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Acknowledgments | |
Introduction | |
The Misanthrope, the Orphan, and the Magpie: Imported Melodrama in the Twilight of Serfdom | |
Melodramatizing Russia: Nineteenth-Century Views from the West | |
The Importance of Being Unhappy, or, Why She Died | |
Melodrama as Counterliterature? Count Amori's Response to Three Scandalous Novels | |
Home Was Never Where the Heart Was: Domestic Dystopias in Russia's Silent Movie Melodramas | |
Alcohol is Our Enemy! Soviet Temperance Melodramas of the 1920s | |
Melodrama and the Myth of the Soviet Union | |
Soviet Family Melodrama of the 1940s and 1950s: From Wait for Me to The Cranes Are Flying | |
Conventional Melodrama, Innovative Theater, and a Melodramatic Society: Pavel Kohout's Such a Love at the Moscow University Student Theater | |
Between Public and Private: Revolution and Melodrama in Nikita Mikhalkov's Slave of Love | |
Playing Dead: The Operatics of Celebrity Funerals, or, The Ultimate Silent Part | |
Suggested Reading | |
Contributors | |
Index | |
Table of Contents provided by Publisher. All Rights Reserved. |
The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.
The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.