Introduction: The Politics of the Popular in Latin American Popular Culture | p. 1 |
Nation as Icon | |
Gender, Ethnicity and Piety: The Case of the China Poblana | p. 19 |
Medianation | |
Caipira Culture: The Politics of Nation in Mazzaropi's Films | p. 41 |
Big Snakes on the Streets and Never Ending Stories: The Case of Venezuelan Telenovelas | p. 64 |
From Mafalda to Boogie: The City in Argentine Humor | p. 81 |
Nation as Idea | |
Framing the Peruvian Cholo: Popular Art by Unpopular People | p. 109 |
You're All Guilty: Lo Cubano in the Confession | p. 129 |
The Cueca of the Last Judgment: Politics of Chilean Resistance in Tres Marias y Una Rosa | p. 142 |
Tango, Buenos Aires, Borges: Cultural Production and Urban Sexual Regulation | p. 167 |
Beyond Nation | |
Myth, Modernity, and Postmodern Tragedy in Walter Lima's The Dolphin | p. 195 |
"Useless Spaces" of the Feminine in Popular Culture: Like Water for Chocolate and The Silent War | p. 210 |
Masculinities at the Margins: Representations of the Malandro and the Pachuco | p. 227 |
Notes | p. 265 |
Bibliography | p. 289 |
Contributors | p. 305 |
Index | p. 309 |
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