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List of Illustrations | p. viii |
List of Contributors | p. ix |
Acknowledgements | p. xiii |
Introduction: Television Formats-A Global Framework for TV Studies | p. 1 |
Format Theories and Global Television | p. 21 |
More than Copycat Television: Format Adaptation as Performance | p. 23 |
"Calling Out Around the World": The Global Appeal of Reality Dance Formats | p. 39 |
Television Formats and Contemporary Sport | p. 56 |
A Political Economy of Formatted Pleasures | p. 72 |
Interpreting Cubanness, Americanness, and the Sitcom: WPBT-PBS's ?Qué pasa U.S.A.? (1975-1980) | p. 90 |
Transnational Formats: Historical Perspectives | p. 109 |
From Discrete Adaptations to Hard Copies: The Rise of Formats in European Television | p. 111 |
"National Mike": Global Host and Global Formats in Early Italian Television | p. 128 |
Telenovelas in Brazil: From Traveling Scripts to a Genre and Proto-Format both National and Transnational | p. 148 |
Reversal of Fortune? Hollywood Faces New Competition in Global Media Trade | p. 178 |
Case Study: The Idol Franchise | p. 201 |
Idol Worship: Ethnicity and Difference in Global Television | p. 203 |
NZ Idol: Nation Building Through Format Adaptation | p. 223 |
Global Television Formats in Africa: Localizing Idol | p. 242 |
We Are the World: American Idol's Global Self-Posturing | p. 260 |
Trans-Formats: Local Articulations and the Politics of Place and Nation | p. 283 |
The Social and Political Dimensions of Global Television Formats: Reality Television in Lebanon and Saudi Arabia | p. 285 |
A Revolution in Television and a Great Leap Forward for Innovation? China in the Global Television Format Business | p. 306 |
Global Television Formats and the Political Economy of Cultural Adaptation: Who Wants to Be a Millionaire? in India | p. 323 |
Global Franchising, Gender, and Genre: The Case of Domestic Reality Television | p. 346 |
Reiterational Texts and Global Imagination: Television Strikes Back | p. 366 |
Index | p. 382 |
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