Introduction | |
Art | |
The Irreducible Historicality of the Concept of Art | |
Artworks as Artifacts | |
Emotion in Response to Art | |
Elster on Artistic Creativity | |
Music | |
Sound, Gesture, Space, and the Expression of Emotion in Music | |
Musical Expressiveness as Hearability-as-Expression | |
Non-existent Artforms and the Case of Visual Music | |
Music as Narrative and Music as Drama | |
Film Music and Narrative Agency | |
Evaluating Music | |
Musical Thinking | |
Musical Chills | |
Pictures | |
Wollheim on Pictorial Representation | |
What Is Erotic Art? | |
Erotic Art and Pornographic Pictures | |
Interpretation | |
Two Notions of Interpretation | |
Who's Afraid of a Paraphrase? | |
Hypothetical Intentionalism: Statement, Objections, and Replies | |
Aesthetic Properties | |
Aesthetic Properties, Evaluative Force, and Differences of Sensibility | |
What Are Aesthetic Properties? | |
History | |
The Aesthetics of Schopenhauer | |
Hume'sStandard of Taste: The Real Problem | |
Other Matters | |
The Concept of Humour | |
Intrinsic Value and the Notion of a Life | |
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