French Colonial Documentary

by Bloom, Peter J.

• ISBN13: 9780816646296
• ISBN10: 0816646295
• Format: Paperback
• Copyright: 2008-03-18
• Publisher: Univ of Minnesota Pr

Summary

Despite altruistic goals, humanitarianism often propagates foreign, and sometimes unjust, power structures where it is employed. Tracing the visual rhetoric of French colonial humanitarianism, Peter J. Bloomrs"s unexpected analysis reveals how the project of remaking the colonies in the image of France was integral to its national identity. French Colonial Documentaryinvestigates how the promise of universal citizenship rights in France was projected onto the colonies as a form of evolutionary interventionism. Bloom focuses on the promotion of French education efforts, hygienic reform, and new agricultural techniques in the colonies as a means of renegotiating the social contract between citizens and the state on an international scale. Bloomrs"s insightful readings disclose the pervasiveness of colonial iconography, including the relationship between "natural man" and colonial subjectivity; representations of the Senegalese Sharpshooters as obedient, brave, and sexualized colonial subjects; and the appeal of exotic adventure narratives in the trans-Saharan film genre. Examining the interconnection between French documentary realism and the colonial enterprise, Bloom demonstrates how the colonial archive is crucial to contemporary Peter J. Bloom is associate professor of film and media studies at the University of California-Santa Barbara.y debates about multiculturalism in France.

Author Biography

Peter J. Bloom is associate professor of film and media studies at the University of California-Santa Barbara

Table of Contents

Introduction: French Colonial Documentary	p. VII
Tupi or Not Tupi: Natural Man and the Ideology of French Colonial Documentary	p. 1
Mythologies of the Tirailleurs Senegalais: Cinema, Shell Shock, and French Colonial Psychiatry	p. 35
The Trans-Saharan Crossing Films: Colonial Cinematic Projections of the French Automobile	p. 65
Diagnosing Invisible Agents: Between the Microbiological and the Geographic	p. 95
Infiltrate the Crowd with an Idea! Colonial Educational Cinema and the Threat of Imitative Contagion	p. 125
Humanitarian Visions and Colonial Imperatives: Felix-Louis Regnault, Albert Kahn, and Henri Bergson as Semiophore-Men	p. 153
Conclusion: The French Colonial Media Apparatus: Natural Man and the Dialectics of Americanization	p. 183
Acknowledgments	p. 199
Archives and Film and Media References	p. 203
Notes	p. 217
Index	p. 257
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