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Acknowledgments | p. vii |
Introduction | p. 1 |
Why Horror? | |
Black Screens, Lost Bodies: The Cinematic Apparatus of 9/11 Horror | p. 13 |
Let's Roll: Hollywood Takes on 9/11 | p. 40 |
Transforming Horror: David Cronenberg's Cinematic Gestures after 9/11 | p. 62 |
Horror Looks at Itself | |
Caught on Tape? The Politics of Video in the New Torture Film | p. 83 |
Cutting into Concepts of "Refiectionist" Cinema?: The Saw Franchise and Puzzles of Post-9/11 Horror | p. 107 |
The Host versus Cloverfield | p. 124 |
"Shop 'Til You Drop!": Consumerism and Horror | p. 142 |
Horror in Action | |
Historicizingthe Bush Years: Politics, Horror Film, and Francis Lawrence's / Am Legend | p. 165 |
"I Am the Devil and I'm Hereto Do the Devil's Work": Rob Zombie, George W. Bush, and the Limits of American Freedom | p. 186 |
"Forever Family" Values: Twilight and the Modern Mormon Vampire | p. 200 |
Assimilation and the Queer Monster | p. 220 |
Selected Bibliography | p. 235 |
Selected Filmography | p. 243 |
Contributors | p. 247 |
Index | p. 251 |
Table of Contents provided by Ingram. All Rights Reserved. |
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The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.