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9781439169063

Film Lighting Talks with Hollywood's Cinematographers and Gaffers

by
  • ISBN13:

    9781439169063

  • ISBN10:

    1439169063

  • Edition: 2nd
  • Format: Paperback
  • Copyright: 2012-02-07
  • Publisher: Touchstone
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Summary

Newly revised and updated, Film Lighting is an indispensible sourcebook for the aspiring and practicing cinematographer, based on extensive interviews with leading cinematographers and gaffers in the film industry.Film lighting is a living, dynamic art influenced by new technologies and the changing styles of leading cinematographers. A combination of state-of-the-art technology and in-depth interviews with industry experts, Film Lighting provides an inside look at how cinematographers and film directors establish the visual concept of the film and use the lighting to create a certain atmosphere. Kris Malkiewicz uses firsthand material from the experts he interviewed while researching this book. Among these are leading cinematographers Dion Beebe, Russell Carpenter, Caleb Deschanel, Robert Elswit, Mauro Fiore, Adam Holender, Janusz Kaminski, Matthew Libatique, Rodrigo Prieto, Harris Savides, Dante Spinotti, and Vilmos Zsigmond. This updated version of Film Lighting fills a growing need in the industry and will be a perennial, invaluable resource.

Author Biography

Kris Malkiewicz , author of the classic work Cinematography, is a graduate of the prestigious Polish State Film Academy. He helped design the film department of the California Institute of the Arts and taught film at the Film Division of The Polytechnic in London, England.

Table of Contents

Acknowledgmentsp. v
Preface to the Second Editionp. xi
The Cinematographer as Collaboratorp. 1
Working with the Directorp. 2
The Hiring Processp. 2
Taking on the Projectp. 3
Stylep. 4
Serving the Storyp. 7
Working with the Art Directorp. 10
Working with the Designersp. 13
Rehearsalsp. 14
Compositionp. 17
Working with the Crewp. 19
Lighting Equipmentp. 25
Types of Light Sourcesp. 25
Tungsten Lightsp. 25
HMI Lightsp. 26
Fluorescent Lightsp. 26
LED Lightsp. 31
Fresnel Lightsp. 34
Ellipsoidal Reflector Spotlightsp. 37
Xenon Lightsp. 40
Beam Projectorsp. 42
Moving Lightsp. 43
PAR Lightsp. 44
Open-face and Area Lightsp. 49
Soft Lightsp. 52
Compact Lightsp. 61
Accessories to Luminairesp. 63
Light Packagesp. 68
Power Supplyp. 69
Image Manipulationp. 72
Film Stockp. 73
Digital Camerasp. 73
Brightness Range Manipulationp. 76
Measuring and Evaluating Lightp. 77
Picture and Waveform Monitorsp. 83
Color Gelatinsp. 85
Image Manipulation by Filters, Nets, and Other Optical Mediap. 86
Working with Smokep. 91
Image Manipulation in the Laboratoryp. 92
Processingp. 92
Timing and Printingp. 93
Digital Intermediatep. 95
Anatomy of Lightingp. 102
Key Light, Fill Light, and Backlight Conceptsp. 102
Key Lightp. 102
Fill Lightp. 104
Backlightp. 107
Strategy of Lightingp. 113
Hard Versus Softp. 113
Controlling Hard Lightp. 119
Using and Controlling the Various Types of Soft Lightp. 123
Box-type Soft Lightp. 123
Diffused Lightp. 124
Bounced Lightp. 129
Ambient Lightp. 133
Low Key, High Keyp. 134
Studio Versus Locationp. 135
Lighting for Multiple Camerasp. 137
Lighting for Digital Videop. 139
Lighting a Scenep. 144
Lighting Approach to a Scenep. 144
Sources of Lightp. 151
Long Shot and Close-upp. 154
Studio Day Interiorp. 157
Night Interiorp. 159
Treatment of Wallsp. 161
Using Practical Lampsp. 162
Special Practicalsp. 164
Mirrorsp. 167
Process Shotsp. 169
Lighting Facesp. 170
Beauty Lightingp. 180
Lighting for Skin Tonesp. 182
Close-up Accessoriesp. 184
Eye Lightp. 186
Lighting on Locationp. 191
Location Exteriorp. 192
Daylightp. 192
Sunsetp. 199
Day-for-Nightp. 202
Night-for-Nightp. 204
Location Interiorp. 213
Location Interior/Exteriorp. 213
Location Lighting with Fluorescentsp. 216
Theater Interior Lightingp. 217
Vehicle Lightingp. 218
Learning to Lightp. 228
Notes on the Contributorsp. 233
Glossaryp. 241
Bibliographyp. 253
Indexp. 255
Table of Contents provided by Ingram. All Rights Reserved.

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