What is included with this book?
Acknowledgments | p. ix |
Introduction: On Conceptualizing Improvisation | p. 1 |
Performance, Inventiveness and Improvisation: Theoretical Contentions | p. 14 |
Derrida's Inventiveness | p. 19 |
Calculating Incalculability: The Neocybernetic Alternative | p. 29 |
From Iteration to Improvisation | p. 33 |
Indescribability, Perfection, Unpredictability: Improvisation and Aesthetic Autonomy | p. 42 |
Instrumentalizing Improvisation? Johann Wolfgang von Goethe | p. 47 |
Improvisation and Aesthetic Autonomy | p. 57 |
Improvisation and Aesthetic Perfection: Karl Philipp Moritz | p. 59 |
Improvisation and the Artist-Genius | p. 73 |
Staged Improvisation: The Generative Principles of Romantic Irony | p. 84 |
Refraining the Space of the Theater | p. 87 |
Staged Improvisation | p. 91 |
Romantic Principles of Artistic Production | p. 96 |
Social Bearings | p. 102 |
Improvisation, Agency, Autonomy: Heinrich von Kleist and the Modern Predicament | p. 109 |
Facilitating Prohibitions | p. 111 |
Improvisation as Political Practice | p. 115 |
The Incalculability of Calculation | p. 126 |
Kleist's Pedagogical Program | p. 132 |
Conclusion: Experiencing Improvisation as Art | p. 141 |
Works Cited | p. 153 |
Index | p. 163 |
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