did-you-know? rent-now

Amazon no longer offers textbook rentals. We do!

did-you-know? rent-now

Amazon no longer offers textbook rentals. We do!

We're the #1 textbook rental company. Let us show you why.

9780199737369

Handel

by
  • ISBN13:

    9780199737369

  • ISBN10:

    0199737363

  • Edition: 2nd
  • Format: Paperback
  • Copyright: 2012-06-15
  • Publisher: Oxford University Press

Note: Supplemental materials are not guaranteed with Rental or Used book purchases.

Purchase Benefits

  • Free Shipping Icon Free Shipping On Orders Over $35!
    Your order must be $35 or more to qualify for free economy shipping. Bulk sales, PO's, Marketplace items, eBooks and apparel do not qualify for this offer.
  • eCampus.com Logo Get Rewarded for Ordering Your Textbooks! Enroll Now
List Price: $64.00 Save up to $23.68
  • Rent Book $40.32
    Add to Cart Free Shipping Icon Free Shipping

    TERM
    PRICE
    DUE
    USUALLY SHIPS IN 3-5 BUSINESS DAYS
    *This item is part of an exclusive publisher rental program and requires an additional convenience fee. This fee will be reflected in the shopping cart.

Supplemental Materials

What is included with this book?

Summary

Handel is one of the most remarkable figures in the history of western music. His compositions form one of the peaks of creative achievement in the Baroque period, and cover a remarkable range: full-scale Italian operas and English oratorios (including Messiah), but also shorter works such as the Water Music and the Coronation Anthem Zadok the Priest. His compositional processes were often complex, but could result in accessible and memorable 'hit tunes', such as the aria that subsequently became famous as 'Handel's Largo'. His life and career were as remarkable as his music. Born in Germany to a family that reputedly tried to discourage his initial interest in music, he broke away to seek his fortune in Italian opera, and proceeded to gain first-hand experience of the latest Italian styles in Rome, Florence, Venice and Naples. A series of career moves brought him via Hanover to London, where he eventually settled and dominated the city's musical life for half a century. There he quickly made his mark in English church music as well as Italian opera, and eventually created two new musical genres - English theatre oratorio and the organ concerto. Handel is important also because, as a musician, he also became a significant public figure. In Rome he attracted the patronage of princes and cardinals; soon after his arrival in London he appeared at the court of Queen Anne, and he subsequently enjoyed substantial support from the 'Hanoverian' royal family. He survived turbulent periods in the musical and political life of London, reached a wider public through publications of his music, died a rich man and was buried in Westminster Abbey. This biography provides a comprehensive and balanced account of both the man and his music, drawing on the unusually rich legacy of documentary and musical sources from Handel's lifetime. This new edition of a book that has been recognized as a 'classic' biography of Handel, reliable on the factual details of the composer's life and comprehensive in the coverage of his music, incorporates a great deal of new material. The last half century has seen a great renewal of research on the circumstances of Handel's life, and a major expansion in performances and recordings of his music. The book brings together the results of this scholarly activity, and is informed by wide experience of modern performances of Handel's music, including the revival of his operas and experimentation with 'authentic' performance practices.

Author Biography


Donald Burrows is a leading authority on the life and music of George Frideric Handel. His book Handel and the English Chapel Royal has been recognised as the first full-scale study of Handel's English church music. His published editions of Handel's music include the oratorios Messiah, Samson and Belshazzar, the operas Imeneo and Ariodante, the complete violin sonatas and the suite for two harpsichords.

Table of Contents

List of Illustrationsp. xiii
List of Figuresp. xv
Germany, 1685-1706p. 3
Italy and Hanover, 1706-10p. 31
Music for Germany and Italy, 1706-10p. 57
London: The First Decade, 1711-19p. 79
The Music, 1711-19p. 106
The 'Academy' Years, 1720-32p. 130
The Music of the 'Academy' Yearsp. 172
Operasp. 172
Other Worksp. 200
The Transitional Decade I: Competition, 1732-7p. 211
The Transitional Decade II: Confusion, 1737-41p. 257
The Music, 1732-41p. 285
Operasp. 285
Oratorios and Odesp. 305
Church Musicp. 325
Instrumental Musicp. 330
The Oratorio Composer I: Dublin and London, 1741-5p. 339
The Oratorio Composer II: Towards Victory, 1745-9p. 379
The Music of the 1740sp. 402
Theatre Musicp. 402
Other Worksp. 432
The Final Decade I: The Last Major Works, 1749-51p. 438
The Final Decade II: A Career Completedp. 476
Appendices
Calendarp. 505
List of Worksp. 539
Personaliap. 579
The Ruling Houses of Hanover, Britain and Prussiap. 600
A London Opera-goer in 1728p. 601
Select Bibliographyp. 604
Indexp. 615
Table of Contents provided by Ingram. All Rights Reserved.

Supplemental Materials

What is included with this book?

The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.

The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.

Rewards Program