Preface | p. VII |
Acknowledgements | p. XV |
Introduction | p. XVII |
Tom Jones and the Odyssey | p. 1 |
Tristram Shandy and the Art of Gossip | p. 21 |
ôFemale Difficultiesö: Charlotte Lennox's The Female Quixote and Frances Burney's Camilla | p. 35 |
Waverley and the Aeneid: Scott's Art of Allusion | p. 55 |
Jane Austen and the Pleasure Principle | p. 75 |
Asking versus Telling: One Aspect of Jane Austen's Idea of Conversation | p. 95 |
ôA Contrariety of Emotionö: Jane Austen's Ambivalent Lovers in Pride and Prejudice | p. 117 |
Once More, with Feeling: The Structure of Mansfield Park | p. 129 |
Comic Symmetry in Jane Austen's Emma | p. 145 |
ôThe Sentient Target of Deathö: Jane Austen's Prayers | p. 163 |
The Genesis of Evelyn Waugh's Comic Vision: Waugh, Captain Grimes, and Decline and Fall | p. 181 |
Traditional Comedy and the Comic Mask in Kingsley Amis's: Lucky Jim | p. 203 |
Afterword | p. 221 |
Works Cited | p. 225 |
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