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9780262731584

Information Arts Intersections of Art, Science, and Technology

by
  • ISBN13:

    9780262731584

  • ISBN10:

    0262731584

  • Edition: Reprint
  • Format: Paperback
  • Copyright: 2003-02-28
  • Publisher: The MIT Press
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Supplemental Materials

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Summary

A new breed of contemporary artist engages science and technology-not just to adopt the vocabulary and gizmos, but to explore and comment on the content, agendas, and possibilities. Indeed, proposes Stephen Wilson, the role of the artist is not only to interpret and to spread scientific knowledge, but to be an active partner in determining the direction of research. Years ago, C. P. Snow wrote about the "two cultures" of science and the humanities; these developments may finally help to change the outlook of those who view science and technology as separate from the general culture. In this rich compendium, Wilson offers the first comprehensive survey of international artists who incorporate concepts and research from mathematics, the physical sciences, biology, kinetics, telecommunications, and experimental digital systems such as artificial intelligence and ubiquitous computing. In addition to visual documentation and statements by the artists, Wilson examines relevant art-theoretical writings and explores emerging scientific and technological research likely to be culturally significant in the future. He also provides lists of resources including organizations, publications, conferences, museums, research centers, and Web sites.

Author Biography

Stephen Wilson was Professor of Conceptual and Information Arts at San Francisco State University.

Table of Contents

Selected Artists xiii
Selected Technologies xvii
Series Foreword xix
Foreword xxi
Joel Slayton
Preface xxiii
Introduction, Methodology, Definitions, and Theoretical Overview
1(52)
Art and Science as Cultural Acts
2(32)
A Quiz
4(1)
Revisiting the Relationship of Art and Techno-Scientific Research
5(2)
Organization of the Book
7(1)
The Deficiency of Categorization
8(1)
What Areas of Technological Art Are Included? Which Are Not?
9(2)
Definitions and Theoretical Reflections
11(7)
Similarities and Differences between Science and Art
18(2)
Critical Theory and Problematic Issues in the Integration of Art and Techno-Scientific Research
20(5)
Artists' Stances in Integrating Research
25(5)
Summary: The End of Timelessness?
30(4)
Elaboration on the Approach of Art as Research
34(19)
Can the Arts Offer Alternatives in Setting Research Agendas, Interpreting Results, and Communicating Findings?
35(1)
What Is a Viable Role for Artists in Research Settings? What Can Researchers Contribute to Art and What Can Artists Contribute to Research? What Can High-Tech Companies Gain from Artists Being Involved?
36(2)
Art Characteristics Useful for Research
38(1)
Preparing Artists for Research
39(1)
The Integration of Research and Art
40(1)
Art and Science/Technology Collaborations
41(7)
Future Possibilities
48(5)
Biology: Microbiology, Animals and Plants, Ecology, and Medicine and the Body
53(148)
Biology: Research Agendas and Theoretical Overview
54(40)
Introduction
55(1)
Research Agendas in Biology and Medicine
56(3)
Areas of Cultural Significance in Biological Research
59(13)
Theoretical Perspectives on Biology and the Body
72(5)
Rethinking the Body and Medicine
77(7)
Searching for Aesthetic Form in Art and Science
84(4)
How Are Biology-Based Theory and Research Important to the Arts?
88(6)
Artists Working With Microbiology
94(16)
Introduction: Microbiology and Genetics as Artistic Interest
95(1)
Manipulations and Investigations of the Microworld
96(5)
Creating Forms and Visualizations Based on Its Structures, Including the New Iconography of Gene Mapping
101(4)
Reflections on the Processes of Genetic Science and Its Social Implications
105(3)
Summary: Micro Steps
108(2)
Plants and Animals
110(18)
Introduction
111(1)
Invertebrates
112(4)
Arthropods: Insects and Spiders
116(2)
Plants
118(2)
Vertebrates
120(3)
Acoustic Ecology
123(3)
Summary
126(2)
Ecological Art
128(20)
Ecology: Organic Life as a System
129(1)
Questions Raised by Artistic Interest in Ecology
130(1)
Historical Examples of Artistic Work
131(2)
Contemporary Artistic Work with Ecological Concepts
133(13)
Summary: Linking Science and Art in Action
146(2)
Body and Medicine
148(53)
Introduction: Bodies, Technology, and Theory
149(5)
Extropian and Post-Human Approaches
154(3)
Artists' Experiments with Technological Stimulation
157(12)
Artists' Experiments with Smell
169(1)
Artists' Experiments with Surgery
170(4)
Experiments with Tissue Culture
174(1)
Body Modification
174(6)
Brain Processes, Heartbeats, Breath, Biosensors, and Psychology
180(9)
The Psychological Processes of Perception, Cognition, Appreciation, and Creativity
189(1)
Body Imaging
189(4)
Medicine, Hospitals, Bodily Fluids, and Death
193(5)
Summary: Dissecting the Body
198(3)
Physics, Nonlinear Systems, Nanotechnology, Materials Science, Geology, Astronomy, Space Science, Global Positioning System, and Cosmology
201(94)
Physical Science Research Agendas and Theoretical Reflections
202(20)
Introduction: Questions about the Biggest and Smallest of Things
203(1)
Survey of Research Fields and Agendas
204(3)
Nonlinear Systems, Chaos, and Complexity
207(2)
Astronomy, Cosmology, and Space Science
209(2)
Epistemology---How Do We Know What We Know?
211(2)
Potentially Important Emergent Technologies
213(8)
Summary: Artist Explorations of Physical Science Research and Concepts
221(1)
Atomic Physics, Nanotechnology, and Nuclear Science
222(12)
Atomic Physics
223(3)
Viewing and Manipulating the Atomic World---Nanotechnology
226(4)
Nuclear Science
230(3)
Summary: Difficulties of Working at the Atomic Level
233(1)
Materials and Natural Phenomena: Nonlinear Dynamic Systems, Water, Weather, Solar Energy, Geology, and Mechanical Motion
234(26)
Nonlinear Systems
235(4)
Natural Phenomena---Oceans, Water, and Moving Liquid
239(2)
Natural Phenomena---Erosion and Geological Action
241(3)
Natural Phenomena---The Sky, Winds, and Weather
244(2)
Solar Art
246(5)
Mechanics---Oscillation and Pendulum Action
251(2)
Fire, Heat, Magnetics, and Electromagnetics
253(1)
Materials Science, Rapid Prototyping, and Chemistry
253(3)
Summary: Pattern Finding and Poetry of Matter
256(4)
Space
260(22)
Artistic Interest in Space
261(2)
Views from Space
263(2)
Art Viewed from Earth
265(3)
Art Executed in Space and Weightlessness
268(3)
Painting and Photography Based on Space Exploration
271(1)
Conceptual and Electronic Works
271(4)
Search for Extra Terrestrial Intelligence (SETI)
275(3)
Art Critiques of Space Research
278(1)
Summary: The Hopes
279(3)
Global Positioning System (GPS)
282(13)
Possibilities and Dangers
283(1)
Artistic Experimentation with GPS
283(9)
Summary: Unexpected Implications
292(3)
Algorithms, Mathematics, Fractals, Genetic Art, and Artificial Life
295(72)
Research Agendas in Mathematics and Artificial Life
296(16)
Why Is Mathematics Part of a Book on Science, Technology, and Art?
297(1)
A Review of Research Agendas in Mathematics
298(4)
Artificial Life
302(3)
Theoretical Perspectives on A-Life
305(6)
Summary
311(1)
Algorithmic Art, Art and Mathematics, and Fractals
312(28)
Algorithmic Art
313(7)
Art and Mathematics
320(10)
Fractals
330(3)
Promise and Problems in Art and Mathematics and Algorithmic Art
333(1)
Literacy---Audience Background
334(2)
Understanding Systems
336(1)
Abstraction and Cultural Theory
337(3)
Artificial Life and Genetic Art
340(27)
A-Life Sculpture and Autonomous Agents
341(10)
Genetic, Evolutionary, and Organic Art
351(16)
Kinetics, Sound Installations, and Robots
367(90)
Robotics and Kinetics
368(18)
Introduction: Robots---Creatures of Art and Science
369(2)
An Overview of Scientific and Technological Research Agendas
371(3)
Examples of Conceptual Challenges and Approaches
374(8)
Robots and Popular Culture
382(1)
Summary: Robot Hopes, Fears, and Realities
383(3)
Conceptual Kinetics and Electronics
386(20)
Artistic Research
387(1)
Kinetic Art Precursors
388(1)
Kinetics and Light Sculpture
389(3)
Conceptual Kinetics
392(13)
Summary: More Than Robotics
405(1)
Kinetic Instruments, Sound Sculpture, and Industrial Music
406(18)
A Brief Theoretical Overture
407(2)
Experiments in Sound Installation
409(13)
Summary: Research as Art
422(2)
Robots
424(33)
Robotic Theater and Robotic Dance
425(2)
Autonomy
427(5)
Extreme Performance, Destruction, Mayhem, and Control
432(8)
Social Metaphors
440(6)
Extending Robot Motion and Interfaces
446(5)
Robot Architecture
451(3)
Summary: Kinetics and Robots---Hybrids of Art and Science
454(3)
Telecommunications
457(146)
Telecommunications Research Agendas and Theoretical Reflections
458(28)
Introduction: Overcoming Distance
459(1)
Telecommunications Research and Development
460(9)
Research Trends in Telepresence
469(4)
The Meaning of the Telecommunications ``Revolution''
473(8)
The Exploration of New Possibilities
481(3)
Summary: Telecommunications---The Grand Cyber Debate
484(2)
Telephone, Radio, and Net.Radio
486(28)
A Brief History of Telematic Art
487(1)
Theoretical Perspectives on Telephone Art
488(2)
Examples of Telephone-Based Art
490(7)
Radio, Television, and Wireless
497(6)
Radio-Based Art and Theater Installations
503(1)
Art Radio
504(3)
The Migration to Net.Radio
507(4)
Summary: Dangers and Opportunities in Convergence
511(3)
Teleconferencing, Videoconferencing, Satellites, the Internet, and Telepresence
514(44)
Teleconferencing, Videoconferencing, Satellites, and Internet Collaboration
515(11)
Telepresence Definitions
526(2)
Artists Exploring Telepresence
528(21)
Visualizing Net Activity
549(5)
Parapsychological Communication
554(2)
Summary: Being There
556(2)
Web Art
558(45)
Critical Perspectives on Web Art
561(3)
Archive and Information Sites
564(8)
Projects to Accumulate Web-Viewer Opinions
572(1)
Genetic Art Using Web-Visitor Voting
573(3)
Recomposing Web Resources
576(3)
Collaborative Environments and Person-to-Person Communication
579(6)
The Development of New Capabilities
585(4)
Reflections about the Net
589(7)
Arrangements That Use Readings of the Physical World to Affect the Web
596(3)
Cool Sites
599(1)
Summary: The Web as an Art Arena
600(3)
Digital Information Systems/Computers
603(246)
Research Agendas and Theoretical Overview
604(60)
Introduction: The Computer Revolution
605(1)
Diverse Histories of Technological Imagination
605(2)
Research Agendas
607(23)
Theoretical Reflections on the Digital Culture and Art
630(27)
Summary: Debate in the Art Community---Possibilities of an Enhanced Future
657(7)
Computer Media
664(28)
Introduction: Extensions of Photography, Cinema, Video, and Literature
665(1)
Deconstructive and Feminist Critiques of Cultural Trends
666(5)
Extending Poetic and Expressive Capabilities
671(5)
Art Games
676(3)
Multi-Person Events
679(1)
Video Installation
680(5)
Interactive Documentary
685(3)
Hyperfiction
688(1)
Summary: Computer Media---The Next Stages of Cinema and Television?
689(3)
Virtual Reality
692(36)
Introduction: Artists as Architects of Virtual Reality
693(1)
Unorthodox Spaces and Characters
694(11)
The Virtual Reality World as Metaphor
705(4)
Alternative Objects and Creatures
709(3)
Relationships between the Physical and the Virtual
712(5)
Information Visualization
717(4)
Distributed Virtual Reality
721(1)
Virtual Reality, Music, and Theater
722(3)
Research and Commercial Virtual Reality Environments
725(1)
Summary
726(2)
Motion, Gesture, Touch, Gaze, Manipulation, and Activated Objects
728(46)
Introduction: Reworking the Interface
729(1)
Motion
730(15)
Gesture
745(4)
Touch and Tactility
749(6)
Gaze
755(3)
Face Recognition
758(2)
Complex Actions---Balance, Walking, and Bicycling
760(4)
Breath
764(1)
Activated Objects
764(8)
Summary: Can a Computer Do More Than See and Hear?
772(2)
Speech Synthesis, Voice Recognition, and 3-D Sound
774(12)
Sound Research
775(1)
3-D Sound
776(4)
Speech Synthesis and Manipulation
780(2)
Speech Recognition
782(2)
Summary: Something to Talk About
784(2)
Artificial Intelligence
786(26)
Artificial Intelligence Research
787(2)
Algorithms for Creativity
789(5)
Image and Speech Recognition
794(3)
Interactions with Artificial Characters
797(7)
Affective Computing
804(2)
Agents
806(3)
Summary: The Role of the Arts in Artificial Intelligence and Agent Research
809(3)
Information and Surveillance
812(37)
Information Management, Visualization, Commerce, and Surveillance
813(1)
Bar Codes and ID Technologies
814(1)
Surveillance
815(7)
Databases and Research Processes
822(7)
Information Visualization
829(4)
Reflections on Science
833(3)
Information Organizations and Structures
836(10)
Summary: Being Formed by Information
846(3)
Resources
849(30)
Exhibitions and Festivals; Educational Programs; Art, and Research Collaborations; Organizational Resources, Think Tanks, and Web Resources
850(24)
Permanent Spaces, Museums, and Comprehensive Institutions
851(6)
Competitions and Festivals
857(3)
Organizations and Information Publishers
860(5)
Art and Science-Technology Sponsors, Competitions, and Academic Convergence Programs
865(1)
Think Tanks and University Labs
866(2)
Educational Resources
868(4)
Research Conferences, Science Magazines, Trade Magazines, and Science and Technology Studies
872(1)
Summary: Institutions as Art
873(1)
Summary---The Future
874(5)
Appendixes
879(26)
A Methodology
880(6)
B Books for Further Inquiry
886(19)
Name Index 905(18)
Subject Index 923

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