What is included with this book?
Preface | p. xi |
Use of the Computer | p. xviii |
Computer-Assisted Instruction: Contents and Log | p. xxiv |
Introduction | p. xxxiv |
Sound | p. 1 |
Pitch and Timbre; The Overtone Series | p. 1 |
Dynamics | p. 3 |
Computer Exercises | p. 5 |
Computer Exercise | p. 6 |
The Envelope; Articulations | p. 6 |
Music for Study | p. 8 |
Computer Exercise | p. 11 |
Exploring Sound at the Computer | p. 11 |
The Notational System | p. 12 |
Music in Western Culture | p. 12 |
Written Music | p. 13 |
Music-A temporal Art | p. 13 |
Notes and Rests | p. 14 |
Computer Exercise | p. 17 |
Written Exercises | p. 17 |
Letter-Names for Pitches | p. 20 |
Computer Exercise | p. 24 |
Registers of the Piano | p. 24 |
Computer Exercise | p. 25 |
Written Exercises | p. 25 |
Notation at the Computer | p. 26 |
Simple Meter | p. 28 |
Suggested Listening | p. 28 |
The Beat | p. 28 |
The Organization of Music into Meters | p. 29 |
Computer Exercise | p. 31 |
Written Exercises | p. 32 |
Rhythm in Performance | p. 33 |
Computer Exercise | p. 34 |
Counting Time in Simple Meters | p. 34 |
Computer Exercise | p. 36 |
Music for Study | p. 36 |
Music for Study: Counting with Rests | p. 40 |
The Use of Beams | p. 42 |
Written Exercises | p. 43 |
Computer Exercise | p. 46 |
Creating Rhythms at the Computer | p. 46 |
Composing Rhythmic Phrases | p. 46 |
Scales | p. 48 |
Half Steps and Whole Steps | p. 48 |
Computer Exercise | p. 49 |
Computer Exercise | p. 53 |
Computer Exercise | p. 55 |
Written Exercises | p. 55 |
The Major Scale | p. 56 |
Computer Exercise | p. 59 |
Written Exercises | p. 60 |
Key Signatures for Major Keys | p. 63 |
Computer Exercise | p. 68 |
Written Exercises | p. 69 |
Intervals in the Major Scale | p. 71 |
Names of the Scale Degrees | p. 73 |
Music for Study | p. 74 |
Creative Exercise | p. 78 |
Compound Meter | p. 79 |
Suggested Listening | p. 79 |
Computer Exercise | p. 83 |
Written Exercises | p. 83 |
Music for Study: Counting Compound Meter | p. 84 |
Classification of Meters | p. 88 |
Written Exercises | p. 90 |
More on the Use of Beams | p. 94 |
Written Exercises | p. 95 |
Written Exercises | p. 97 |
Establishing Meter Through Accents and Patterns | p. 98 |
Music for Study | p. 98 |
Exploring Rhythm and Meter at the Computer | p. 104 |
Written Exercises | p. 107 |
Computer Exercise | p. 113 |
Creating Rhythms at the Computer | p. 113 |
The Minor Mode | p. 114 |
Suggested Listening | p. 114 |
Use of Accidentals in the Minor Mode | p. 117 |
Computer Exercise | p. 118 |
Written Exercises | p. 118 |
Intervals in the Minor Mode | p. 121 |
Relative and Parallel Minors | p. 121 |
Computer Exercise | p. 123 |
Written Exercises | p. 124 |
Music for Study | p. 127 |
Modulation | p. 131 |
The Chromatic Scale | p. 132 |
Written Exercises | p. 133 |
Music for Study | p. 134 |
Creative Exercises | p. 137 |
Other Scales | p. 138 |
Modes | p. 138 |
Suggested Listening | p. 142 |
Pentatonic Scale | p. 144 |
Computer Exercise | p. 146 |
Exploring Other Scales at the Computer | p. 146 |
Creative Exercises | p. 146 |
More on Rhythm and Meter | p. 147 |
Syncopation | p. 147 |
Exploring Syncopation at the Computer | p. 148 |
Computer Exercise | p. 155 |
Rhythm in Jazz and Popular Music | p. 155 |
Music for Study | p. 156 |
Composing Rhythmic Phrases | p. 159 |
Intervals | p. 161 |
Seconds | p. 162 |
Exercises | p. 162 |
Thirds | p. 163 |
Computer Exercise | p. 163 |
Written Exercises | p. 164 |
The Perfect Intervals | p. 164 |
Written Exercises | p. 166 |
Sixths and Sevenths | p. 167 |
Inversion of Intervals | p. 167 |
Computer Exercise | p. 169 |
Written Exercises | p. 169 |
Compound Intervals | p. 170 |
Computer Exercise | p. 171 |
Alteration of Intervals | p. 171 |
Other Properties of Intervals | p. 172 |
Computer Exercise | p. 174 |
Written Exercises | p. 174 |
Music for Study | p. 175 |
Creative Exercise | p. 180 |
Chords and Harmony | p. 181 |
Triads | p. 182 |
Computer Exercise | p. 183 |
Written Exercises | p. 183 |
The Dominant Seventh Chord | p. 185 |
Computer Exercise | p. 185 |
Written Exercises | p. 186 |
Music for Study | p. 186 |
Texture and Inversions | p. 187 |
Written Exercises | p. 190 |
Computer Exercise | p. 191 |
Written Exercises | p. 191 |
The Primary Triads | p. 193 |
Nonchord Tones | p. 194 |
Exercise | p. 197 |
Simple forms | p. 201 |
Phrases and Cadences | p. 201 |
Music for Study | p. 205 |
Phrase Relationships | p. 206 |
Song Forms | p. 206 |
Examples for the Study of Form | p. 207 |
Form in Popular Music | p. 212 |
Harmonizing Melodies | p. 214 |
Creative Exercises | p. 216 |
Melodic Composition at the Computer | p. 217 |
Looking at Music | p. 218 |
What to Look for in a Score | p. 218 |
Computer Exercise | p. 220 |
Exercises for Practice in Reading Music | p. 221 |
Topics for Enrichment and Further Study | p. 240 |
World Music and Roots Music | p. 241 |
Synthetic Scales | p. 249 |
Computer Exercise | p. 255 |
Exploring Other Scales at the Computer | p. 255 |
Other Chords: Seventh Chords | p. 255 |
Computer Exercise | p. 256 |
Other Chords: Borrowed Chords | p. 256 |
Exercises | p. 258 |
Other Chords: Sixth Chords | p. 259 |
Written Exercises | p. 261 |
Looking at Music | p. 263 |
Creative Exercises | p. 265 |
Standard Chord Progressions | p. 270 |
Roman Numeral Chord Designations | p. 273 |
Glossary | p. 275 |
Indexes | p. 279 |
Table of Contents provided by Ingram. All Rights Reserved. |
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The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.