9781619027978

Interlock Art, Conspiracy, and the Shadow Worlds of Mark Lombardi

by
  • ISBN13:

    9781619027978

  • ISBN10:

    1619027976

  • Edition: Reprint
  • Format: Paperback
  • Copyright: 10/11/2016
  • Publisher: Counterpoint

Note: Supplemental materials are not guaranteed with Rental or Used book purchases.

Purchase Benefits

  • Free Shipping On Orders Over $59!
    Your order must be $59 or more to qualify for free economy shipping. Bulk sales, PO's, Marketplace items, eBooks and apparel do not qualify for this offer.
  • Get Rewarded for Ordering Your Textbooks! Enroll Now
List Price: $19.95 Save up to $5.06
  • Rent Book $14.96
    Add to Cart Free Shipping

    TERM
    PRICE
    DUE

Supplemental Materials

What is included with this book?

  • The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.
  • The Rental copy of this book is not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.

Summary

In the fateful month of March 2000, shortly after opening a hugely successful show in New York that unveiled the more nefarious financial connections of Presidential candidate George W. Bush, the hugely ambitious Conceptual artist Mark Lombardi was found hanged in his studio, an apparent suicide. With museums lining up to buy his work, and the fame he had sought relentlessly at last within his reach, speculation about whether his death was suicide or murder has titillated the art world ever since. Lombardi was an enigma who was at once a compulsive truth-teller and a cunning player of the art game, a political operative and a stubborn independent, a serious artist and a Merry Prankster, a metaphysicist if not a scientist.

Lombardi's spidery, elusive diagrams describing the evolution of the shadow-banking industry from a decades-old alliances between intelligence agencies, banking, government and organized crime, may have made him unique in art history as the only artist whose primary subject, the CIA, has turned around and studied him and his art work. Exhaustively researched, this is the first comprehensive biography of this immensely contradictory and brilliantly original artist whose pervasive influence in not only the art world, but also in the world of computer science and cyber-security is only now coming to light.

Author Biography

Patricia Goldstone has been a reporter for the Los Angeles Times and a bureau chief for Cablevision. She has written for the Washington Post,Maclean's, the Economist Intelligence Unit, and the Abu Dhabi National, among others. She holds a Master's Degree in Literature from Trinity College in Dublin and is the author of Making the World Safe
for Tourism
(Yale University Press, 2001) and Aaronsohn's Maps (Harcourt, 2007). She is a national award-winning playwright. She divides her time between New York and Los Angeles.

Rewards Program

Write a Review