Acknowledgments | p. ix |
Introduction: Ballet in Tin Cans | p. 1 |
A Channel for Progress: Theatrical Dance, Popular Culture, and (The) American Ballet | p. 34 |
The Lot of a Ballerina Is Indeed Tough: Gender, Genre, and the Ballet Film through 1947, Part I | p. 62 |
The Man Was Mad-But a Geniusl: Gender, Genre, and the Ballet Film through 1947, Part II | p. 104 |
If You Can Disregard the Plot: The Red Shoes in an American Context | p. 133 |
The Second Act Will Be Quite Different: Cinema, Culture, and Ballet in the 1950s | p. 172 |
Turning Points: Ballet and Its Bodies in the "Post-Studio" Era | p. 215 |
Notes | p. 259 |
Filmography | p. 291 |
Index | p. 297 |
Table of Contents provided by Ingram. All Rights Reserved. |
The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.
The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.