Note: Supplemental materials are not guaranteed with Rental or Used book purchases.
Purchase Benefits
What is included with this book?
Acknowledgements | |
Film, History, and Cultural Citizenship | |
An Introduction | |
Section I: Producing National and Transnational Imaginaries | |
Negotiating Mobile Subjectivities: Costume Play, Landscape, and Belonging in the Colonial Road Movies of | |
Sharon Hayashi Moore's Utopia: Canada in the Cinematic Imagination of | |
Seeing Beneath the Veil: Saira Shah and the Problems of Documentary | |
Textual Communities and Localized Practices of Film in Maoist China | |
Transnational Communities of Affinity: Patricio Guzman's The Pinochet Case | |
Section II: Historical Feeling in the Sites of Production Moving Intimacy | |
The Betrayals of a Mother called "Yesterday," a Child called "Beauty" and a Father called | |
Queer Grit: Jane West Rides Through the Violence of the Hollywood Western | |
Violence, Gender, and Community in Atanarjuat | |
Memory, Affect, and Personal Modernity: Now, Voyager and the Second World War | |
Section III: The Culture of Film and the Production of History Alterity, Activism, and the Articulation of Gendered | |
Cinemascapes in Canadian Indian Country Kathleen Buddle The Battle of Algiers: Pentagon Edition | |
Jacob the Liar and Historical Truth in Berlin and Hollywood Cheryl Dueck | |
Les Lieux Provisoires of Transnational Cinema | |
Contributors | |
Table of Contents provided by Publisher. All Rights Reserved. |
The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.
The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.