List of Figures | p. xi |
Contributors to the Volume | p. xiii |
Introductory Essay: What is Jewish Theatre? | p. 1 |
The World of Yiddish | |
Ritual Space as Theatrical Space in Jewish Folk Theatre | p. 15 |
Jacob Gordin's Dialogue with Tolstoy: Di Kreytser Sonata (1902) | p. 25 |
Isaac Bashevis-Singer's Attitude to the Yiddish Theater as Shown in His Works | p. 49 |
Between Jews and Poles | |
Józio Grojseszyk: A Jewish City Slicker on the Warsaw Popular Stage | p. 65 |
The Polish Shulamis: Jewish Drama on the Polish Stage in the Late 19th-Early 20th Centuries | p. 81 |
Negotiating Identities in English, Italian and German | |
Jewish Languages and Jewish Characters in Giovan Battista Andreini's Lo Schiavetto | p. 101 |
"The Christian will turn Hebrew": Converting Shylock on Stage | p. 113 |
Philosemitism on the London Stage: Sydney Grundy's An Old Few | p. 133 |
Jewish Self-Presentation and the "Jewish Question" on the German Stage from 1900 to 1930 | p. 153 |
Popular Jewish Drama in Vienna in the 1920s | p. 175 |
Presence and Absence in the American Theatre | |
On Arriving Front and Center: American Jewish Identity on the American Stage | p. 199 |
Generational Shifts in American Jewish Theatre | p. 215 |
Performing the Holocaust/Debating Israel on Stage | |
Staying Ungooselike: The Holocaust and the Theatre of Choice | p. 241 |
Job's Soul and Otto Weininger's Torments: Jewish Themes in the Theatre of Hanoch Levin and Yehoshua Sobol | p. 257 |
Index | p. 269 |
Appendix | |
Abraham's Scene (introductory essay) | p. 285 |
Abraham (dramatic monologue) | p. 301 |
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