Foreword | p. vii |
Preface | p. ix |
Abbreviations | p. xiii |
Christopher Hogwood Chronology | p. xv |
From the Virginal to the Spinet: Domestic Keyboard Instrument Manufacture and Use in Stuart England | p. 1 |
Reading Soul from Manuscripts: Some Observations on Performance Issues in J. S. Bach's Habits of Writing His Music | p. 13 |
Handel's Visit to Dublin, 1741-42 | p. 41 |
Picturing the Moment in Sound: C. P. E. Bach and the Musical Portrait | p. 57 |
John Crang: His Workshop and Surviving Claviorgan | p. 91 |
Thoughts on Articulatory Notation in Haydn's Solo Keyboard Music | p. 121 |
What Keyboard Instrument Did Mozart Envision for His Concerto in D major, K. 175? | p. 137 |
Square Pianos in German-Speaking Areas at the Time of Wolfgang Amadeus Mozart and Their Possible Uses in His Works | p. 157 |
Two Eighteenth-Century Swedish Clavichords in American Collections | p. 181 |
Beethoven and the Clavichord | p. 197 |
Stringband Design for Fretted Clavichords | p. 209 |
Afterword: How to Evade Autobiography | p. 243 |
Index | p. 249 |
About the Contributors | p. 255 |
Table of Contents provided by Ingram. All Rights Reserved. |
The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.
The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.