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List of figures | p. ix |
Notes on contributors | p. xi |
Preface and acknowledgments | p. xiii |
Transliteration and abbreviations | p. xv |
Introduction | p. 1 |
Indian epics in film | p. 17 |
Bending the Bharata: two uncommon cinematic adaptations | p. 19 |
Family, feminism, and film in remaking Ramayana | p. 42 |
Casting classical Sanskrit drama | p. 55 |
Sakuntala: the look and the image in literature, theater, and cinema | p. 57 |
Mrcchakatikam to Utsav: re-creation of a Sanskrit classic by Girish Karnad | p. 76 |
Saints on the screen | p. 97 |
Bhakti songs recast: Gulzar's Meera movie | p. 99 |
Genre and themes from "Indo-Islamic" culture | p. 121 |
Religious culture and folklore in the Urdu historical drama Anarkali, revisited by Indian cinema | p. 123 |
From ghazal to film music: the case of Mirza Ghalib | p. 147 |
Classics from colonial literature | p. 171 |
Remembering, repeating, and working through Devdas | p. 173 |
The political aesthetic of nation and gender in Rituparno Ghosh's Chokher Bali | p. 191 |
Agenda-driven literature | p. 203 |
Lyrically speaking: Hindi film songs and the progressive aesthetic | p. 205 |
Dharmputra and the Partition of India | p. 220 |
Conclusion | p. 239 |
Index | p. 249 |
Table of Contents provided by Ingram. All Rights Reserved. |
The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.
The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.