What is included with this book?
Acknowledgments | p. v |
Preface to the Second Edition | p. xi |
The Cinematographer as Collaborator | p. 1 |
Working with the Director | p. 2 |
The Hiring Process | p. 2 |
Taking on the Project | p. 3 |
Style | p. 4 |
Serving the Story | p. 7 |
Working with the Art Director | p. 10 |
Working with the Designers | p. 13 |
Rehearsals | p. 14 |
Composition | p. 17 |
Working with the Crew | p. 19 |
Lighting Equipment | p. 25 |
Types of Light Sources | p. 25 |
Tungsten Lights | p. 25 |
HMI Lights | p. 26 |
Fluorescent Lights | p. 26 |
LED Lights | p. 31 |
Fresnel Lights | p. 34 |
Ellipsoidal Reflector Spotlights | p. 37 |
Xenon Lights | p. 40 |
Beam Projectors | p. 42 |
Moving Lights | p. 43 |
PAR Lights | p. 44 |
Open-face and Area Lights | p. 49 |
Soft Lights | p. 52 |
Compact Lights | p. 61 |
Accessories to Luminaires | p. 63 |
Light Packages | p. 68 |
Power Supply | p. 69 |
Image Manipulation | p. 72 |
Film Stock | p. 73 |
Digital Cameras | p. 73 |
Brightness Range Manipulation | p. 76 |
Measuring and Evaluating Light | p. 77 |
Picture and Waveform Monitors | p. 83 |
Color Gelatins | p. 85 |
Image Manipulation by Filters, Nets, and Other Optical Media | p. 86 |
Working with Smoke | p. 91 |
Image Manipulation in the Laboratory | p. 92 |
Processing | p. 92 |
Timing and Printing | p. 93 |
Digital Intermediate | p. 95 |
Anatomy of Lighting | p. 102 |
Key Light, Fill Light, and Backlight Concepts | p. 102 |
Key Light | p. 102 |
Fill Light | p. 104 |
Backlight | p. 107 |
Strategy of Lighting | p. 113 |
Hard Versus Soft | p. 113 |
Controlling Hard Light | p. 119 |
Using and Controlling the Various Types of Soft Light | p. 123 |
Box-type Soft Light | p. 123 |
Diffused Light | p. 124 |
Bounced Light | p. 129 |
Ambient Light | p. 133 |
Low Key, High Key | p. 134 |
Studio Versus Location | p. 135 |
Lighting for Multiple Cameras | p. 137 |
Lighting for Digital Video | p. 139 |
Lighting a Scene | p. 144 |
Lighting Approach to a Scene | p. 144 |
Sources of Light | p. 151 |
Long Shot and Close-up | p. 154 |
Studio Day Interior | p. 157 |
Night Interior | p. 159 |
Treatment of Walls | p. 161 |
Using Practical Lamps | p. 162 |
Special Practicals | p. 164 |
Mirrors | p. 167 |
Process Shots | p. 169 |
Lighting Faces | p. 170 |
Beauty Lighting | p. 180 |
Lighting for Skin Tones | p. 182 |
Close-up Accessories | p. 184 |
Eye Light | p. 186 |
Lighting on Location | p. 191 |
Location Exterior | p. 192 |
Daylight | p. 192 |
Sunset | p. 199 |
Day-for-Night | p. 202 |
Night-for-Night | p. 204 |
Location Interior | p. 213 |
Location Interior/Exterior | p. 213 |
Location Lighting with Fluorescents | p. 216 |
Theater Interior Lighting | p. 217 |
Vehicle Lighting | p. 218 |
Learning to Light | p. 228 |
Notes on the Contributors | p. 233 |
Glossary | p. 241 |
Bibliography | p. 253 |
Index | p. 255 |
Table of Contents provided by Ingram. All Rights Reserved. |
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