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| Introduction : race, art, and humanistic disavowal : unraveling the historical nexus of race and aesthetics, refusing the erasure of public memory | p. 1 |
| Genre, race, erasure : a genealogical critique of "American" autobiography | p. 35 |
| Erasure and retrieval of public memory : artful deceit in Mary Johnston's Prisoners of hope and subtle disclosure in Pauline Bouve's Their shadows before | p. 71 |
| An epistemology of ignorance : hierarchy, exclusion, and the failure of multiculturalism in the modern literary top 100 | p. 118 |
| Soul for sale? : Cuban counterpoint in Madrid | p. 157 |
| Succor for the ailing Jewish body : images of Jewish racial degeneracy and Zionist cultural work in Palestine | p. 187 |
| The pillory/pelourinho in open-air museums in the US and Brazil : a site of racism and racial reconciliation | p. 209 |
| Re-tracing the unruly boundaries of the Jewish body in Barnett Newman's Stations of the cross | p. 243 |
| Poetry : "Danger flammable," "When the snow arrived," "Nine innings to go" | p. 270 |
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