Janson's History of Art: Western Tradition, Volume 2

by Davies, Penelope J.E.; Denny, Walter B.; Hofrichter, Frima Fox; Jacobs, Joseph F.; Roberts, Ann M.; Simon, David

• ISBN13: 9780131934726
• ISBN10: 0131934724
• Edition: 7th
• Format: Paperback
• Copyright: 2007-01-01
• Publisher: Prentice Hall

Summary

For courses in the History of Art. Completely rewritten and reorganized, this groundbreaking edition weaves together the most recent scholarship, the most current thinking in art history, and the most innovative digital art library.Experience the new Janson and re-experience the history of art. Long established as the classic and seminal introduction to art of the Western world, the Seventh Edition ofJanson's History of Artis groundbreaking. When Harry Abrams first published theHistory of Artin 1962, John F. Kennedy occupied the White House, and Andy Warhol was an emerging artist. Janson offered his readers a strong focus on Western art, an important consideration of technique and style, and a clear point of view.The History of Art, said Janson, was not just a stringing together of historically significant objects, but the writing of a story about their interconnections, a history of styles and of stylistic change. Jansonrs"s text focused on the visual and technical characteristics of the objects he discussed, often in extraordinarily eloquent language. Jansonrs"sHistory of Arthelped to establish the canon of art history for many generations of scholars. The new Seventh Edition introduces the authorship of six distinguished specialists narrating the history of art for todayrs"s students. The contribution of multiple authors allows an expert's understanding to permeate each and every part of the text with a currency in art historical thinking and an enhanced discussion of context. The result is a complete rewriting and a weaving together of expert knowledge into a meaningful and powerful presentation of Western art.

Table of Contents

Preface	xiii
Faculty and Student Resources for Teaching and Learning with Janson's History of Art	xix
Introducing Art	xxi
PART THREE THE RENAISSANCE THROUGH THE ROCOCO
Art in Thirteenth- and Fourteenth-Century Italy	437	(32)
Church Architecture And The Growth Of The Mendicant Orders	438	(10)
The Franciscans at Assisi	439	(2)
Churches and Their Furnishings in Urban Centers	441	(4)
Expanding Florence Cathedral	445	(3)
Buildings for City Government: The Palazzo della Signoria	448	(1)
Painting In Tuscany	448	(15)
Cimabue and Giotto	449	(3)
Siena: Devotion to Mary in Works by Duccio and Simone	452	(6)
Pietro and Ambrogio Lorenzetti	458	(2)
Artists and Patrons in Times of Crisis	460	(3)
Northern Italy	463	(6)
Venice: Political Stability and Sumptuous Architecture	463	(1)
Milan: The Visconti Family and Northern Influences	464
Materials And Techniques: Fresco Painting and Conservation	442	(14)
Primary Sources: Agnolo di Tura del Grasso	456	(4)
Inscriptions on the Frescoes in the Palazzo Pubblico, Siena	460
The Art Historian's Lens: The Social Works of Images	454	(15)
Artistic Innovations in Fifteenth-Century Northern Europe	469	(34)
Courtly Art: The International Gothic	471	(5)
Sculpture for the French Royal Family	471	(2)
Illuminated Manuscripts: Books of Hours	473	(2)
Bohemia and England	475	(1)
Urban Centers And The New Art	476	(11)
Robert Campin in Tournai	477	(2)
Jan van Eyck in Bruges	479	(6)
Rogier van der Weyden in Brussels	485	(2)
Late Fifteenth-Century Art In The Netherlands	487	(6)
Aristocratic Tastes for Precious Objects, Personal Books, and Tapestries	487	(2)
Panel Paintings in Southern Netherlands	489	(1)
The Northern Netherlands	490	(3)
Regional Responses to The Early Netherlandish Style	493	(10)
France	493	(1)
Spain	494	(1)
Central Europe	495	(1)
Printing and the Graphic Arts	496	(3)
Printing Centers in Colmar and Basel	499
Materials And Techniques: Panel Painting in Tempera and Oil	479	(19)
Printmaking	498
Primary Sources: Cyriacus of Ancona (1449)	486	(6)
Fray Jose De Siguenza (1544?-1606)	492	(4)
From the Contract for the St. Wolfgang Altarpiece	496
The Art Historian's Lens: Scientific and Technical Study of Paintings	488	(15)
The Early Renaissance in Fifteenth-Century Italy	503	(52)
Florence, Ca. 1400-1430, Ancient Inspirations For Architecture And Architectural Sculpture	505	(6)
The Baptistery Competition	505	(2)
Brunelleschi and the Dome of the Florence Cathedral	507	(1)
Donatello and Nanni di Banco at Or San Michele	507	(3)
Brunelleschi's Ospedale degli Innocenti	510	(1)
Chapels And Churches For Florentine Families, 1420-1430	511	(8)
Brunelleschi at San Lorenzo	512	(3)
Brunelleschi at Santa Croce: The Pazzi Chapel	515	(1)
The Strozzi Family, Santa Trinita, and Gentile da Fabriano	515	(1)
Masaccio at Santa Novella	516	(2)
The Brancacci Chapel	518	(1)
Spread of The Florentine Style Spreads, 1425-1450	519	(3)
Pisa	520	(1)
Siena	521	(1)
Padua	522	(1)
Florence During The Era Of The Medici, 1430-1494	522	(9)
Sculpture and Architectural Sculpture	523	(4)
Florentine Churches and Convents at Mid-Century	527	(4)
Domestic Life: Palaces, Furnishings, And Paintings, CA. 1440-1490	531	(10)
Patrician Palaces	531	(2)
Heroic Images for Florentine Collectors	533	(1)
Paintings for Palaces	534	(5)
Portraiture	539	(2)
The Renaissance Style Reverberates, 1400-1500	541	(14)
Piero della Francesca in Central Italy	541	(3)
Alberti and Mantegna in Mantua	544	(2)
Venice	546	(4)
Rome and the Papal States	550
Materials And Techniques: Brunelleschi's Dome	508	(5)
Perspective	513
Primary Sources: In Praise of the City of Florence (c. 1403-1404) by Leonardo Bruni	505	(1)
Lorenzo Ghiberti (ca. 1381-1455)	506	(5)
Leon Battista Alberti	511	(21)
Domenico Veneziano Solicits Work	532	(4)
Giovanni Dominici Urges Parents to Put Religious Images in Their Homes	536
The Art Historian's Lens: The Theoretical Treatise	514	(4)
Patronage Studies	518	(37)
The High Renaissance in Italy, 1495-1520	555	(32)
The High Renaissance in Florence And Milan	556	(7)
Leonardo da Vinci in Florence	556	(1)
Leonardo in Milan	557	(5)
Reinventing the Female Portrait	562	(1)
Rome Resurgent	563	(17)
Bramante in Rome	563	(1)
Michelangelo in Rome and Florence	564	(3)
Michelangelo in the Service of Pope Julius II	567	(6)
Raphael in Florence and Rome	573	(7)
Venice	580	(7)
Giorgione	580	(2)
Titian	582
Materials And Techniques: Drawings	571
Primary Sources: Leonardo da Vinci (1452-1519)	560	(5)
Michelangelo Interprets the Vatican Pieta	565	(15)
On Raphael's Death	580
The Art Historian's Lens: Cleaning and Restoring Works of Art	573	(14)
The Late Renaissance and Mannerism in Sixteenth-Century Italy	587	(34)
Later Renaissance Florence: The Church, The Court, And Mannerism	588	(8)
Florentine Religious Painting in the 1520s	589	(1)
The Medici in Florence: From Dynasty to Duchy	590	(6)
Rome Reformed	596	(7)
Michelangelo in Rome	596	(5)
The Catholic Reformation and II Gesu	601	(2)
Mantua of The Gonzaga	603	(2)
The Palazzo del Te	605	(1)
Parma And Bologna	605	(3)
Correggio and Parmigianino in Parma	606	(2)
Lavinia Fontana in Bologna	608	(1)
Venice: The Serene Republic	608	(13)
Sansovino in Venice	609	(1)
Titian	610	(2)
Titian's Legacy	612	(5)
Andrea Palladio and Late Renaissance Architecture	617
Materials And Techniques: Oil on Canvas	610
Primary Sources: Michelangelo the Poet	598	(16)
From a Session of the Inquisition Tribunal in Venice of Paolo Veronese	614	(2)
Andrea Palladio (1508-1580)	616
The Art Historian's Lens: Iconography and Iconology	594	(27)
Renaissance and Reformation in Sixteenth-Century Northern Europe	621	(38)
France: Courtly Tastes For Italian Forms	621	(8)
Chateaux and Palaces: Translating Italian Architecture	622	(3)
Art for Castle Interiors	625	(4)
Spain: Global Power And Religious Orthodoxy	629	(3)
The Escorial	629	(1)
El Greco in Toledo	630	(2)
Central Europe: The Reformation And Art	632	(13)
Grunewald's Isenheim Altarpiece	633	(2)
Albrecht Durer and the Northern Renaissance	635	(6)
Religious and Courtly Images in the Era of Reform	641	(3)
Painting in the Cities: Humanist Themes and Religious Turnmoil	644	(1)
England: Reformation And Power	645	(2)
The Netherlands: World Marketplace	647	(12)
The City and the Court: David and Gossaert	649	(2)
Antwerp: Merchants, Markets, and Morality	651
Materials And Techniques: Making and Conserving Renaissance Tapestries	626	(5)
Primary Sources: Benvenuto Cellini (1500-1571)	631	(6)
Albrecht Durer (1471-1528)	637	(11)
Elizabethan Imagery	648	(6)
Karel Van Mander Writes About Pieter Bruegel the Elder	654
The Art Historian's Lens: The Economics of Art	650	(9)
The Baroque in Italy and Spain	659	(38)
Painting in Italy	661	(12)
Caravaggio and the New Style	662	(3)
Artemisia Gentileschi	665	(3)
Ceiling Painting and Annibale Carracci	668	(5)
Architecture in Italy	673	(10)
The Completion of St. Peter's and Carlo Maderno	673	(1)
Bernini and St. Peter's	674	(2)
Architectural Components in Decoration	676	(1)
A Baroque Alternative: Francesco Borromini	676	(4)
The Baroque in Turin: Guarino Guarini	680	(2)
The Baroque in Venice: Baldassare Longhena	682	(1)
Sculpture in Italy	683	(5)
Early Baroque Sculpture: Stefano Maderno	683	(1)
The Evolution of the Baroque: Gianlorenzo Bernini	683	(3)
A Classical Alternative: Alessandro Algardi	686	(2)
Painting in Spain	688	(9)
Spanish Still Life: Juan Sanchez Cotan	688	(1)
Naples and the Impact of Caravaggio: Jusepe de Ribera	688	(1)
Diego Velazquez: From Seville to Court Painter	689	(4)
Monastic Orders and Zurbaran	693	(1)
Culmination in Devotion: Bartolome Esteban Murillo	694
Materials And Techniques: Bernini's Sculptural Sketches	687
Primary Sources: Artemisia Gentileschi (1593-ca. 1653)	667	(25)
Antonio Palomino (1655-1726)	692	(5)
The Baroque in the Netherlands	697	(36)
Flanders	699	(11)
Peter Paul Rubens and Defining the Baroque	699	(6)
Anthony van Dyck: History and Portraiture at the English Court	705	(1)
Local Flemish Art and Jacobs Jordaens	706	(1)
The Bruegel Tradition	706	(1)
Still-Life Painting	707	(3)
The Dutch Republic	710	(11)
The Haarlem Academy: Hendrick Goltzius	711	(1)
The Caravaggisti in Holland: Hendrick Terbrugghen	711	(1)
The Haarlem Community and Frans Hals	712	(2)
The Next Generation in Haarlem: Judith Leyster	714	(1)
Rembrandt and the Art of Amsterdam	715	(6)
The Market: Landscape, Still-Life, And Genre Painting	721	(12)
Landscape Painting: Jan van Goyen	723	(1)
City Views Painting: Jacob van Ruisdael	723	(1)
Architectural Painting and Pieter Saenredam	724	(1)
Still-life Painting: Willem Claesz. Heda	725	(1)
Flower Painting and Rachel Ruysch	726	(1)
Genre Painting: Jan Steen	726
Intimate Genre Painting and Jan Vermeer	728!	(2)
The Exquisite Genre Painting of Gerard ter Borch	730
Materials And Techniques: Etching, Drypoint, and Selective Wiping	720
Primary Sources: Peter Paul Rubens (1577-1640)	701	(15)
The Art Historian's Lens: Authenticity and Workshop for Rubens and Rembrandt	716	(17)
The Baroque in France and England	733	(24)
France: The Style of Louis Xiv	735	(15)
Painting and Printmaking in France	735	(9)
French Classical Architecture	744	(5)
Sculpture: The Impact of Bernini	749	(1)
Baroque Architecture in England	750	(7)
Inigo Jones and the Impact of Palladio	750	(1)
Christopher Wren	751	(3)
John Vanbrugh and Hawksmoor	754
Primary Sources: Nicolas Poussin (ca. 1594-1665)	738	(5)
The Art Historian's Lens: Forgeries and The Book of Truth	743	(14)
The Rococo	757	(32)
France: The Rise of The Rococo	758	(12)
Painting: Poussinistes versus Rubenistes	759	(8)
The French Rococo Interior	767	(3)
England: Painting And Printmaking	770	(3)
William Hogarth and the Narrative	770	(1)
Thomas Gainsborough and the English Portrait	771	(2)
Joshua Reynolds	773	(1)
Germany And Austria And The Rococo in Central Europe	773	(4)
Johann Fischer von Erlach	775	(1)
Jakob Prandtauer	775	(1)
Balthasar Neumann	776	(1)
Dominikus Zimmermann	777	(1)
Italy	777	(12)
Govanni Battista Tiepolo and Illusionistic Ceiling Decoration	777	(1)
Canaletto	778
Materials And Techniques: Pastel Painting	763
Primary Sources: Jean de jullienne (1686-1767)	762	(12)
Sir Joshua Reynolds (1723-1792)	774	(8)
Additional Primary Sources For Part Three: Giovanni Boccaccio (1313-1375)	782	(1)
Petrarch (1304-1374)	782	(1)
Dante Alighieri (1265-1321)	782	(1)
Karel Van Mander (1548-1606)	783	(1)
Giorgio Vasari (1511-1574)	784	(1)
From the Canon and Decrees of the Council of Trent, 1563	785	(1)
Martin Luther (1483-1546)	785	(1)
Giovanni Pietro Bellori (1613-1696)	785	(1)
Filippo Baldinucci (1625-1696)	786	(1)
Constantijn Huygens (1596-1687)	786	(1)
Sir Christopher Wren (1632-1723)	787	(2)
PART FOUR THE MODERN WORLD
Art in the Age of the Enlightenment, 1750-1789	789	(34)
Rome Toward 1760: The Font of Neoclassicism	791	(2)
Artistic Foundations of Neoclassicism: Mengs, Batoni, Hamilton	791	(2)
Rome Toward 1760: The Font of Romanticism	793	(2)
Neoclassicism in England	795	(7)
Sculpture and Painting: Historicism, Morality, and Antiquity	795	(3)
The Birth of Contemporary History Painting	798	(1)
Architecture and Interiors: The Palladian Revival	799	(3)
Early Romanticism in England	802	(6)
Architecture and Landscape Design: The Sublime and the Picturesque	802	(3)
Painting: The Coexistence of Reason and Emotion	805	(3)
Neoclassicism in France	808	(15)
Architecture: Rational Classicism	808	(3)
The Sublime in Neoclassical Architecture: The Austere and the Visionary	811	(3)
Painting and Sculpture: Expressing Enlightenment Values	814	(3)
The Climax of Neoclassicism: The Paintings of Jacques-Louis David	817
Materials And Techniques: Josiah Wedgwood and Neoclassical Jasperware	796	(20)
Primary Sources: Denis Diderot (1713-1784)	816	(2)
Etienne Jean Delecruze (1781-1863)	818
The Art Historian's Lens: The Elusive Meaning of West's The Death of General Wolfe	799	(24)
Art in the Age of Romanticism, 1789-1848	823	(38)
Painting	825	(25)
Spain: Francisco Goya	825	(2)
England: Spiritual Intensity and the Bond with Nature	827	(7)
Germany: The Pantheistic Exemplar of Friedrich	834	(1)
America: Landscape as Metaphor and the Popularity of Genre	835	(3)
France: Neoclassical Painting in the Romantic Era	838	(4)
France: Painterly Romanticism and Romantic Landscape	842	(6)
Romantic Landscape Painting	848	(2)
Sculpture	850	(3)
Neoclassical Sculpture in the Romantic Era: Antonio Canova	851	(1)
French Romantic Sculpture: Breaking from the Classical Model	852	(1)
Romantic Revivals in Architecture	853	(8)
England: The Sublime and the Picturesque	854	(2)
America: An Ancient Style for a New Republic	856	(1)
France: Empire Style	857	(1)
Germany: Creating a New Athens	858
Materials And Techniques: Blake's Printing Process	829	(1)
Primary Sources: John Constable (1776-1837)	830	(16)
Eugene Delacroix (1798-1863)	846	(15)
The Age of Positivism: Realism, Impressionism, and the Pre-Raphaelites, 1848-1885	861	(42)
Realism in France	862	(19)
Realism in the 1840s and 1850s: Painting Contemporary Social Conditions	863	(5)
The Realist Assault on Academic Values and Bourgeois Taste	868	(5)
Impressionism: A Different Form of Realism	873	(8)
British Realism	881	(7)
The Pre-Raphaelite Brotherhood	882	(2)
The Aesthetic Movement: Personal Psychology and Repressed Eroticism	884	(4)
Realism in America	888	(4)
Scientific Realism: Thomas Eakins	888	(1)
Iconic Image and Naturalist Landscape: Winslow Homer and Albert Bierstadt	889	(3)
Photography: A Mechanical Medium For Mass-Produced Art	892	(6)
First Innovations	892	(1)
Recording the World	892	(3)
Reporting the News: Photojournalism	895	(1)
Photography as Art: Pictorialism and Combination Printing	896	(2)
Architecture And The Industrial Revolution	898	(5)
Ferrovitreous Structures: Train Sheds and Exhibition Palaces	898	(1)
Historic Eclecticism and Technology	899	(1)
Announcing the Future: The Eiffel Tower	900
Materials And Techniques: Impressionist Color Theory	876
Primary Sources: Lila Cabot Perry (1848?-1933)	874	(15)
James Abbott McNeill Whistler (1834-1903)	889	(9)
Charles Baudelaire (1821-1867)	898
The Art Historian's Lens: An Artist's Reputation and Changes in Art Historical Methodology	890	(13)
Progress and Its Discontents: Post-Impressionism, Symbolism, and Art Nouveau, 1880-1905	903	(42)
Post-Impressionism	905	(13)
Paul Cezanne: Toward Abstraction	905	(3)
Georges Seurat: Seeking Social and Pictorial Harmony	908	(3)
Henri de Toulouse-Lautrec: An Art for the Demi-Mond	911	(1)
Vincent van Gogh: Expressions Through Color and Symbol	912	(4)
Paul Gauguin: The Flight from Modernity	916	(2)
Symbolism	918	(11)
TheNabis	919	(1)
Other Symbolist Visions in France	919	(3)
Symbolism (Beyond) France	922	(3)
Symbolist Currents in American Art	925	(2)
The Sculpture of Rodin	927	(2)
Art Nouveau And the Search for Modern Design	929	(4)
The Public and Private Spaces of Art Nouveau	930	(3)
American Architecture: The Chicago School	933	(4)
Henry Hobson Richardson: Laying the Foundation for Modernist Architecture	933	(1)
Louis Sullivan and Early Skyscrapers	934	(1)
Frank Lloyd Wright and the Prairie House	935	(2)
Photography	937	(8)
Pictorialist Photography and the Photo Session	938	(2)
Documentary Photography	940	(2)
Motion Photography and Moving Pictures	942
Materials And Techniques: Lithography	911
Primary Sources: Paul Cezanne (1839-1906)	907	(10)
Paul Gauguin (1848-1903)	917	(9)
The Art Historian's Lens: Feminist Art History	926	(19)
Toward Abstraction: The Modernist Revolution, 1904-1914	945	(38)
Fauvism	946	(3)
Cubism	949	(5)
Reflecting and Shattering Tradition: Les Demoiselles d'Avignon	949	(3)
Analytic Cubism: Picasso and Braque	952	(1)
Synthetic Cubism: The Power of Collage	953	(1)
The Impact of Fauvism And Cubism	954	(16)
German Expressionism	954	(7)
Austrian Expressionism	961	(1)
Cubism in Paris after Picasso and Braque	962	(1)
Italian Futurism: Activism and Art	963	(3)
Cubo-Futurism and Suprematism in Russia	966	(2)
Cubism and Fantasy: Marc Chagall and Giorgio de Chirico	968	(2)
Marcel Duchamp And The Dilemma of Modern Art	970	(1)
Modernist Sculpture: Constantin Brancusi And Aristide Maillol	971	(3)
American Art	974	(2)
The Ashcan School	974	(1)
The Armory Show: Modernism Comes to America	974	(1)
America's First Modernists: Arthur Dove and Marsden Hartley	975	(1)
Early Modern Architecture in Europe	976	(7)
Austrian and German Modernist Architecture	976	(3)
German Expressionist Architecture	979
Materials And Techniques: The Woodcut in German Expressionism	958	(2)
Primary Sources: Wassily Kandinsky (1866-1944)	960	(9)
Kasimir Malevich (1878-1935)	969
The Art Historian's Lens: The Myth of the Primitive	951	(32)
Art Between the Wars	983	(54)
Dada	984	(9)
Zurich Dada and Jean (Hans) Arp	985	(1)
New York Dada: Marcel Duchamp	986	(1)
Berlin Dada	987	(4)
Cologne Dada	991	(1)
Paris Dada: Man Ray	992	(1)
Surrealism	993	(8)
Picasso and Surrealism	993	(3)
Surrealism in Paris	996	(2)
Representational Surrealism: Magritte and Dali	998	(1)
Surrealism and Photography	999	(1)
The Surrealist Object	1000	(1)
Organic Sculpture	1001	(3)
Jean Arp and Alexander Calder in Paris	1003	(1)
Henry Moore and Barbara Hepworth in England	1003	(1)
Creating Utopia	1004	(13)
Russian Constructivism: Productivism and Utilitarianism	1004	(3)
De Stijl and Universal Order	1007	(2)
The Bauhaus: Creating the ``New Man''	1009	(3)
The Machine Aesthetic	1012	(5)
Art in American: Modernity. Spirituality, and Regionalism	1017	(9)
The City and Industry	1017	(3)
Art Deco and the International Style	1020	(1)
Seeking the Spiritual	1021	(2)
American Regionalism and National Identity	1023	(1)
The Harlem Renaissance	1024	(2)
Mexican Art: Seeking a National Identity	1026	(3)
Diego Rivera	1026	(1)
Frida Kahlo and Manuel Alvarez Bravo	1027	(2)
The Eve of World War II	1029	(8)
America: The Failure of Modernity	1029	(2)
Europe: The Rise of Fascism	1031
Materials And Techniques: Reinforced Concrete	1013
Primary Sources: Hannah Hoch (1889-1978)	991	(15)
Barbara Hepworth (1903-1975)	1006	(2)
Piet Mondrian (1872-1944)	1008	(6)
Le Corbusier (1886-1965)	1014	(23)
Postwar to Postmodern, 1945-1980	1037	(40)
Existentialism in New York: Abstract Expressionism	1038	(7)
The Bridge from Surrealism to Abstract Expressionism: Arshile Gorky	1038	(1)
Abstract Expressionism: Action Painting	1039	(3)
Abstract Expressionism: Color-Field Painting	1042	(1)
New York Sculpture: David Smith and Louise Nevelson	1043	(2)
Existentialism In Europe: Figural Expressionism	1045	(1)
Rejecting Abstract Expressionism And Inventing New Mediums: American Art of The 1950s and 1960s	1046	(9)
Re-Presenting Life and Dissecting Painting	1046	(3)
Environments and Performance Art	1049	(2)
Pop Art: Consumer Culture as Subject	1051	(4)
Formalist Abstraction of The 1950s and 1960s	1055	(4)
Formalist Painting	1055	(3)
Formalist Sculpture	1058	(1)
The Pluralist 1970s: Post-Minimalism	1059	(6)
Post-Minimal Sculpture: Geometry and Emotion	1059	(2)
Earthworks and Site-Specific Art	1061	(2)
Conceptual Art: Art as Idea	1063	(1)
Television Art: June Paik	1064	(1)
Art With a Social Agenda	1065	(5)
Street Photography	1066	(1)
African-American Art: Ethnic Identity	1067	(2)
Feminist Art: Judy Chicago and Gender Identity	1069	(1)
Late Modernist Architecture	1070	(7)
Continuing the International Style: Ludwig Mies van der Rohe	1070	(1)
Sculptural Architecture: Referential Mass	1070
Primary Sources: Jackson Pollock (1912-1956)	1040	(13)
Roy Lichtenstein (1923-1997)	1053	(4)
Frank Stella (b. 1936)	1057	(10)
Romare Bearden (1911-1988)	1067
The Art Historian's Lens: Studying the Absent Object	1062	(15)
The Postmodern Era: Art Since 1980	1077
Architecture	1079	(10)
Post-Modern Architecture: A Referential Style	1079	(4)
New Modernisms: High-Tech Architecture	1083	(2)
Deconstructivism: Countering Modernist Authority	1085	(4)
Architecture, Experience, and Memory: Daniel Libeskind	1089	(1)
Postminimalism And Pluralism: Limitless Possibilities	1089
The Return of Painting	1090	(2)
Sculpture	1092	(2)
Deconstructing Art: Context as Meaning	1094	(4)
The Power of Installation and Video Art	1098	(3)
Many Styles, One Artist: Felix Gonzalez-Torres	1101	(1)
Preoccupation with the Body	1102	(2)
A World Art: Cai Gio-Qiang	1104
Materials And Techniques: Computer Aided Design in Architecture	1088	(11)
Primary Sources: Cindy Sherman (b. 1954)	1099	(2)
llya Kabakov (b. 1933)	1101	(4)
The Art Historian's Lens: The Changing Art Market	1105	(3)
Additional Primary Sources For Part Four: Sir William Chambers (1726-1796)	1108	(1)
Jean-Auguste-Dominique Ingres (1780-1867)	1108	(1)
Rosa Bonheur (1829-1899)	1108	(1)
Louis Sullivan (1856-1924)	1109	(1)
Paul Sheerbart (1863-1914)	1109	(1)
Filippo Tommaso Marinetti (1876-1944)	1110	(1)
Andre Breton (1896-1966) and Leon Trostky (1879-1940)	1110	(1)
Eva Hesse (1936-1970)	1110	(1)
Rosalind Krauss (b. 1940)	1110
Glossary	1	(1)
Bibliography	1	(1)
Index	1	(1)
Credits	1