Reviser's preface | p. vii |
Introduction | p. 1 |
The First Century of Printing, 1450-1550 | |
The incunabula period | p. 3 |
Gutenberg | p. 4 |
Type design | p. 9 |
Roman type | p. 11 |
Gothic type | p. 16 |
The spread of printing | p. 17 |
Germany | p. 20 |
Italy | p. 30 |
France | p. 37 |
Spain and Portugal | p. 44 |
England | p. 46 |
Greek and Hebrew printing | p. 52 |
Printing in the vernacular | p. 54 |
Printer and publisher | p. 59 |
Early bestsellers | p. 62 |
The title-page | p. 65 |
Book illustration | p. 70 |
The Era of Consolidation, 1550-1800 | |
Type design | p. 74 |
Roman type | p. 74 |
Gothic type | p. 82 |
Irish and Anglo-Saxon types | p. 84 |
Book production | p. 84 |
The Netherlands | p. 84 |
France | p. 89 |
Germany | p. 93 |
The English-speaking countries | p. 96 |
Publishers and patrons | p. 106 |
Official and private presses | p. 114 |
The reading public | p. 119 |
The periodical press | p. 121 |
Libraries | p. 126 |
Censorship | p. 130 |
The Nineteenth Century, 1800-1900 | |
Technical progress | p. 137 |
The trade | p. 146 |
Official and private presses | p. 152 |
The reading public | p. 160 |
Popular series | p. 166 |
1900-1955 | |
Linotype and Monotype | p. 170 |
The Latin alphabet in script and print | p. 172 |
The private presses | p. 175 |
Book printing before the Second World War | p. 188 |
Censorship and other difficulties in the trade | p. 192 |
Bestsellers and steady sellers | p. 200 |
Popular series | p. 212 |
The Postwar World | |
Composition and typesetting | p. 218 |
Printing | p. 230 |
Paper | p. 235 |
Binding | p. 236 |
Design | p. 239 |
Printers and publishers | p. 241 |
Modern fine printing | p. 248 |
CD-ROM and the Internet | p. 249 |
Conclusion | p. 250 |
Select bibliography | p. 251 |
Index | p. 255 |
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