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9780962949630

Hearing and Writing Music : Professional Training for Today's Musician

by
  • ISBN13:

    9780962949630

  • ISBN10:

    0962949639

  • Format: Paperback
  • Copyright: 1999-10-01
  • Publisher: Scb Distributors
  • View Upgraded Edition
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List Price: $24.95

Summary

Music is the universal language, and this book teaches readers how to speak it fluently. Designed as a self-training manual as well as a text for the classroom, it is a complete step-by-step course that dramatically improves a reader's musical skills -- through an integrated subconscious process. The only prerequisite is that the student can read music, and within six weeks, the musician can jot down a musical idea anywhere, without using an instrument.

The only book of its kind, Hearing and Writing Music focuses on personal training, theory and exercises to develop any musician's ability to hear and notate any style of music. With the Gorow system, musicians learn how to communicate accurately through musical notation. Contents include:
-- Developing your ear
-- Hearing intervals
-- Hearing phrases
-- Transcription technique
-- Perception to notation
-- Preparation for production with publication.

This is definitive guide and reference book for composers, orchestrators, arrangers and performers, and is designed to improve the musical ski

Author Biography

Author Ron Gorow has been in the music business in Hollywood for over 35 years, working in film, tv, records, live acts and publishing.

Table of Contents

1. THE COMPLETE MUSICIAN
4(10)
THE COMPLETE MUSICIAN
4(1)
THE GOAL
5(1)
THE METHOD
6(2)
PARTS OF THE PROCESS
8(2)
MUSIC TERMINOLOGY
10(1)
PERSONAL TRAINING
11(3)
2. DEVELOPING YOUR EAR
14(12)
PERCEPTION
14(2)
ACTIVE LISTENING
16(4)
TOOL KIT #1
20(4)
REVIEW
24(2)
3. FROM SOUND TO MUSIC
26(36)
FROM SOUND TO MUSIC
26(1)
MUSIC SPACE AND TIME
27(5)
TONES OF NATURE
32(9)
THE OCTAVE
41(2)
WHY 7?
43(1)
WHY 12?
44(5)
BEYOND 12
49(1)
RELATIVITY
50(8)
REVIEW
58(4)
4. THE MATERIAL OF MUSIC
62(12)
THE MATERIAL OF MUSIC
62(1)
IDEALIZED INTERVALS
63(2)
VERTICAL INTERVALS
65(1)
MELODIC INTERVALS
65(1)
INTERVAL IDENTIFICATION
66(2)
TOOL KIT #2
68(2)
OWNING THE INTERVALS
70(1)
REVIEW
71(3)
5. HEARING INTERVALS
74(28)
HEARING INTERVALS
74(1)
TIPS FOR LEARNING INTERVALS
75(1)
SOURCE OF THE PRIMARY INTERVALS
76(1)
THE OCTAVE: NATURE'S FOUNDATION
77(1)
FIFTH & FOURTH: ESSENCE OF TONALITY
78(7)
THIRDS: ESSENCE OF MODALITY
85(3)
SECONDS: ESSENCE OF MELODY
88(4)
THE TRITONE
92(2)
COMPLEMENTARY INTERVALS
94(4)
EXTENDED INTERVALS
98(2)
THE INTERVAL PALETTE
100(1)
REVIEW
100(2)
6. HEARING PHRASES
102(40)
HEARING PHRASES
102(1)
MODULES OF MUSIC
102(2)
TETRACHORD MODES
104(4)
DIATONIC MODES
108(4)
MODALITY AS A TOOL
112(6)
TONALITY AS A TOOL
118(6)
PERCEPTION OF A PHRASE
124(1)
TOOL KIT #3
125(4)
TONAL ORGANIZATION
129(4)
NUTS AND BOLTS
133(6)
REVIEW
139(3)
7. TRANSCRIBING MUSIC
142(22)
TRANSCRIBING MUSIC
142(5)
FOCUSING YOUR EAR
147(2)
EAR CARE
149(3)
WORK ENVIRONMENT
152(1)
SKETCHING
153(5)
CHOOSING EQUIPMENT
158(6)
8. TRANSCRIPTION TECHNIQUE
164(43)
TRANSCRIPTION TECHNIQUE
164(2)
BASIC TECHNIQUE
166(5)
TRANSCRIBING FROM MEMORY
171(17)
TRANSCRIBING RECORDED MUSIC
188(2)
TECHNIQUE AND PROCEDURE
190(8)
TRANSCRIBING IMPROVISED SOLOS
198(2)
TRANSCRIBING "LIVE"
200(2)
TRANSCRIBING MIDI
202(1)
TRANSCRIBING FROM THE CREATIVE IMAGINATION
203(4)
9. PERCEPTION TO NOTATION HEARING AND WRITING:
207(80)
RHYTHM
207(6)
LINES
213(5)
COUNTERPOINT
218(4)
CHORDS AND VERTICALS
222(26)
CHORD PROGRESSIONS
248(6)
LEAD SHEETS
254(4)
LYRICS
258(2)
ORCHESTRATION
260(14)
COMPLETE SCORES
274(13)
10. COMMUNICATING WITH MUSIC NOTATION
287(53)
LANGUAGE OF MUSIC NOTATION
287(9)
STANDARD MUSIC NOTATION
296(1)
CHROMATIC NOTATION
297(4)
MICROTONAL NOTATION
301(1)
EDITING
302(1)
STYLE
303(1)
WHAT IS GOOD NOTATION?
304(2)
ESSENTIALS OF NOTATION
306(5)
NOTATIONAL PRACTICES
311(17)
WRITING FOR SPECIFIC INSTRUMENTS
328(6)
COMPUTER GENERATED NOTATION
334(4)
BEYOND STANDARD NOTATION
338(2)
11. PREPARATION FOR PERFORMANCE AND PUBLISHING
340(26)
PREPARATION FOR PERFORMANCE AND PUBLISHING
340(2)
MUSIC PREP
342(2)
CONTEMPORARY MUSIC NOTATION
344(1)
STANDARD MUSIC FORMATS
345(8)
PRINTING MUSIC
353(1)
COPYRIGHT LAW AND YOU
354(12)
12. REFERENCE AND RESOURCES
366(31)
STUDY PLANS
366(2)
ANSWERS TO REVIEW QUESTIONS
368(6)
SOLUTIONS TO NOTATION PROBLEMS
374(6)
PROFESSIONAL MUSIC JOBS
380(1)
PROFESSIONAL MUSIC ORGANIZATIONS
381(1)
BOOKS AND SUPPLIES
382(2)
TRANSCRIBING MUSIC
384(2)
COMPOSITION
386(2)
YOUR FIRST FILM SCORE
388(2)
TONAL ROWS
390(2)
MICROTONAL MUSIC, ALTERNATE TUNING
392(1)
A WORLD OF INSTRUMENTS
393(1)
BRIDGING THE PAST TO THE FUTURE
394(1)
HOW TO CONTACT THE AUTHOR
395(2)
INDEX 397

Supplemental Materials

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