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9780199281312

Dionysus since 69 Greek Tragedy at the Dawn of the Third Millennium

by ; ;
  • ISBN13:

    9780199281312

  • ISBN10:

    0199281319

  • Format: Paperback
  • Copyright: 2005-03-10
  • Publisher: Oxford University Press

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Supplemental Materials

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Summary

Greek tragedy is currently being performed more frequently than at any time since classical antiquity. This lavishly illustrated book is the first attempt fully to document and explain its revival. It assembles fourteen essays by specialists from classics, theater studies, and the professional theater, who relate the recent production history of Greek tragedy to social and academic trends.

Author Biography


Edith Hall is Leverhulme Professor of Greek Cultural History at the University of Durham and Co-Director of the Archive of Performances of Greek and Roman Drama, University of Oxford. Fiona Macintosh is Senior Research Fellow at the Archive of Performances of Greek and Roman Drama, University of Oxford. Amanda Wrigley is Researcher at the Archive of Performances of Greek and Roman Drama, University of Oxford.

Table of Contents

List of Illustrations ix
List of Contributors xiii
Lectures at the Archive of Performances of Greek and Roman Drama 1997-2002 xvii
Note on Nomenclature, Spelling, and Texts xix
1. Introduction: Why Greek Tragedy in the Late Twentieth Century?
Edith Hall
1(46)
SECTION I: Dionysus and the Sex War 47(96)
2. Dionysus in
69(8)
Froma I. Zeitlin
49(28)
3. Bad Women: Gender Politics in Late Twentieth-Century Performance and Revision of Greek Tragedy
Helene Foley
77(36)
4. Heracles as Dr Strangelove and GI Joe: Male Heroism Deconstructed
Kathleen Riley
113(30)
SECTION II: Dionysus in Politics 143(100)
5. Sophocles' Philoctetes, Seamus Heaney's, and Some Other Recent Half-Rhymes
Oliver Taplin
145(24)
6. Aeschylus, Race, Class, and War in the 1990's
Edith Hall
169(30)
7. Greek Tragedy in Cinema: Theatre, Politics, History
Pantelis Michelakis
199(20)
8. Greek Drama and Anti-Colonialism: Decolonizing Classics
Lorna Hardwick
219(24)
SECTION III: Dionysus and the Aesthetics of Performance 243(68)
9. The Use of Masks in Modern Performances of Greek Drama
David Wiles
245(20)
10. Greek Notes in Samuel Beckett's Theatre Art
Katharine Worth
265(20)
11. Greek Tragedy in the Opera House and Concert Hall of the Late Twentieth Century
Peter Brown
285(26)
SECTION IV: Dionysus and the Life of the Mind 311(108)
12. Oedipus in the East End: from Freud to Berkoff
Fiona Macintosh
313(16)
13. Thinking about the Origins of Theatre in the 1970's
Erika Fischer-Lichte
329(32)
14. The Voices We Hear
Timberlake Wertenbaker
361(8)
15. Details of Productions Discussed
Amanda Wrigley
369(50)
References 419(26)
Index 445

Supplemental Materials

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