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Ten prominent dramaturg-scholars from three continents discuss complex dramaturgical approaches and advance proposals that reset notions of agency in contemporary dance creation. By drawing upon professional experience, cognitive and poststructuralist theory, and the work of international dance artists, they depart from tropes of anxiety in the existing discourse and present dramaturgy as a radically relational practice.
Seen through their lenses, dance dramaturgy is not the territory of a dramaturg with privileged knowledge about composition; it is driven by artistic inquiry, distributed among collaborating artists, embedded in improvisation tasks, or weaved through layers of audience engagement. In turn, the dramaturg becomes an engaged and skilful facilitator of dramaturgical awareness who traces artistic inquiries and ways of working across a broad spectrum of projects and artists.
This collection extends an invitation to complicate and advance key notions of dance dramaturgy and provides a rich source for dance and devising artists looking to examine and develop approaches to creation.
Seen through their lenses, dance dramaturgy is not the territory of a dramaturg with privileged knowledge about composition; it is driven by artistic inquiry, distributed among collaborating artists, embedded in improvisation tasks, or weaved through layers of audience engagement. In turn, the dramaturg becomes an engaged and skilful facilitator of dramaturgical awareness who traces artistic inquiries and ways of working across a broad spectrum of projects and artists.
This collection extends an invitation to complicate and advance key notions of dance dramaturgy and provides a rich source for dance and devising artists looking to examine and develop approaches to creation.
