Preface and Acknowledgments | |
Introduction | |
Bibliographical Note | |
Absorbing Modernization: The Dilemmas of Progress in the Novels of Walter Scott and in Faust II | p. 1 |
Faust's Membership in Male Society: Prometheus and Ganymede as Models | p. 17 |
Faust and the Ethos of Technology | p. 29 |
Act IV Revisited: A "Post-Wall" Reading of Goethe's Faust | p. 43 |
Der zivilisierte Teufel | p. 61 |
Faust and the Gothic Novel | p. 68 |
Faust's Harzreise | p. 81 |
Performing Mephistopheles | p. 94 |
Paradies und Parodie: Die letzten Szenen in Goethes letzten Werken | p. 102 |
Das Ewig-Weibliche nasfuhret dich: Feminine Leadership in Goethe's Faust and Sacher-Masoch's Venus | p. 112 |
Closing up Faust: The Final Lines According to Schumann, Liszt, and Mahler | p. 123 |
Gretchen and the Feminine in Goethe's Faust | p. 133 |
Tracking the Eternal-Feminine in Goethe's Faust II | p. 142 |
Dialektik der Vorstellungsarten als Prinzip in Goethes Faust II | p. 158 |
Das Drama als Ragout: Zur Metaphorik des Essens und Trinkens in Goethes Faust | p. 172 |
Goethe's Gothic Classicism: Antecedents to the Architecture of History in Faust II, Act III | p. 187 |
"alter tage fabelhaft Gebild": Goethes Mythen-bastelei im Faust II | p. 207 |
Goethe's Faust: Pre-Modern, Post-Modern, Proto-Postmodern | p. 219 |
Goethe's Faust at the Hands of Its Translators: Some Recent Developments | p. 231 |
Wandlungen des Faust-Bildes in Deutschland | p. 239 |
Directing Faust in America Today | p. 252 |
Faust-Inszenierungen in Deutschland, Frankreich und Italien seit 1980 | p. 262 |
Index of Names | p. 271 |
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