What is included with this book?
A wide-ranging collection of essays by one of America's most perceptive critics of popular and literary culture
From one of America's most insightful and independent-minded critics comes a remarkable new collection of essays, her first in more than fifteen years. Daphne Merkin brings her signature combination of wit, candor, and penetrating intelligence to a wide array of subjects that touch on every aspect of contemporary culture, from the high calling of the literary life to the poignant underside of celebrity to our collective fixation on fame. "Sometimes it seems to me that the private life no longer suffices for many of us," she writes, "that if we are not observed by others doing glamorous things, we might as well not exist."
Merkin's elegant, widely admired profiles go beneath the glossy faēades of neon-lit personalities to consider their vulnerabilities and demons, as well as their enduring hold on us. As her title essay explains, she writes in order "to save myself through saving wounded icons . . . Famous people . . . who required my intervention on their behalf because only I understood the desolation that drove them." Here one will encounter a gallery of complex, unforgettable womenMarilyn Monroe, Courtney Love, Diane Keaton, and Cate Blanchett, among othersas well as such intriguing male figures as Michael Jackson, Mike Tyson, Truman Capote, and Richard Burton. Merkin reflects with empathy and discernment on what makes them runand what makes them stumble.
Drawing upon her many years as a book critic, Merkin also offers reflections on writers as varied as Jean Rhys, W. G. Sebald, John Updike, and Alice Munro. She considers the vexed legacy of feminism after Betty Friedan, Bruno Bettelheim's tarnished reputation as a healer, and the reenvisioning of Freud by the elusive Adam Phillips.
Most of all, though, Merkin is a writer who is not afraid to implicate herself as a participant in our consumerist and overstimulated culture. Whether ruminating upon the subtext of lip gloss, detailing the vicissitudes of a preYom Kippur pedicure, or arguing against our obsession with household pets, Merkin helps makes sense of our collective impulses. From a brazenly honest and deeply empathic observer, The Fame Lunches shines a light on truths we often prefer to keep veiledand in doing so opens up the conversation for all of us.
Daphne Merkin is a former staff writer for The New Yorker. She has written regularly for Elle, Vogue, The New York Times Magazine, and The New York Times Book Review. Her previous books include Enchantment, a novel, and Dreaming of Hitler, a collection of essays. She lives in New York City.