaissance in Architecture Begin?: From Panofskian Mythography to Vasarian History Marvin Trachtenberg
2. Vitruvius and the Architectural Treatise in Early Modern Europe Tod A. Marder
3. Architecture and Antique Sculpture in Early Modern Rome Kathleen Christian
4. What Drawings did in Renaissance Italy Cammy Brothers
5. Materiality, Ornament, and Media Overlaps: Architecture Between Art and Building Science Alina Payne
6. Theater and Architecture: Toward a Material History of Renaissance Theater Alice Jarrard
7. Architecture and the Sciences Pamela O. Long
8. Vaults and Domes: Statics as an Art Federico Bellini
City, War, and Religion
9. The Birth of the Modern City Claudia Conforti
10. The City at War and the Semantic Armament of Renaissance Architecture Marion Hilliges
11. Taking Place: Architecture and Religious Devotion in Seventeenth-Century Italy Helen Hills
12. Jesuit Architecture Worldwide: A Culture of Corporate Invention Evonne Levy
Part II Global Geographies and European Internationalism
France, the Low Countries, and Britain
13. Medici Queens as Patrons in France Sabine Frommel
14. Classicism and Church Architecture in Early Seventeenth-Century France: Aspects and Debates Erika Naginski
15. Religious Architecture and the Image in the Southern Netherlands after the Beeldenstorm: Shrines for Miracle-Working Statues of the Virgin Mary Maarten Delbeke
16. British Classicism to 1700 and the Search for a National Architectural Style Vaughan Hart
17. Understanding Roman Architecture from a Distance: Sir Christopher Wren on the Temples of Peace and of Mars the Avenger Caroline van Eck
Iberia, Spanish Italy, the Ottomans, and Latin America
18. Al-Andalus and Castile: Art and Identity in the Iberian Peninsula Maria Feliciano and Juan Carlos Ruiz Souza
19. The Spanish Kingdom of Southern Italy: Architecture in Naples, Lecce, L’Aquila Daniela del Pesco
20. Architectural Dialogues across the Eastern Mediterranean: Monumental Domed Sanctuaries in the Ottoman Empire and Renaissance Italy Gülru Necipoğlu
21. The Classical Ideal in Portugal and the Portuguese World: From Lisbon to China Nuno Senos
22. Baroque Spain: Architecture and Urbanism for a Universal Monarchy Jesús Escobar
23. The Architecture of the Early Modern Period “Because Vitruvius did not Recommend Square Columns”: Europe, Latin America, and the Globalization of the Renaissance Tom Cummins
The German Lands and Bohemia
24. Northern Imaginative Antiquarianism: The Dismembered Column as Relic and Tool Christopher P. Heuer
25. The Reception and Flowering of Classicism in the German Lands Harry Francis Mallgrave
26. Crossbreeding Cultures: Italian and Local, Elite and Popular: Building in Bohemia, 1490–1720 Dirk De Meyer
Index
VOLUME II
Contributors to Volume II
Introduction: Eighteenth-Century Architecture Caroline van Eck and Sigrid de Jong
Part I: The Main Actors
The Architect
1 Open to all: Architectural education in the eighteenth century Freek Schmidt
2 Architects’ Libraries Robin L. Thomas
3 Laugier’s Prototypal Hut, Soufflot’s Sainte-Geneviève, and the Enlightenment Theory of Representation Neil Levine
4 Ornament in Eighteenth-Century Architecture Jean-François Bédard
Building Portraits 1698-1731 [format of these TBC]
Greenwich Hospital (1698 – 1728) Vaughan Hart
Castle Howard (1699-1712) Neil Levine
Blenheim (1705) Vaughan Hart
Superga (1716-1731) Cornelia Joechner
The Public
5 Architecture and the Spectator Caroline Van Eck
6 To Move and to be Moved: Experiencing Architectural Space Sigrid de Jong
7 Public Debate on Architecture in Eighteenth-Century France Richard Wittman
8 Between the Stage and the Public Space: Refiguring Spectatorship in French Theatre Architecture Bram van Oostveldt
9 Festival architecture as well-ordered entertainment Eric Monin
Building Portraits 1716-1732
Karlskirche (1716-1737) Anja Schuermann
Hôtel Amelot (1717) Freek Schmidt
Saint Mary-le-Strand (1724) Vaughan Hart
Chiswick Villa (1726-1732) Barbara Arciszewska
The Patron
10 The Office of the King’s Works and the Modernization of Architectural Patronage in England Barbara Arciszewska
11 ‘The Body Natural as well as the Body Politic stands indebted’: the hospital - foundation, funding and form Ann-Marie Akehurst
12 Denmark, Norway and Sweden: the flirt with the French and its long-term effects Juliette Roding
13 Interiors and Patronage Meredith Martin
14 Female Architectural Patronage in 18th-Century France Claire Ollagnier
Residenz Würzburg (1729-1744) Freek Schmidt
All Souls College (1735) Vaughan Hart
Radcliffe Camera (1739-1749) Vaughan Hart
Vierzehnheiligen (1742-1744) Jean-François Bédard
Part II: The Architectural Discourse
The Schools and the Academies
15 The Académie Royale d’Architecture 1671-1793 Christopher Drew Armstrong
16 London, Parma, Dresden. Exposition, Competition, Exhibition Pierre de la Ruffinière du Prey
17 Architectural Discourse in Rome: Academies, Ruins and Books Heather Hyde Minor
18 Architectural Debate in Venice Lola Kantor-Kazovsky
Sanssouci (1743-45) Jean-François Bédard
Bayreuth (1748) Bram Van oostveldt
Strawberry Hill (1749-1790) Michael Snodin
Albergo dei Poveri (1751) Robin L. Thomas
Caserta (1751) Robin L. Thomas
Architecture and the Sciences
19 ‘An exact and irreprochable Piece of Architecture should be the Flower and Crown as it were of all the Sciences Mathematical’ Matthew Walker
20 Measuring Classical Architecture Amalia Papaioannou
Villa Albani (1757-1759) Lauran Schijvens
Syon House (1760-1768) Adriano Aynonimo
Petit Trianon (1761) Christopher Drew Armstrong
Ecole de Chirurgie (1769-1774) Richard Wittman
History and Historiography
21 Zeitgeist, Style, and Stimmung – notes on the historiography of architecture in the late eighteenth century Mari Hvattum
22 The Historical Experience of How it All Began: the quest for the origins of architecture Sigrid de Jong
23 Monuments Maarten Delbeke
Théâtre Bordeaux (1773-1782) Christopher Drew Armstrong
Somerset House (1776-1801) Adriano Aynonimo
Barrières (1785) Christopher Drew Armstrong
Luscombe House (1799) John MacArthur
VOLUME III
Contributors to Volume III
Introduction: Nineteenth-Century Architecture Martin Bressani and Christina Contandriopoulos
Part I Historicism, the Beaux-Arts, and the Gothic
1. Revivalism Martin Bressani
2. Antiquity Reborn: Quatremère de Quincy’s Argument for Polychromy in Le Jupiter Olympien Nicholas Roquet
3. The French Beaux-Arts Jean-Philippe Garric
4. Outward Forms and Inward Spirit: The Recovery of Historical Church Architecture in the Nineteenth Century Stephen Bann
5. Romantic Historiography and the Paradoxes of Historicist Architecture Barry Bergdoll
6. Ruskin and Victorian Gothic Stephen Kite
7. The Search for a National Style Ákos Moravánszky
8. Gothic Historiography: An Interdisciplinary Speculation Cameron A. Macdonell
Part II Debates on Structure, Materials, and Tectonic Expression
9. The New Material-Based Realism of Nineteenth-Century Theory and Practice Neil Levine
10. Realism in Nineteenth-Century British Architecture Timothy Brittain-Catlin
11. German Tectonics Mitchell Schwartzer
12. Gottfried Semper and Modern German Theory Harry Francis Mallgrave
13. Viollet-le-Duc’s Rationalism Martin Bressani
14. Between the Visible and the Legible: Iron and Reinforced Concrete in Fin-de-Siècle France Réjean Legault
Part III The Question of the House, Social Utopias, Science, and New Technological Infrastructures
15. Domestic Architecture as a Mode of Separation Annmarie Adam
16. “The Science of the Plan.” House-Building and the Like, 1860–1930 Laurent Stalder
17. Comfort: Architecture’s Technological Dream Georges Teyssot
18. Universal Expositions, Utopia, and Architecture Antoine Picon
19. The Fourierist Phalanstère: Building a New Society through Architecture? Laurent Baridon
20. From Object to Field: The Uses of Photography by Nineteenth-Century Architects Peter Sealy
Part IV Psychology, Aesthetic, and Ornament
21. Decoration as Discourse in Nineteenth-Century Britain David Brett
22. Ornament and Expressive Lines: Nature and Symbol in Victor Ruprich-Robert's Flore ornementale Ralph Ghoche
23. Constructing Emotions. The Scientific Aesthetics of Architecture in France 1860–1900 Estelle Thibault
24. The Tectonics of the Soul: Animist Survivals in Nineteenth-Century Architecture and Ornamentation Spyros Papapetros
Part V America
25. Furness, Richardson, and Sullivan, and the Anglo-French Synthesis Michael J. Lewis
26. What American Architects Learned in Paris, 1845–1914 David Van Zanten
27. Structural Expression and Functional Representation in American Architecture 1850–1910 Joseph M. Siry
28. Canadian Architecture in the Nineteenth Century: Identities in Tension Marc Grignon and Christopher Thomas
Part VI Colonialism and Cross-Perspectives: Japan, China, Russia, India, etc.
29. Russian Architecture of the Nineteenth Century Dmitry Shvidkovsky
30. Multiple Modernisms in Khedivial Egypt Mercedes Volait
31. Dismembering and Remembering the Mughal Virtuous City in Nineteenth-Century British India Santhi Kavuri-Bauer
32. Of Emperor and Empire: Architectural Constructions of Imperial Japan Alice Y. Tseng
VOLUME IV
Contributors to Volume IV
Introduction: The Project and Projects of Modern Architecture David Leatherbarrow
Part I The Early Twentieth Century: Anticipating Modern Worlds
Introduction Alexander Eisenschmidt
1. Schlesinger and Mayer Department Store/Carson Pirie Scott Joanna Merwood-Salisbury
2. House for an Art Lover: Reverberating Echoes Amy Kulper
3. Postal Savings Bank: Timeless Modernity Béla Kerékgyártó
4. AEG Turbine Factory Gabriele H. Bryant
5. Glass House at Cologne Markus Breitschmid
6. Città Nuova: Fast and Slow Futurism Michelangelo Sabatino
Part II The Modern Project: Imagining New Worlds
Introduction David Leatherbarrow
7. Monument to the Third International Richard Anderson
8. Friedrichstrasse Skyscraper: Transfiguration through Glass, or Vertical and Horizontal Transparencies Ufuk Ersoy
9. Brick Country House Project George Dodds
10. Stockholm Public Library Michael Asgaard Andersen
11. Contra-Construction: Theo Van Doesburg’s Oblique View of Modern Architecture Hilary Bryon
12. Plan Voisin and the Functional City Flora Samuel
Part III Revisiting the Modern Project: Constructing New Worlds
13. The Goetheanum Randall Ott
14. Dymaxion House: Ship Shape AnnMarie Brennan
15. Schocken Department Store: “The Art of a Master” Kathleen James-Chakraborty
16. E.1027: The Art of Dialogue Caroline Constant
17. Villa Savoye: Building on a Clear Horizon Richard Wesley
18. Villa Müller: Building Philosophy Christopher Long
19. The VDL Research House Edward R. Ford
20. The PSFS Building: Modern Architecture for the Corporate Client Grace Ong Yan
21. Fallingwater Neil Levine
22. Danteum Jonathan Mekinda
23. Maison du Peuple: The Craft of Industrialized Construction Anne Beim
24. The Villa Mairea Scott Poole
Part IV Postwar Trends: Beginning Again, But Not at the Beginning
25. Endless House William W. Braham
26. Golden Lane: The Design and Urbanism of Megastructures Eric Mumford
27. Pajaritos Chapel, Maipu, Chile Rodrigo Perez de Arce
28. The Naked City: Why Put a Collage in a Book on Modern Architecture? Simon Sadler
29. Brasilia: The Pilot Plan and its Monuments Carlos Eduardo Comas
30. Church of Christ the Worker Stanford Anderson
31. Burgerweeshuis Orphanage: A CIty-like House Nathaniel Coleman
32. Plan for Tokyo Zhongjie Lin
Part V The 1960s and 1970s: Questioning Modern Worlds
33. Mother’s House Martino Stierli
34. Salk Institute: Hard-won Calm Daniel S. Friedman
35. Brion Cemetery: Between Worlds Michael Cadwell
36. Swimming Pool on the Beach at Leça de Palmeira: The Presence of the Atlantic Ocean Christian Gänshirt
37. Walking City: Archigram and the Pursuit of Style Sarah Deyong
38. Kharga Market: From Vernacularism to Regionalism Hassan Radoine
39. Marie Short House Maryam Gusheh and Catherine Lassen
40. Centre Pompidou Hadas A. Steiner
41. Teatro del Mondo Mary Lou Lobsinger
42. Sangath Kazi Khaleed Ashraf
Part VI The Present Generation: Engaging the Contemporary World
43. Parc de la Villette and its Afterlife Julia Czerniak
44. Stone House: Between the Human and the Non-human Philip Ursprung
45. The Church of the Light Jin Baek
46. Kunsthal: The Pliable Surface Roberto Gargiani
47. Bilbao Guggenheim: A Secular Cathedral of Art Richard M. Sommer
48. Yokohama: International Passenger Terminal Helene Furján
49. Sendai Mediatheque: The Fifth Plan Ron Witte
50. 21st Century Museum of Contemporary Art Xavier Costa
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