Introduction | p. vi |
Acknowledgments | p. viii |
About the Editor | p. viii |
The World of Digital Audio | p. 1 |
The Fundamentals of Sound | p. 2 |
Analog Audio | p. 4 |
Digital Audio | p. 8 |
Moving into the High-Resolution Era | p. 11 |
Digital Audio Recorder Overview | p. 12 |
MIDI | p. 14 |
Computers and Music | p. 17 |
Plug-In Formats | p. 25 |
Synthesizers | p. 30 |
General MIDI | p. 37 |
The General MIDI Rulebook | p. 38 |
General Plus | p. 40 |
General MIDI Tone Map | p. 40 |
Samplers | p. 42 |
Effects Processors | p. 44 |
Mixers | p. 46 |
Monitors | p. 49 |
Digital Recording: What Do I Need? | p. 53 |
Know Before You Go | p. 53 |
Five Rules for Music Equipment Success | p. 54 |
Digital Audio Recorders | p. 58 |
Multitrack Tape Recorders | p. 59 |
Stand-Alone Hard Disk Recorders | p. 62 |
Digital Audio Workstations | p. 63 |
Rackmountable HD Recorders | p. 64 |
MiniDisc Recorders | p. 64 |
CD Recorders | p. 65 |
Media | p. 66 |
Recording with Computers | p. 68 |
Requirements and Cautions | p. 68 |
Choosing Software | p. 71 |
Choosing a Sound Card | p. 72 |
Sound Card Features Checklist | p. 76 |
Other Sound Card Considerations | p. 77 |
Interfaces and Control Surfaces | p. 78 |
Buying a Used ADAT | p. 81 |
Studio Setup and Maintenance | p. 85 |
Studio Setups | p. 85 |
Just the Basics | p. 85 |
Movin' on Up | p. 88 |
Getting Real | p. 90 |
Playin' in the Big Leagues | p. 93 |
Maintenance | p. 94 |
Maintaining Digital Multitrack Tape Recorders | p. 94 |
Basic Maintenance Tips | p. 95 |
Digital Tape Machine Hidden Features | p. 95 |
ADAT Maintenance Schedule | p. 97 |
Hard Disk Maintenance | p. 97 |
Preventive Maintenance | p. 98 |
Studio AC Protection | p. 99 |
Connections/Wiring | p. 100 |
Where to Get AC Protection Products | p. 101 |
Studio Ergonomics | p. 101 |
Studio Organization | p. 104 |
Recording | p. 107 |
Basic Recording Tips | p. 107 |
Recording Electronic Drums | p. 115 |
Synchronization | p. 118 |
MIDI Sync | p. 119 |
SMPTE Time Code | p. 123 |
Word Clock | p. 124 |
Quantization | p. 127 |
Looping--Steinberg ReCycle | p. 129 |
Finding REX Files | p. 133 |
Compression | p. 134 |
Compressor Types: Thumbnail Descriptions | p. 137 |
Backing Up Your Data | p. 138 |
Digital-to-Digital Transfers | p. 141 |
Digital Mixing | p. 145 |
Basics of Digital Audio Mixing | p. 145 |
Equalization | p. 150 |
Panning | p. 152 |
Stereo Imaging | p. 153 |
Designing Depth: Localizing Parts from Hither to Yon | p. 154 |
Depth Positioning Chart | p. 155 |
Surround Sound in the Project Studio | p. 158 |
Preplanning Your Mix | p. 166 |
Digital Multitrack Automation | p. 169 |
Mixing with Effects | p. 175 |
Monitoring Tips | p. 179 |
Burning and Mastering | p. 181 |
Mastering | p. 187 |
Mass Production | p. 191 |
Practical FAQs for Burning Your Own CDs | p. 194 |
The Afterburn | p. 195 |
By the Book | p. 196 |
Welcome to the Web | p. 196 |
What Format? | p. 199 |
Encoding | p. 202 |
Post-Process | p. 203 |
For Tech-heads Only: HTTP Streaming | p. 204 |
Popular Promo Sites | p. 204 |
Troubleshooting | p. 207 |
Noise | p. 209 |
Digital Audio Dropout Culprits: Disk Caching and Thermal Recalibration | p. 209 |
Acoustic Noise | p. 210 |
Electromagnetically Induced Noise | p. 212 |
Gain-Staging | p. 215 |
Noise Prevention and Removal | p. 215 |
Digital Clipping | p. 217 |
Quantization Noise | p. 218 |
Hums and Ground Loops | p. 219 |
Phase Problems | p. 223 |
For Further Reading | p. 227 |
Glossary | p. 228 |
Contributors | p. 237 |
Index | p. 240 |
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