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9781592575183

The Complete Idiot's Guide to Getting Published, 4th Edition

by ;
  • ISBN13:

    9781592575183

  • ISBN10:

    1592575188

  • Edition: 4th
  • Format: Package
  • Copyright: 2006-08-01
  • Publisher: DK Publishing, Inc.
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Summary

Times have changed for first-time authors. Publishers have consolidated. Editors are fewer. Literary agents are more selective. The result is that it's tougher than ever to get published. That's why new authors need The Complete Idiot's Guide to Getting Published, Fourth Edition. For years, new authors have depended on the wise inside advice and tricks from Sheree Bykofsky, successful New York literary agent, and author, and Jennifer Basye Sander, best-selling non-fiction author and literary consultant. And now, their book is even more packed with the latest information about the business of publishing and the practical advice any writer will need to achieve the all-important goal of "getting published. "

Author Biography

Sheree Bykofsky, the founder and owner of the Sheree Bykofsky Literary Agency, has written and represented hundreds of successful titles over her long publishing career. She regularly teaches university courses on publishing and speaks at writers-' conferences across the country.
Jennifer Basye Sander has been an author and book packager for nearly 20 years. Her career has spanned all aspects of the business, from retail sales and book acquisition to editorial and publicity. She and her husband founded the Big City Books Group, which develops book projects and has over 40 successful books in print.

Table of Contents

Part 1: Great Expectations: In Which You Begin to Write 1(64)
1 So Why Write?
3(12)
What's Your Reason?
4(4)
I'm Compelled to Write
4(1)
I Want the Personal Satisfaction of Being Published
5(1)
I'd Like to Advance My Cause
5(1)
I Want to Share My Knowledge
5(1)
I Hope to Further My Career
5(1)
I'd Like to Achieve Fame
6(1)
I'd Like to Earn a Fortune
7(1)
All of the Above
7(1)
Do People Still Buy Books?
8(2)
Mergers and Chains
8(1)
Online Book Sales
9(1)
Leaner and Meaner
10(1)
Open for Business
10(2)
Product Is King
10(1)
Many Happy Returns—Not!
11(1)
Research, Research, Research!
11(1)
But I Don't Live in New York!
12(1)
Think of Yourself as a Contestant
12(1)
100,000 Chances to Win!
13(1)
Writers Wanted!
13(2)
2 Write What?
15(14)
What the World Doesn't Need
16(1)
But Enough About You
16(1)
And the Categories Are
17(1)
Fiction
17(1)
Nonfiction
18(1)
Fiction Categories
18(3)
Mainstream Fiction
18(1)
Westerns
18(1)
Romances
18(1)
Chick Lit
19(1)
Erotica/Adult Books
19(1)
Mysteries
19(1)
Science Fiction
19(1)
Fantasies
20(1)
Thrillers
20(1)
Religious Fiction
20(1)
Horror Books
20(1)
Young Adult Books
20(1)
Children's Fiction
21(1)
Graphic Novels/Manga
21(1)
Nonfiction Categories
21(5)
Biographies
22(1)
Travel Books
22(1)
Self-Help Books
22(1)
Computer Books
23(1)
Cookbooks
23(1)
Health Books
23(1)
Business Books
23(1)
Humor Books
23(1)
Children's Books
24(1)
Political Controversy/Current Events
24(1)
History
24(1)
Inspirational Books
24(1)
True Crime Books
24(1)
Poetry and Belles-Lettres 25
Science
25(1)
Puzzle Books
25(1)
Life in the Fast Lane
26(1)
Poker and Gaming
26(1)
Chick Lit
26(1)
From Category to Specific Topic
27(2)
3 If You Need an Idea, Stalk the Best-Seller List
29(12)
The High-Concept Approach
30(1)
Find a Need and Fill It
31(2)
Finding the Success Factor
31(1)
Wide Appeal = Good Sales
32(1)
Audience Appeal
33(1)
Look Around You
33(1)
What's Making the News?
33(1)
Try, Try Again
34(1)
What's That You Said?
34(1)
Let the Shows Show You
35(1)
I'm Not Hanging Out, I'm Working,
36(1)
Learn to Work the Bookstore Shelves
36(1)
What Isn't Selling?
36(1)
I'm Not Surfing the Net, I'm Working
37(1)
Sniffing Out Gaps and Niches
37(1)
Backlist Books: Sure and Steady
38(1)
Now You Know the Game
38(3)
4 Super-Stealth Market Research Techniques
41(14)
Is It a Book?
41(1)
Meet Your Customer
42(1)
Sizing Up the Competition
43(3)
Title
43(1)
Author
44(1)
Publisher
44(1)
Price
44(1)
Publication Copyright Date
45(1)
Staying in the Know
45(1)
Catalogs for the Asking
46(1)
How to Reach 'Em
46(1)
Go Over Them with a Fine-Toothed Comb
47(1)
Free Stuff on the Counter, Too!
47(1)
What Are the Clubs Selling?
48(1)
Cracking the Code
48(1)
Pick a Bookseller's Brain
49(1)
Surfing for Info
50(2)
The New York Times Extended Best-Seller List
50(1)
Amazon.com
50(1)
Barnes & Noble
51(1)
Publishers Marketplace
51(1)
BookScan
51(1)
More Assigned Reading
52(1)
But I Want to Write a Novel!
52(1)
Minimize Your Rejection Rate
53(2)
5 What's hot, What's Not
55(10)
What's In, What's Out, by Category
56(1)
Fiction
56(1)
Love Is a Many-Published Thing
57(2)
Love Writing About Love?
59(1)
Beyond Hot Romance
59(1)
Thrill 'Em, Grill 'Em, and Kill 'Em
59(1)
Nouveau Niche
60(1)
What's Cookin' with Cookbooks?
61(1)
The Publishing House at Pooh Corner
61(2)
Picture This
62(1)
No Kidding About Kids' Fiction
62(1)
Just the Facts, Ma'am
62(1)
Market Savvy for Success
63(1)
The Early Bird
63(2)
Part 2: Gone with the Wind: Submitting to Publishers 65(52)
6 Submit What?
61(18)
Simply Submit
67(1)
A Day in the Life of Book Publishing
68(2)
Quantum Query
69(1)
But Before We Begin
69(1)
Top Ten Mistakes New Writers Make
70(4)
Letters That Contain a Misspelled Name
71(1)
Package or Letter Arrives Postage Due
71(1)
Author Uses Outdated Equipment
71(1)
Letters That Don't Quickly Come to the Point
71(1)
Proposals That Criticize Other Books
72(1)
Letters That Are Too Flip or Amusing
72(1)
Queries That Mention Your Fan Club
72(1)
Proposals That Smell Like Cigarette Smoke
73(1)
Letters That Mention a Minimum Advance
73(1)
Proposals That Are Buried in Shredded Paper
73(1)
Warning, Warning
74(1)
Forward and Other Foibles
74(1)
A Great Example of a Bad Query
75(2)
Look Like a Pro on the Page
77(1)
Now Where Should I Send It?
77(2)
7 Query Letters That Sell Nonfiction
79(14)
Query? What's That You Say?
80(2)
About the Author, Take One
80(1)
About the Author, Take Two
81(1)
About the Book, Take One
81(1)
About the Book, Take Two
82(1)
Writer, Edit Thyself
82(1)
What Not to Say
83(1)
Hook 'Em Early
83(2)
Another Approach
85(1)
Write a Good One and Then Let It Be
86(1)
Online Etiquette
87(1)
SASEs and Other Ways to Hear Back
87(1)
But They Asked for It!
88(1)
Voicemail
88(1)
The Rules
89(1)
A Few Words on Rejection
89(4)
8 Bulletproof Nonfiction Book Proposals
93(12)
The Art of Proposal Writing
93(2)
You Mean I Don't Have to Write the Book First?
94(1)
But When Should I Start the Proposal?
94(1)
Building a Book Proposal
95(1)
Your Cover Page
95(1)
The Pitch
96(1)
What a Great Idea!
96(1)
Off to Market
96(1)
Compete with the Best
97(1)
La Publicité
97(2)
Publicity Opportunities
98(1)
Is It Especially Timely?
98(1)
Bulk Sales?
99(1)
A Stamp of Approval
99(1)
Let's Hear About You!
99(1)
Do You Need a Partner?
100(1)
Detailed Table of Contents
100(1)
Sample Chapters
100(2)
Write What They'd Enjoy Reading
101(1)
Send an Upbeat Message
101(1)
The Kitchen Sink
102(1)
Newspaper and Magazine Articles
102(1)
Video Clips
103(1)
Proposing Your Self-Published Book
103(1)
Time to Get Writing!
104(1)
9 Fun with Fiction
105(12)
So I Have to Write the Whole Book First?
106(1)
Want Support? Mingle with Other Writers
106(1)
And Then I Have to Write the Whole Book Again?
107(1)
The Never-Ending Story
108(2)
Forget Dickens!
108(1)
Read, Read, Read
109(1)
Writing Is Rewriting
109(1)
Take It to the Next Level
109(1)
Ready, Set, Query
110(1)
Introducing the Mighty You
111(2)
First Paragraph: What Kind of Book You've Written
111(1)
Second Paragraph: What Your Book Is About
111(1)
Third Paragraph: Why Only You Could Write This
112(1)
Fourth Paragraph: Other Impressive Stuff
112(1)
Fifth Paragraph: How to Reach You
112(1)
How Hard Can That Be?
113(1)
An Invitation for a Proposal!
113(1)
Summarize, Please
114(5)
Hook 'Em Again?
114(1)
Sample Synopses
114(1)
Exclusivity
115(2)
Part 3: Romancing the Stone: Getting a Book Contract 117(78)
10 What's an Agent for, Anyway?
119(10)
Friends in High Places
120(1)
When Agents and Editors "Do Lunch"
120(1)
A Hope and a Prayer
121(1)
"Is That the Best You Can Do?"
122(1)
Profit or Loss?
122(1)
Any Other Takers?
122(1)
Money, Money, Money
123(1)
Megamarkets
124(1)
Advances for Fiction
124(1)
Double Indemnity
124(1)
Rely on Your Agent
124(1)
Let's Do Another One, Just Like the Other One
125(1)
After the Deal Is Done
125(2)
Good Cop/Bad Cop
126(1)
Substance in Subrights
126(1)
Should You Get an Agent?
127(2)
11 Finding and Working With an Agent
129(12)
Members of the Club
129(1)
Just How Much Is This Gonna Cost?
130(2)
Reading Fees? No
130(1)
They're Agents, Not Readers
131(1)
Where to Find Help
131(1)
Screening Agents
132(1)
Where to Look for Agents
132(3)
Look in a Book
133(1)
Face to Face
133(1)
Making the Most of Writer's Conferences
134(1)
"I'd Like to Thank My Agent"
135(1)
Eeny, Meeny, Miney, Mo
135(1)
Exclusive Territory
136(1)
The Good Agent
136(1)
Are You Really Ready?
137(1)
Fiction
137(1)
Nonfiction
138(1)
Try, Try Again
138(1)
Big Name, Superb Credentials
138(1)
Shopping Yourself
139(1)
Return to Sender
139(1)
Hold My Calls, Please
139(1)
You Hooked One!
140(1)
Another Darn SASE?
140(1)
12 What You (an Expect from an Agent
141(12)
A Day in the Life of an Agent
142(1)
99 Percent Ready
143(1)
"I Really Like It, but"
144(1)
Be Open to Changes
144(1)
Love at First Sight
145(1)
Call Other Authors
145(1)
Great Expectations
145(1)
The Agent/Author Agreement
146(1)
Read the Fine Print
146(1)
"Hello, It's Your Author!"
147(1)
What's Going On?
147(1)
Ante Up
148(1)
The Rejection Blues
148(1)
Going Once, Going Twice...Sold!
149(1)
"How Much Can I Expect?"
149(1)
Nibbles
150(1)
Reeling 'Em In
150(1)
Breaking Up
150(3)
13 Submitting Directly to Editors
153(8)
The Ivy Leagues
154(2)
Curriculum Vitae
154(1)
Readers and Referees
155(1)
Read More About It
155(1)
Small Can Be Good
156(3)
The Name Game
157(1)
Query an Editor
157(1)
Negotiating on Your Own
158(1)
An Agent, at This Point?
158(1)
The Hunt Is On
159(1)
Tight Niches
159(1)
Once Upon a Time
159(2)
Poetry
161(1)
To Self-Publish or Not to Self-Publish?
161(2)
Do You Have What It Takes?
162(1)
Speaking of Speaking
162(1)
Proof Positive
163(1)
Oh, Don't Be Vain!
163(1)
The Electronic Edge
164(1)
You're on Your Own
164
14 Behind Closed Doors
161(16)
Hurry Up and Wait
167(1)
"Sorry, Not Right for Our Needs at This Time"
168(1)
Consider This
169(1)
Committee Decisions
170(1)
How's It Gonna Sell?
171(1)
The Meeting Begins
172(1)
Batter Up!
172(1)
Next Up!
173(1)
Let's Pretend
173(1)
Second Chances?
174(1)
They Like Me! They Really Do!
174(3)
Money, Money, Money, Money
175(1)
The Numbers Game
175(1)
Other Considerations in the Offer
175(2)
15 The Party of the First Part
177(18)
Whereas and Therefore
178(1)
The Work
179(1)
Copyright
179(1)
Tentatively Titled
179(1)
The Advance
180(1)
Grant of Rights
180(1)
Royalties
181(1)
Delivery of Manuscript and Corrections
182(1)
Other Deliverables
183(1)
Options
183(1)
Author's Representations, Warranties, and Indemnity
183(1)
Obligations of the Publisher
184(1)
Accounting
184(1)
Overstock, Out of Print, or Reversion of Rights
184(1)
Assignment
185(1)
Bankruptcy
185(1)
Agency Clause
185(1)
Electronic Rights
186(1)
So Is Anything Negotiable?
187(4)
Who Pays for the Index?
188(1)
Who Pays for Illustrations, Photographs, and Other Such Things?
188(1)
The Sales Territory
188(1)
Splits and Serials
189(1)
Commercial and Dramatic Rights
189(1)
Free Author's Copies
189(1)
The Delivery Date
190(1)
Expense Budgets
190(1)
High-Discount/Reduced Royalty Clauses
190(1)
Joint Accounting
191(1)
Options Clauses
191(1)
Electronic Rights
191(1)
Reversion of Rights
192(3)
Part 4: War and Peace: Working with a Publisher 195(96)
16 I Signed a Contract—Now What?
191(18)
Deadlines Loom
198(2)
Ready, Set...
199(1)
More Time, Please?
199(1)
Where's My Advance?
200(1)
The Sizzle for Your Steak
201(1)
Bend Over Backward
201(1)
Will You Say "I Love It"?
202(1)
You're Excited; They're Excited
202(1)
But I Haven't Heard from My Editor in Months!
202(1)
What's Going on with My Book?
203(3)
What's in a Name?
204(1)
Catalog Copy
204(1)
Judging a Book by Its Cover
205(1)
The Good, the Bad, and the Ugly
205(1)
The Clock's Ticking
206(3)
17 Saying Good-Bye to Your Baby
209(12)
Go with the Guidelines
209(3)
The Best Software
212(1)
Proper Formatting
212(3)
Why So Many Copies?
215(1)
Garbage In, Garbage Out
215(1)
File Management Matters
216(1)
What About the Pictures?
216(1)
Permissions
217(2)
Plagiarism
218(1)
Show Them the Money
219(1)
"I'd Like to Thank My First-Grade Teacher..."
219(1)
Bye-Bye, Book!
220(1)
18 Welcome to the Nome Team!
221(12)
Production in a Nutshell
222(1)
Join the Team
222(1)
The Acquisitions Editor
222(2)
But I Thought You Liked It!
223(1)
Especially for Fiction
223(1)
The Developmental Editor
224(1)
The Production or Project Editor
224(1)
The Copy Editor
224(1)
The Art Director
225(1)
Interior Design
225(1)
Cover Design
226(1)
The Copywriter
226(1)
The Proofreader
226(1)
Indexer
227(1)
The Manufacturing Manager
227(1)
Over to You Now
227(2)
Responding to Your Editor's Comments
227(1)
Especially for Fiction
228(1)
What's Best for the Book
228(1)
Copy Editing Changes and Queries
229(1)
More Deadlines to Meet
230(3)
Page Proofs
230(1)
Stop the Presses!
230(3)
19 Proper Care and Feeding of Your Editor
233(10)
Make a Friend for Life
233(1)
Your Book's Best Advocate—and Yours, Too'
234(1)
Editor for a Day
235(4)
8 A.M.
235(1)
9 A.M.
236(1)
10 A.M.
236(1)
Noon
237(1)
1:30 P.M.
237(1)
5 P.M.
238(1)
6 P.M.
238(1)
11:30 P.M.
238(1)
Why Doesn't My Editor Ever Call Me?
239(1)
When to Confess You're in Trouble
240(1)
Play Nice
240(3)
20 So How Does My Book Get into the Stores?
243(12)
A Short Course in the Sales Process
244(2)
The Dynamic Duo: Catalogs and Sales Reps
244(1)
Are You Free on Tuesday?
244(1)
Let Me Show You
245(1)
The Numbers Game
246(1)
Just-in-Time Inventory
246(1)
Comparative Sales Can Make or Break You
246(1)
Prepping the Rep
247(1)
Death of a Sales Conference
247(2)
How They've Changed!
248(1)
Do Authors Go?
248(1)
Getting Reps Revved Up
249(1)
Dumps and Other Promotional Ideas
249(1)
Charging for Store Exposure
249(1)
It Can't Hurt to Ask
250(1)
Printing and Shipping Your Baby (and Warehousing the Rest)
250(1)
Book Shows
251(4)
Do Authors Go?
252(3)
21 Maximum Publicity for Maximum Sales
255(14)
Publicity: Now and Then
256(1)
Just What Is Publicity, Anyway?
257(1)
What the Publicity Department Can Do
258(1)
Novel Approaches
258(1)
The Publicity Department's Full Plate
259(1)
Chicken Soup for Everyone!
260(1)
Ask the Experts
260(1)
The Secret Formula
260(1)
The Complete Idiot's Guide to Publicity
261(2)
Press Release Basics
261(1)
Useful Contacts, Bookstores, Newspapers, and Magazines
262(1)
Promotional Items
262(1)
"And Our Next Guest Is
263(2)
Radio Sells
263(1)
Selling Yourself to Radio
264(1)
Which Stations, Which Shows?
264(1)
Smiling and Dialing
265(1)
Get Them to Come to You
265(2)
A Cross-Country Whirlwind Radio Tour
266(1)
Should You Be Media-Trained?
266(1)
Three Key Points
267(1)
Touring the Libraries
267(1)
Reality Check
267(1)
Publicity Pays Off
268(1)
22 Television and Online Publicity
269(12)
Bright Lights, Big City
269(1)
Gonna Make You a Star!
270(2)
Getting on Regional Shows
272(1)
Satellite Television Tours
272(1)
Oprah and Friends
273(1)
Am I the Main Attraction?
273(1)
Will It Sell Books?
274(1)
Hands Off (for Now)
274(1)
Outwitting Producers
274(1)
Persistence Pays Off
275(1)
Do the Producer's Work for Him
275(1)
About That Plaid Jacket
275(2)
Dress for (TTY) Success
276(1)
Different Looks for Different Books
276(1)
What Really Works Online?
277(4)
Should I Create a Website?
277(1)
Read All About Me!
278(1)
Online Coaching
279(1)
Future Shock
279(2)
23 Real-Life Publicity and Marketing Ideas
281(10)
Creating Media Events
282(3)
The Timely Event
282(1)
A Visually Interesting Event
283(1)
A Controversial Event
284(1)
A Humorous Event
284(1)
What Good Did That Do?
285(1)
The Christmas Cash Box
285(1)
Effective Bookstore Events
286(2)
An Event Is Better Than a Signing
287(1)
Don't Rely on the Bookstore for Publicity
287(1)
Ask for a Display
287(1)
Can You Really Afford a Best-Seller?
288(3)
Part 5: My Brilliant Career: Continuing Your Career as an Author 291(14)
24 After the Party Is Over
293(12)
Sold Once...and Then Again
294(2)
Your Book's Inventory: It's Gotta Move
295(1)
Extending Shelf Life
296(1)
Returns to Sender
296(1)
End of the Line
296(1)
Coming Out Again?
297(1)
A Rose by Any Other Name
297(3)
Revised and Expanded!
298(1)
Renamed and Repackaged
298(1)
Sell a Small Booklet?
299(1)
Taking It to the Superhighway
299(1)
Seriesand Sequels
300(1)
Evaluating Your Success
300(2)
Show Me the Money
300(1)
Personal Best
301(1)
But Really, Show Me the Money!
302(1)
But This Book Was Perfect
302(2)
Work on My Writing?
303(1)
What Book Will Large Numbers of People Buy?
303(1)
Moving On to the Next Phase
304
Appendixes
A Glossary
305(10)
B Great Books for Writers
315(4)
C More Good Resources
319(4)
D Sample Proposal: The Gross News
323(6)
Index 329

Supplemental Materials

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