Deleuze Reframed Interpreting Key Thinkers for the Arts

by Sutton, Damian; Martin-Jones, David

• ISBN13: 9781845115470
• ISBN10: 1845115473
• Format: Paperback
• Copyright: 2008-09-15
• Publisher: I. B. Tauris

Summary

Are your students baffled by Baudrillard? Dazed by Deleuze? Confused by Kristeva? Other beginners' guides can feel as impenetrable as the original texts to students who "think in images."Contemporary Thinkers Reframedinstead uses the language of the arts to explore the usefulness in practice of complex ideas. Short, contemporary and accessible, these lively books utilize actual examples of artworks, films, television shows, works of architecture, fashion and even computer games to explain and explore the work of the most commonly taught thinkers. Conceived specifically for the visually-minded, the series will prove invaluable to students right across the visual arts. Deleuze disdains easy answers. Yet easy answers to Deleuze are what students need. Without reducing Deleuze's complex body of thought to simplistic solutions, this very contemporary guide leads the reader into the world of Deleuze's spiralling thought through concrete examples from art, film, TV and even computer games. FromEternal Sunshine of the Spotless MindandThe CelltoPac ManandDoom, and from the work of Robert Mapplethorpe, Coco Fusco and Rachel Whiteread toLostandDoctor Who, this easily digestible introduction looks at the key ideas promoted by Deleuze, both in his own work and in his notoriously difficult collaborations with Felix Guattari, to make them both fresh and relevant to the visual arts today.

Author Biography

Damian Sutton is Lecturer at Glasgow School of Art.



David Martin-Jones is Lecturer in Film Studies at St. Andrews University.

Table of Contents

List of illustrations
Foreword: Deleuze reframed?
Introduction. What is a rhizome?	p. 3
Gaming in the labyrinth	p. 11
Virtual structures of the Internet	p. 27
Introduction. What is becoming?	p. 45
Minor cinemas	p. 51
Becoming art	p. 65
Introduction. What is duration?	p. 85
Movement-images, time-images and hybrid-images in cinema	p. 91
Time (and) travel in television	p. 107
Conclusion: Reframing Deleuze	p. 123
Notes	p. 129
Select bibliography	p. 137
Glossary	p. 141
Index	p. 145
Table of Contents provided by Blackwell. All Rights Reserved.