Introduction | p. vii |
Odyssey of Private Robert Knox Sneden | p. xviii |
Chronology | p. xix |
Learning to Soldier | p. 1 |
On to Richmond! | p. 27 |
The Good Life | p. 133 |
Captured | p. 167 |
After the War | p. 241 |
Editorial Method | p. 253 |
Acknowledgments | p. 255 |
Index | p. 257 |
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The Civil War art of Robert K. Sneden, which lay dormant for over a century, has only recently become known through two collections. Last year in his memoir,Eye of the Storm,80 images were published; at the same time an exhibition of some 100 images began traveling the country on a yearlong journey. Yet the entire collection of surviving Sneden materials -- not only watercolors but also landscape sketches, engravings, and maps, numbering nearly 1,000 images -- has until now been seen only by a handful of scholars. Taken together, it is a magnificent opus; as one reviewer of the memoir put it, Sneden's is "a one-of-a-kind pictorial record history" of the War between the States. It is the largest extant collection of Civil War art. There is no exaggeration in saying that it is also one of the best collections of soldier art about war ever found.
Images from the Stormoffers more than 300 of Sneden's creations, a historical panorama portrayed by an accomplished northern draftsman. Many of these images are of scenes that were captured by no other artist or photographer. Sneden's maps, drawn in many cases from his own firsthand observations, are magnificently detailed and decorated. His watercolors drew on his experiences in Washington, in the Peninsula and Second Bull Run campaigns in Virginia, and finally in prisons at Richmond and Andersonville -- and in each of those places he sketched almost daily. After the war he spent years painstakingly coloring and polishing his sketches, and also painting imitations of scenes viewed only at second hand, including Antietam, Fredericksburg, Chancellorsville, and Gettysburg. His eye for detail was clinically accurate, his ability to pack details into miniaturized sketches astonishing.
Some three dozen of Sneden's sketches were used in his time as the basis of engravings reproduced here. Most, however, he quietly and obsessively created for his own mysterious purposes -- he may have intended publication, but we cannot know for sure. A few of Sneden's paintings measure as large as six by ten inches, but most are smaller, and are shown here with magnification. The total number were originally divided about equally between his illustrated memoir and his larger-format scrapbooks.
Excerpted from Images from the Storm: 300 Civil War Images by the Author of Eye of the Storm by Charles F. Bryan, James C. Kelly, Robert Knox Sneden
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