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It must have been Otieno's idea of a joke. Too many offended egos back at headquarters, too many influential people unhappy with him in Nairobi. And yet, with his record, he was almost impossible to dismiss. So Otieno had sent Mollel straight to Hell.
When we first met Detective Mollel in Hour of the Red God, he was heralded as "a wonderfully complex and tragic protagonist" (Booklist), and Richard Crompton's novel called "spellbinding" (The Christian Science Monitor) and "a fantastic read" (The Plain Dealer [Cleveland]). Now Mollel returns in Hell's Gate, only this time the Maasai warrior-turned-detective has been banished from Nairobi, Kenya's bustling metropolis, to a small, fly-blown town on the edge of a national park. His career, he thinks, has taken a nosedive. His colleagues on the police force are a close-knit group and they have not taken kindly to a stranger in their midst. Mollel suspects they are guilty of the extortion and bribery that plague the force. But when the body of a flower worker turns up in the local lake, he begins to wonder if they might be involved in something even more disturbing.
For all is not as it seems in Hell's Gate. Amid rumors of a local death squad, disappearances, and blackmail, Mollel is forced not only to confront his Maasai heritage but also to ask himself where justice truly lies. In upholding the law, is he doing what is right? Crompton captures contemporary Kenya in all its complexity, and Hell's Gate is a captivating novel that you won't be able to put down.
