Acknowledgments | |
Introduction: Music, Disciplinarity, and Interdisciplinarity | p. 1 |
Rethinking Contemporary Music Theory | p. 13 |
Terminal Prestige: The Case of Avant-Garde Music Composition | p. 54 |
We Won't Get Fooled Again: Rock Music and Musical Analysis | p. 75 |
Liverpool and the Beatles: Exploring Relations between Music and Place, Text and Context | p. 90 |
The Invention of American Musical Culture: Meaning, Criticism, and Musical Acculturation in Antebellum America | p. 107 |
Adequate Modes of Listening | p. 129 |
"Out of Notes": Signification, Interpretation, and the Problem of Miles Davis | p. 147 |
Writing Ghost Notes: The Poetics and Politics of Transcription | p. 169 |
Sisterhood: A Loving Lesbian Ear Listens to Progressive Heterosexual Women's Rock Music | p. 204 |
Janacek's Jenufa and the Tyranny of the Domestic | p. 229 |
At the Twilight's Last Scoring | p. 258 |
Listening Subjects: Semiotics, Psychoanalysis, and the Music of John Adams and Steve Reich | p. 275 |
Contributors | p. 299 |
Index | p. 301 |
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