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| Acknowledgments | |
| Introduction | |
| The Nineteenth Century in Europe | |
| On the Daguerrotype | |
| A Lady Photographer who Never Photographs Men | |
| Annals of My Glass House | |
| Photography During the July Monarchy 1830-1848 | |
| The Camera Against the Paris Commune | |
| Extending the Grand Tour | |
| Tracing Nadar | |
| New Visions - The Avant-Gardes and After | |
| Germany: The Weimar Republic | |
| Photomontage Varvara Stepanova | |
| The Supremacy of the Message - Dada | |
| A Hundred Years of Photography | |
| I Worked with Man Ray | |
| The Photographic Conditions of Surrealism | |
| A Mutable Mirror: Claude Cahun | |
| The Armed Vision Disarmed - Radical Formalism from Weapon to Style | |
| Distant Voices: Fashion and Portraiture in the Studio in the Inter-War Years | |
| Olive Edis: Photography, 1914 | |
| Exhibitions and Commercial Work | |
| In Pursuit of Perfection | |
| Early Years | |
| Pictures and Stories: Documentary and Reportage in North America | |
| Life Begins | |
| Looking at Life | |
| The Assignment I'll Never Forget | |
| A Crisis in the Intimate | |
| One Time, One Place | |
| The Photo League | |
| Documentary Photography | |
| The Politics of Photography | |
| The Seige of St Malo | |
| Star Wars: The Photography as Polemicist in Vietnam | |
| History Lessons | |
| Photography at the Crossroads | |
| What Shall We Tell the Children? Photography and Its Text (Books) | |
| Crowned with Thorns: Creative Camera 1965-1978 | |
| On Photography | |
| On Photographers | |
| What Becomes a Legend Most: The Short, Sad Career of Diane Arbus | |
| Tina Modotti: Letters to Edward Weston | |
| On Photography | |
| Re-reading Edward Weston - Feminism, Photography and Psychoanalysis | |
| Ansel Adams: The Eloquent Light | |
| Good Intentions | |
| Witkin's Others | |
| The Other Side | |
| Time Exposure: The Photographs of Patrick Faigenbaum | |
| Cindy Sherman: Burning Down the House | |
| Postmodernisms and the Politics of Looking | |
| Winning the Game When the Rules Have Been Changed: Art Photography and Postmodernism | |
| Two Types of Photography Criticism Located in Relation to Lynn Silverman's Series | |
| Of Mother Nature and Marlboro Men: An Inquiry into the Cultural Meanings of Landscape Photography | |
| Dykes in Context: Some Problems in Minority Representation | |
| Dialogue with Spectatorship: Barbara Kruger and Victor Burgin | |
| Between Frames | |
| The Pleasure of the Phototext | |
| Interview: Fetishism of Black-and-White and the Vulgarity of Colour | |
| Decolonizing the Image | |
| Partial Recall | |
| The Unveiled: Algerian Women | |
| Essential Differences, Photographs of Mexican Women | |
| A Strategy of Appearances - The Australian Bicentenary | |
| Showing Our Faces - A Century of Black Women Photographed | |
| Memories and Fictions | |
| Gateway to a Labyrinth | |
| Isak Dinesen and Photo/Graphic Recollection | |
| Remembrance | |
| Notes | |
| Additional Notes on the Contributors | |
| Copyrights and Permissions | |
| Table of Contents provided by Publisher. All Rights Reserved. |
The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.
The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.
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